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Varese have released Sean Callery TV scores before, so I'm sure if it's possible, they would go for this highly successful series too. I really enjoy this show and BREAKING BAD, but they are two shows in which I never notice the music AT ALL! Obviously it's doing it's job without attracting my attention.
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Posted: |
May 10, 2015 - 2:33 AM
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By: |
johnbijl
(Member)
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I love this series and Callery's music within the series seems quite good; however, I cannot stand his music during the opening credits. It seems like random notes tossed here and there with a jazz undercurrent. It lacks any architecture and seems totally at odds with the camera tracking the streets of Pakistan. Even my tone deaf husband said he found the opening credits music grating because of the lack of synching to the visuals. But as I said, the music within each episode seems to work. Completely agree joan, I find the opening credits tune very annoying. Having watched the first two seasons for the first time in the last couple months, I was at first disappointed at the lack of music in the first season, then elated when more of Callery's work showed up in the second (and with increasing frequency, it seems). Here's hoping we get a CD eventually, especially if more 24 isn't going to happen! Agreed. The main titles of the series is annoyingly random. I get that they're trying to reflect Carrie's state of mind as Mike suggested, but it doesn't get me in to an episode. However, the main title music *without* the visuals is jazz I can get behind. Callery has it up on his website here: http://seancallery.com/video_slider/11/ About the rest of the score: it feels like an amalgam of Michael Small and Mark Isham. Not a bad thing! -- to use a litotes (1) (1) My friend Martin Shovel recently wrote a nice piece on this rhetorical device: http://www.theguardian.com/media/mind-your-language/2015/mar/26/litotes-the-most-common-rhetorical-device-youve-never-heard-of
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