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I guess what this probably means is that the filmmakers want this one to sound like the other teen horror movies Beltrami's already done.
--Not that he isn't capable of scoring something different, of course. I hope he gets other chances to stretch.
On the other hand, suppose they let him try to emulate the score from the '76 version. Something more melodic, even romantic.
. . . Nah.
(What's the most-times-officially-remade movie in history, by the way? I'm guessing "Carrie" has quite a way to go still to top it, even if you count "Carrie 2" as a remake of sorts.)
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Good luck Marco,but to beat MR Dinniogio's score from 76, might be like trying to climb Mount Everest. Possible but a long shot.
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I would have preferred Powell too.
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Does Beltrami have a monopoly over remakes, re-imaginings, prequel, sequels?
Powell would have been nice.
He also seems to have a monopoly on replacing John Powell (there's something suspecious about that; maybe an agency relation, or the composers suggesting each other).
"Jonah Hex"
"Mad Max 4"
and now "Carrie"
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He also seems to have a monopoly on replacing John Powell (there's something suspecious about that; maybe an agency relation, or the composers suggesting each other).
"Jonah Hex"
"Mad Max 4"
and now "Carrie"
And Powell seemed to have a monopoly of replacing Carter Burwell
"The Bourne Identity"
"Gigli"
And I thought their was another one, but can't remember which one (but I could also be mistaken)
Anyway, I think Beltrami will deliver a solid score for this one (just like Chris Young, Beltrami can score this stuff in his sleep). Looking forward to this one, but I wonder what Powell would have done with it!
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