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I just now revisited an old favorite from 1981: OUTLAND. Peter Hyams wrote and directed this space thriller. He wisely chose Mr. Goldsmith for the music. Sean Connery and Peter Boyle are the adversaries. My very favorite performance in this film was given by an amazing actress named Frances Sternhagen. Prior to this film, I had only seen her in toothpaste commercials! When I did some research online, I discovered an incredible career! What an amazing performance she gave in this film, and what an amazing career she has had! I LOVE YOU, FRANCES STERNHAGEN!
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I'm with you, Octoberman! Frances could do no wrong!
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One of my favs of all time. Timeless in all regards and it looks tremendous on blu!
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Sternhagen is the best thing in the film. But, let's not forget James B. Sikking (spelling?) who was also great but had an unfortunate exit in the film. Francis Sternhagen I was fortunate enough to see in an off-Broadway play at The Vineyard Theatre off of Union Square in NYC. For the life of me I cannot recall it's name, but it was around 2000 or afterwards.
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I loved Sternhagen in this: almost the best part, really. I remembered her from something on TV in the 70's, but I can't find a credit from that period that fits in my memory.
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>>>>>>I don't know about Outland's source material--I'm sure it will be discussed here--but I love its sheer ugliness>>>>>>> It was written by Hyams himself, but as you say, it's an obvious homage to HIGH NOON, just reset in outer space and jettisoning the love interest - or at least relegating them to a out of reach distance. He was also heavily influenced by the look and design of ALIEN from two years previous, as his film also obviously uses that films' corporate humdrum, dirty lived-in look. It's a clunky, enjoyable thriller, the type that Hyams excelled at during 1977-1990 period and as folks say, it has a stomping Goldsmith score that elevates the film up another few notches.
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