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 Posted:   Aug 17, 2012 - 5:38 AM   
 By:   Robert0320   (Member)

I have two top favorites: AMOK TIME (Fried) and THE CORBOMITE MANEUVER (Steiner).

 
 Posted:   Aug 17, 2012 - 5:41 AM   
 By:   Briggs1999   (Member)

A two way tie between Metamorphosis, and Who Mourns for Adonais?,

 
 Posted:   Aug 17, 2012 - 6:12 AM   
 By:   Browny   (Member)

Most of Fred Steiner's work is superb, but for me the most outstanding STAR TREK score is Sol Kaplan's THE DOOMSDAY MACHINE.

 
 
 Posted:   Aug 17, 2012 - 6:21 AM   
 By:   Broughtfan   (Member)

Most of Fred Steiner's work is superb, but for me the most outstanding STAR TREK score is Sol Kaplan's THE DOOMSDAY MACHINE.

Hi, Browny. Has been a while (I was formerly Bach-Choi on this board). Was in St. Kilda two years ago for about six weeks and regretted not letting you know beforehand. Hope all is well with you there in Vic.

Favorite Trek score? Honestly there are parts in all of them I love. So no single favorite, per se, but, as composition, I, like Browny, truly admire Kaplan's work (the integration of the Courage fanfare with his own music is simply seamless). His scores for The Enemy Within and The Doomsday Machine have an emotional resonance and seem to spring from a deep place.

 
 Posted:   Aug 17, 2012 - 8:07 AM   
 By:   Adam B.   (Member)

Another vote for Kaplan's THE DOOMSDAY MACHINE. The Constellation theme. The bombastic music for Decker's sacrifice. I never tire of it.

 
 Posted:   Aug 17, 2012 - 9:30 AM   
 By:   bdm   (Member)

Amok Time and Doomesday Machine are in the top list (the vulcan theme, entrance parade, and -- of course -- the fight music, and that great fanfare for the destroyed Constellation), but I also love Friday's Child and Who Mourns for Adonais (all of Friday's Child rocks, and that great closing fanfare, and that sad horn melody as Apollo tells of the demise of the Gods, the mournful reiteration as he fades away - used again in Cloud Minders). These two are the scores I will listen to on the set first, then go back and work my way through.

 
 Posted:   Aug 17, 2012 - 12:35 PM   
 By:   Other Tallguy   (Member)

As awesome as Doomsday Machine is (and it is) I'll have to go with Charlie X for being pure undiluted Star Trek.

I once figure out which stock shots of the Enterprise were used the most over the three seasons. I'll be curious to see which music cue got used the most.

 
 Posted:   Aug 17, 2012 - 12:52 PM   
 By:   Trent   (Member)

The Corbomite Maneuver and The Doomsday Machine are my top two.

 
 
 Posted:   Aug 17, 2012 - 1:13 PM   
 By:   Broughtfan   (Member)

And isn't it a travesty that none of these great "Star Trek" scores were nominated for Emmys? To quote Get Smart's Harry Hoo, 'Amazing.'

 
 
 Posted:   Aug 17, 2012 - 1:26 PM   
 By:   Faleel J Morricone   (Member)

Any of Gerald Fried's scores, my most listened to cue will be "Set course for Vulcan" (or whatever the title will be on this set) from Amok Time.

 
 Posted:   Aug 17, 2012 - 2:15 PM   
 By:   Sigerson Holmes   (Member)

And isn't it a travesty that none of these great "Star Trek" scores were nominated for Emmys? To quote Get Smart's Harry Hoo, 'Amazing.'


Perhaps it's time to look into the Emmy winners and start releasing more of those.

 
 
 Posted:   Aug 17, 2012 - 2:50 PM   
 By:   mnrvason   (Member)

Elaan of Troyius and The Doomsday Machine are my two favorites. Also, The Ultimate Computer as a close runner-up.

SheriffJoe

 
 
 Posted:   Aug 17, 2012 - 3:49 PM   
 By:   Broughtfan   (Member)

Elaan of Troyius and The Doomsday Machine are my two favorites. Also, The Ultimate Computer as a close runner-up.

SheriffJoe


Now, "The Ultimate Computer" would have been an ideal candidate for original score treatment. That said, the tracked score (mostly "Doomsday Machine" cues from what I remember) works quite well.

 
 
 Posted:   Aug 17, 2012 - 4:04 PM   
 By:   tex1272   (Member)

Works well in "The Deadly Years" as well.

 
 
 Posted:   Aug 17, 2012 - 4:12 PM   
 By:   Broughtfan   (Member)

Works well in "The Deadly Years" as well.

And in "The Immunity Syndrome" (along with Fried's music from "Amok Time" and S1 library cues).

 
 
 Posted:   Aug 17, 2012 - 4:18 PM   
 By:   Broughtfan   (Member)

Fred's score for "By Any Other Name" also has some great cues. The orchestration in the neutralizing sequences, like his S1 "zap cap/zap sam" music, is very inventive.

apples n' oranges, my friends - and nothing but good fruit in the bowl.

 
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