Film Score Monthly
Screen Archives Entertainment 250 Golden and Silver Age Classics on CD from 1996-2013! Exclusive distribution by SCREEN ARCHIVES ENTERTAINMENT.
Wild Bunch, The King Kong: The Deluxe Edition (2CD) Body Heat Friends of Eddie Coyle/Three Days of the Condor, The It's Alive Ben-Hur Frantic Nightwatch/Killer by Night Gremlins
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
LOG IN
Forgot Login?
Register
Composer:
Keyword:
Line:
Month:
Year:
 
All Titles
Graphical | Text Only
Recent Releases
Graphical | Text Only
Golden Age Classics
Graphical | Text Only
Silver Age Classics
Graphical | Text Only
Retrograde Records
Graphical | Text Only
Box Sets
Graphical | Text Only
Composers
Site Map
Visits since
February 5, 2001:
14916936
© 2014 Film Score Monthly.
All Rights Reserved.
Return to FSM CDs Previous CD | Next CD
Inside Daisy Clover (1965)
Music by Andre Previn
Inside Daisy Clover Inside Daisy Clover Inside Daisy Clover
Click to enlarge images.
Price: $22.46
Limited #: 3000
View CD Page at SAE Store
Line: Golden Age
CD Release: April 2009
Catalog #: Vol. 12, No. 5
# of Discs: 2

Inside Daisy Clover (1965) was one of André Previn’s last film scores, and also one of his best: an expansive, quasi-musical song-score for the “fictional biopic” starring Natalie Wood as Daisy Clover, an overnight singing sensation in 1930s Hollywood who struggles against the dark forces of showbiz. 

Inside Daisy Clover was based on a novel by Gavin Lambert and brought to the screen by the producing-directing team of Alan J. Pakula and Robert Mulligan. In addition to Wood, the film stars Robert Redford (in an important early role) as a charismatic, bisexual movie star, Christopher Plummer as the tyrannical head of “The Swan Studio,” Roddy McDowall as Swan’s attaché, and Ruth Gordon as Daisy’s eccentric mother. The film received mixed reviews but has become a cult classic for its vivid performances and cynical depiction of Hollywood’s Golden Age.

André Previn was the best-possible choice to score Inside Daisy Clover, capable of both the film’s modern psychological scoring and authentic recreations of Golden Age movie musicals. (In addition, Previn, like the Daisy character, famously began his career as a teenager.) The composer and his lyricist wife Dory wrote three songs for the film: “You’re Gonna Hear From Me,” “A Happy Song” (deleted from the final cut, debuting here) and “The Circus Is a Wacky World,” orchestrated with gusto by Alexander Courage in the vibrant M-G-M musical tradition. Between the dynamic songs and Previn’s intense, sensitive and ineffably melodic underscore, Inside Daisy Clover is a masterwork and, though not his last film work chronologically, creatively the climax of Previn’s Hollywood career before he devoted his energies to other musical pursuits.

Previously released on LP in 1965, Inside Daisy Clover here receives a definitive 2CD presentation, remixed and remastered from the original ½" Warner Bros. three- and four-track stereo scoring masters. The recording was made by the legendary Dan Wallin and is amongst the cleanest and most vibrant ever presented on FSM. Disc one features the complete, chronological film score as well as a bonus section of alternate, early versions of cues. Disc two contains the LP assembly of the score as well as demos, source cues and alternate recordings of the songs; although Natalie Wood had hoped to do her own singing for the film, a professional Hollywood voice double (Jackie Ward) was hired to complete Daisy’s image as a singing prodigy. Disc two features Wood’s original, unused song performances as well as alternate takes by Ward.

As usual with FSM’s 2CD sets, the two discs contain nearly two-and-a-half hours of music—and the 32-page booklet may take that long to read, containing an essay on the film and score by Scott Bettencourt and complete track-by-track commentary by Lukas Kendall.  

Andre Previn Scores on FSM
About the Composer

André Previn (b. 1929) famously broke into film scoring at M-G-M while still a teenager—he was a child prodigy as a classical and jazz pianist who took to composing and arranging as well. In his twenties and thirties he scored numerous films and acted as music director for famous movie musicals like Gigi, Porgy and Bess and My Fair Lady. He largely retired from film in the late 1960s—fed up with Hollywood—to pursue a career as a classical conductor; he has also written operas and stayed active as a recording artist. Previn's early work as a film composer (much of it on obscure projects) is of startlingly high quality and FSM will continue to release it where possible. IMDB

Comments (4):Log in or register to post your own comments

Thanks to Bruce Kimmel, here's an ID of the unlisted demo vocalist on disc 2, track 14: Joanie Sommers.

Lukas

Well, the $32 I spent on the LP back in 1982 has just gone to waste. :D

(Actually that works out to about 3 tenths of a cent per day, so it's not bad.)

Seriously, though, this should be a fascinating listen, with all that extra music.

Man, I remember Joanie Sommers from quiz shows like Password & You Don't Say. How do you like that. 'S been ages since that name came up.

Man, I remember Joanie Sommers from quiz shows like Password & You Don't Say. How do you like that. 'S been ages since that name came up.[/endquote]

Joanie also was the recognizable "singing voice" in the Pepsi Cola--"For Those Who Think Young" commercials.

Track List
Instruments/Musicians
Click on each musician name for more credits

Leader (Conductor):
Andre Previn

Violin:
Israel Baker, David Berman, Henry Arthur Brown, Herman Clebanoff, Harold Dicterow, Baldassare Ferlazzo, Sam Freed, Jr., David Frisina, Jacques Gasselin, Howard W. Griffin, Anatol Kaminsky, George Kast, Marvin Limonick, Joseph Livoti, Dan Lube, Hillard Lubie, Jerome Joseph Reisler, Sam Ross, Joseph Stepansky, Dorothy M. Wade (Sushel), Harry Zagon

Viola:
Donald A. Cole, Alvin Dinkin, Cecil Figelski, Virginia Majewski, George Raymond Menhennick, Robert Ostrowsky, Sanford Schonbach, Milton Thomas

Cello:
Margaret Aue-Van Wyck, Justin DiTullio, Marie Fera, Anne Goodman (Karam), Armand Kaproff, Raphael "Ray" Kramer, Edgar Lustgarten, Kurt Reher, Nino Rosso, Emmet Sargeant, Joseph Saxon, Harold Schneier, Eleanor Slatkin

Bass:
Richard D. Kelley, Abraham Luboff, Peter A. Mercurio, Keith "Red" Mitchell

Flute:
Arthur Gleghorn, Martin Ruderman, Sylvia Ruderman

Oboe:
Arnold Koblentz

Clarinet:
Richard H. Anderson, Mitchell Lurie, John Neufeld, Hugo Raimondi

Bass Clarinet:
Dominick Fera

Bassoon:
Norman H. Herzberg, Jack Marsh

Saxophone:
Ronald Langinger (aka Ronny Lang)

French Horn:
John W. "Jack" Cave, James A. Decker, Vincent N. DeRosa, William A. Hinshaw, George W. Hyde, Arthur Maebe, Jr.

Trumpet:
Emanuel "Manny" Klein, Uan Rasey, Larry Sullivan, Raymond Triscari

Trombone:
Hoyt Bohannon, Richard Noel, George M. Roberts, Kenneth Shroyer, Lloyd E. Ulyate

Bass Trombone:
George M. Roberts

Tuba:
Sam Rice

Piano:
Russell Freeman, Pearl Kaufman (Goldman), Harper MacKay

Organ:
Eugene LePique

Harp:
Catherine Gotthoffer (Johnk), Denzil (Gail) Laughton

Drums:
Dale L. Anderson, Larry Bunker, Frankie Capp, Milton Holland, William Kraft, Chester Ricord

Orchestra Manager:
Kurt E. Wolff

© 2014 Film Score Monthly. All Rights Reserved.