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The World, the Flesh and the Devil (1959)
Music by Miklos Rozsa
The World, the Flesh and the Devil The World, the Flesh and the Devil
Click to enlarge images.
Price: $14.96
Limited #: 3000
View CD Page at SAE Store
Line: Golden Age
CD Release: October 2002
Catalog #: Vol. 5, No. 15
# of Discs: 1

Released by Special Arrangement with Turner Classic Movies Music

The World, the Flesh and the Devil was one of two films released in 1959 that reduced a story about the destruction of civilization to purely human terms. While On the Beach (FSMCD Vol. 5, No. 7) detailed a long and agonizing countdown to the end of all human life on Earth, The World, the Flesh and the Devil posited the destruction of humanity by "sodium isotope gas," leaving only three survivors (played by Harry Belafonte, Inger Stevens and Mel Ferrer) who must rebuild their lives from the ashes of civilization's end.

The World, the Flesh and the Devil is one of three science fiction films Miklós Rózsa scored in his long career, the others being The Power (1968) and Time After Time (1979). Rózsa's grandiose music provides an epic backdrop for the end of all civilization, but also a human dimension for the characters and their struggles to maintain their sanity. Rózsa evokes his film noir scores in moody strokes for the first third of the film; embraces Leonard Bernstein-styled balletic jazz for a lighthearted sequence in which Belafaonte's character dances with his own shadows in desolate Manhattan; and develops a nostalgic love theme for the tentative romance between Ralph (Belfafonte) and Sarah (Stevens). The film and score conclude with a lengthy foot chase throughout the city in which Rozsa captures a cathartic transformation from darkness to light.

FSM's premiere CD features Rózsa's complete underscore to The World, the Flesh and the Devil in excellent stereo sound, including alternate and unused cues. The CD includes Rózsa's piano source music ("Nocturne") from late in the film, but not the Harry Belafonte songs (for contractual reasons) with which Rózsa had no involvement.

Miklos Rozsa Scores on FSM
About the Composer

Hungarian-born Miklós Rózsa (1907-1995) is a titan of film music. Responsible for such classic scores as Spellbound, Ben-Hur, King of Kings, El Cid and many others—from biblical epics to 1940s films noir to historical dramas—his signature style is one of the most pleasing and dramatic in film. He was under contract to M-G-M from 1948 to 1962 and FSM has released a great deal of this classic music; also available are his latter-period scores such as The Green Berets and Time After Time.IMDB

Comments (2):Log in or register to post your own comments
I just opened this cd and found solid, solid Rozsa dramatic scoring, plus those interesting stylistic bonuses that are mentioned in the notes. I especially liked the music later in the disc, when the mood of the film appears to have changed.

I can understand especially why he chose to excerpt the Prelude for other recordings, as it is a real curtain-raiser.

This reminds me of a small oversight in the notes. Rozsa's oeuvre actually contains not three but four films in the genre of science fiction. Overlooked here is The Man in Half Moon Street (1945), a version of Barre Lyndon's stage play that is better known from the 1959 Hammer remake, The Man Who Could Cheat Death.

Track List
Instruments/Musicians
Click on each musician name for more credits

Leader (Conductor):
Miklos Rozsa

Violin:
Sam Fiedler, Sam Freed, Jr., Werner L. Gebauer, Mort Herbert, Arnold T. Jurasky, Bernard Kundell, Joy Lyle (Sharp), Arthur Maebe, Sr., Lisa Minghetti, Irving Prager, Lou Raderman, Albert Saparoff, Dorothy M. Wade (Sushel), Byron Williams

Viola:
Cecil Figelski, Allan Harshman, Virginia Majewski, Reuben Marcus

Cello:
Alexander Borisoff, Julian Kahn, Raphael "Ray" Kramer, Michel Penha

Bass:
George F. Boujie, Mario Camposano, Arthur Shapiro

Flute:
Arthur Gleghorn

Oboe:
Arnold Koblentz

Clarinet:
Gus Bivona, Alex Gershunoff, Don Lodice (Logiudice), Hugo Raimondi, Howard P. Terry

Bassoon:
Charles A. Gould, Howard P. Terry

French Horn:
John W. "Jack" Cave, Vincent DeRubertis, Herman Lebow, Arthur Maebe, Jr.

Trumpet:
Uan Rasey, Joe Triscari, James C. Zito

Trombone:
Nick DiMaio, Richard "Dick" Nash, Herb Taylor

Piano:
Max Rabinowitsh

Guitar:
Alfred Viola

Harp:
Catherine Gotthoffer (Johnk)

Drums:
Frank L. Carlson, Mel Pedesky, D. V. Seber

Orchestrator:
Eugene Zador

Copyist:
Maurice Gerson, Donald J. Midgley, Fred Sternberg, Harry Taylor

Librarian:
Jules Megeff

© 2014 Film Score Monthly. All Rights Reserved.