 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Frankly, I don't see an angle for discussion here. That's basically the same question why art house movies are less often brought up in discussion as mega blockbusters. Or why IMDB discussion boards on said blockbusters feature a hundred new threads an hour, while often those of direct-to-DVD thrillers often have a single thread, or a couple. More people see or hear it, more people will talk about it.
That being said, there are essentially two types of film music lovers. Those who buy scores to the films they watched, mostly as a reminder of the movie, and those who buy the music and do not necessarily watch the film, or will never do so - the latter regard music as an independent entity, to be judged on its own terms. They are more likely to sample just anything that has the word "soundtrack" on it, or that reads "Composed and Conducted by". THAT discussion has been done many times over.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
