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Posted: |
May 15, 2016 - 8:53 AM
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By: |
Grecchus
(Member)
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I found it a very disappointing score, it gives the film a TV movie quality, and that is not a good thing.
It is not musical at all, more like a low rent Brian Eno impression. Throughout the movie I kept thinking how much better Gravity would be with a properly composed orchestral score.
Quite. A free, roman-crown Oscar without the diligence, and where is he now? The sound effects can bring on a sense of disquiet, that something bad is just coming into view, but it did not light up the fires of enthusiasm for me. In fact, the entire film content pretty much nose-dived when the Sandra Bullock character managed to re-enter the earth's atmosphere on something much, much less than a synth-fart.
I think the decision to go with the same non-musical approach used for Marooned was, perhaps, an homage to that earlier film's attempt to present a stark form of reality. In space you don't hear, so the director wanted to present the audience with an alternative to traditional audio support.
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