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Wouldn't "Les Miserables" have been an obvious nominee if there were still an "Adapted Score" category?
Possibly, but given the through-sung nature of the film, there was very little incidental music that wasn't already directly from the stage show, and I think the credits that Anne Dudley and Stephen Metcalfe received on the film (I believe it was "Orchestrations" and, in Dudley's case, "Additional Music") might have precluded that.
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Bravo, Scott, for your thorough and insightful precis of certain important components of Oscar music history. Clearly, it was a labor of love,(and, clearly, lovable), and a mighty labor at that, which only your initiative and good will compelled you to perform.
Keep up the great work.
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Considering how important the sequel and/or The Trilogy Plus are to the film industry right now, I'm surprised the Song Score/Adaptation Category hasn't been brought back. You want you people to watch the oscars, Iron Man III has to get more than a Sound FX nomination.
Did They Mention the Music:
Future Weather- Erik Friedlander
'Apart from a noodly guitar score that sounds like it should be playing in every Park City coffee shop, and some too-emphatic dialogue about the evils of plastic water bottles, there’s almost nothing to criticize.'
The AVClub.com
Heh, 'noodly'...
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I don't know, "Best Sequel Score" doesn't seem a category likely to find much favor.
And Tyler's IRON MAN 3 probably wouldn't even qualify for Adaptation Score, since I suspect it will be an original effort not incorporating themes from Djawadi, Debney or Silvestri.
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