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 Posted:   Jul 24, 2012 - 3:27 PM   
 By:   Sir David of Garland   (Member)

I'm lately listening to "Jump for Joy", the album that Riddle did with Peggy Lee. Boy, does it move!



Please share your favorite things that Nelson Riddle did outside of film.

(I'd especially like to hear about the ones that are uptempo!)

 
 
 Posted:   Jul 25, 2012 - 2:22 AM   
 By:   filmusicnow   (Member)

I'm lately listening to "Jump for Joy", the album that Riddle did with Peggy Lee. Boy, does it move!



Please share your favorite things that Nelson Riddle did outside of film.

(I'd especially like to hear about the ones that are uptempo!)


There were the two television themes albums, which included his version of Barry Gray's "Supercar", and the main title he composed for "Naked Vity"'s final season.

 
 Posted:   Jul 25, 2012 - 3:26 PM   
 By:   MusicMad   (Member)

I have only 603* pieces of music by Mr. Riddle (incl. film music) so I may have to give this some thought.

But to start with, look no further than his seminal 1955 recording of I've Got You Under My Skin by Frank Sinatra. The whole Songs' for Swingin' Lovers! album is a perfect example of his arranging abilities and that song is simply superb in every note.

* it may be more as my database is not complete

Mitch

 
 
 Posted:   Jul 25, 2012 - 3:45 PM   
 By:   Disco Stu   (Member)

I'm still desparately waiting for the full score of the 1966 Batman (the only Batman that matters) TV series. It is such an important part of my life, one that I'm sure will never have on CD.

D.S.

 
 
 Posted:   Jul 25, 2012 - 9:33 PM   
 By:   OnyaBirri   (Member)

In the Wee Small Hours.

Each Intro is a brilliant mini-composition in its own right.

 
 Posted:   Jul 26, 2012 - 11:58 AM   
 By:   Sir David of Garland   (Member)

I'm surprised that Ock-man or Jim Phelps haven't had anything to say in this thread, gi-ganto Sinatra fans that they are.

 
 Posted:   Jul 26, 2012 - 3:27 PM   
 By:   Gary S.   (Member)

I saw Riddle backing Linda Ronstadt on her What's New Tour at the then Pine Knob Theater
(It is now DTE Theater) in SE Michigan. I was about 10 rows or so from the stage. She was just finisheing her second album with Riddle at the time so we got treated to songs from both LP's. A third LP followed. Love them all. But Riddle and his Orchestra behind Ronstadt was amazing. smile

 
 Posted:   Jul 26, 2012 - 3:37 PM   
 By:   Sir David of Garland   (Member)

I saw Riddle backing Linda Ronstadt on her What's New Tour at the then Pine Knob Theater
(It is now DTE Theater) in SE Michigan. I was about 10 rows or so from the stage. She was just finisheing her second album with Riddle at the time so we got treated to songs from both LP's. A third LP followed. Love them all. But Riddle and his Orchestra behind Ronstadt was amazing. smile


Neat!

How was his conducting? The musicians quoted in his bio had some interesting opinions about it.

 
 
 Posted:   Jul 26, 2012 - 7:09 PM   
 By:   OnyaBirri   (Member)

Linda was out of her league on those albums. Her approach is completely wrong for that style of music.

 
 Posted:   Jul 26, 2012 - 10:59 PM   
 By:   Gary S.   (Member)

Linda was out of her league on those albums. Her approach is completely wrong for that style of music.

I enjoy the hell out of those LPs, as I did the concert. I saw 2 concerts at that venue, the other was part of The Carpenters Final US Tour.

 
 Posted:   Jul 27, 2012 - 6:13 AM   
 By:   Mark Ford   (Member)

All of his Capitiol albums with Sinatra. For me at least, these represent the pinnacle in arranger/singer collaborations. Sinatra's innate muscianship and dedicated focus on his accompaniment played an important part in making their collaboration such a great one. They brought out the best in each other.

 
 
 Posted:   Jul 27, 2012 - 6:51 AM   
 By:   OnyaBirri   (Member)

What's always puzzled me about Nelson Riddle are that his own instrumental albums, for the most part, are nowhere near as adventurous as his arrangements for vocalists.

I posted earlier about his intros on the "Wee Small Hours" album. Imagine if there was an entire instrumental LP that sustained that kind of mood and invention.

 
 Posted:   Jul 27, 2012 - 12:19 PM   
 By:   MusicMad   (Member)

What's always puzzled me about Nelson Riddle are that his own instrumental albums, for the most part, are nowhere near as adventurous as his arrangements for vocalists.

I posted earlier about his intros on the "Wee Small Hours" album. Imagine if there was an entire instrumental LP that sustained that kind of mood and invention.


I'm inclined to agree that his instrumentals - with exceptions - are less interesting than his accompaniements.

I recently bought two double CDs of his works (most, if not all, from the 1950s), some instrumentals, some vocals. I can't listen to a whole 70min+ disc in one sitting (The Argentine Fire Brigade ... anyone?) but he was so talented that I can overlook such failures (his version of Carl Sigman's Robin Hood TV theme is the worst of several versions I own!) and simply enjoy his good works.

His scoring of Paint Your Wagon is simply brilliant.

But the thread was subtitled The Swingin' Thread and concentrating on such material - which doesn't include all of his Frank Sinatra recordings - means I have to be selective.

Mitch

 
 Posted:   Jul 27, 2012 - 12:39 PM   
 By:   Sir David of Garland   (Member)

All of his Capitiol albums with Sinatra. For me at least, these represent the pinnacle in arranger/singer collaborations. Sinatra's innate muscianship and dedicated focus on his accompaniment played an important part in making their collaboration such a great one. They brought out the best in each other.

Tell us some of your uptempo favorites, Mark.

 
 Posted:   Jul 27, 2012 - 12:42 PM   
 By:   Sir David of Garland   (Member)

Linda was out of her league on those albums. Her approach is completely wrong for that style of music.

I enjoy the hell out of those LPs, as I did the concert. I saw 2 concerts at that venue, the other was part of The Carpenters Final US Tour.


I half-agree with OB and half with GS.

I enjoyed the hell out of the set of three LP's back when they came out. I'm grateful to them for introducing me to Riddle's work, especially.

I'm finding that her vocals aren't as impressive to me now that I've lived another 25 years and heard others.

But she made it happen and brought a lot of popularity to this style of music again, so I'm grateful.

 
 Posted:   Jul 27, 2012 - 12:43 PM   
 By:   Sir David of Garland   (Member)

What's always puzzled me about Nelson Riddle are that his own instrumental albums, for the most part, are nowhere near as adventurous as his arrangements for vocalists.

I posted earlier about his intros on the "Wee Small Hours" album. Imagine if there was an entire instrumental LP that sustained that kind of mood and invention.


I'm inclined to agree that his instrumentals - with exceptions - are less interesting than his accompaniements.



In the Riddle bio, Terry Woodson agrees with you both. So do I.

 
 
 Posted:   Jul 27, 2012 - 6:54 PM   
 By:   filmusicnow   (Member)

What's always puzzled me about Nelson Riddle are that his own instrumental albums, for the most part, are nowhere near as adventurous as his arrangements for vocalists.

I posted earlier about his intros on the "Wee Small Hours" album. Imagine if there was an entire instrumental LP that sustained that kind of mood and invention.


I'm inclined to agree that his instrumentals - with exceptions - are less interesting than his accompaniements.

I recently bought two double CDs of his works (most, if not all, from the 1950s), some sinstrumentals, some vocals. I can't listen to a whole 70min+ disc in one sitting (The Argentine Fire Brigade ... anyone?) but he was so talented that I can overlook such failures (his version of Carl Sigman's Robin Hood TV theme is the worst of several versions I own!) and simply enjoy his good works.

His scoring of Paint Your Wagon is simply brilliant.

But the thread was subtitled The Swingin' Thread and concentrately on such material - which doesn't include all of his Frank Sinatra recordings - means I have to be selective.

Mitch


And don't forget he won an Oscar for Best Scoring Adaptation for "The Great Gatsby"!

 
 Posted:   Jul 30, 2012 - 11:59 AM   
 By:   Sir David of Garland   (Member)

Imagine if there was an entire instrumental LP that sustained that kind of mood and invention.

I heard samples of his "C'mon... Get Happy" instrumental LP. It comes pretty close!

http://www.allmusic.com/album/heylet-yourself-go!-cmonget-happy!-mw0000092027

 
 
 Posted:   Jul 30, 2012 - 3:55 PM   
 By:   OnyaBirri   (Member)

Imagine if there was an entire instrumental LP that sustained that kind of mood and invention.

I heard samples of his "C'mon... Get Happy" instrumental LP. It comes pretty close!



I don't know that one. I had the one is paired with, and after some needle drops, promptly dragged it right back to the thrift store.

 
 Posted:   Jul 31, 2012 - 3:00 PM   
 By:   Loren   (Member)

I'm lately listening to "Jump for Joy", the album that Riddle did with Peggy Lee. Boy, does it move!...

Very interesting. Any connection with this?

 
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