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The April edition of FSM ONLINE is now live. In this issue, the cover story features MARK ISHAM and his sweeping score for the JACKIE ROBINSON biopic 42. Also in this issue are JOSEPH TRAPANESE discussing his collaboration with M83 on the score for Tom Cruise’s OBLIVION; an interview with ROQUE BAÑOS on his score for the EVIL DEAD remake; a 20th anniversary analysis of John Williams’ JURASSIC PARK; an audio interview with LEE HOLDRIDGE on DULCE ROSA, his new opera for Plácido Domingo; a JERRY GOLDSMITH/DAVID AMRAM-themed TORN PAGES; Garry Schyman’s BIOSHOCK INFINITE; checking back in with NFL Films composer SAM SPENCE; a HORN SOLO-themed EAR OF THE MONTH; more embedded audio clips, and more.
 
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Film Score Monthly Online
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Today in Film Score History:
March 30
Alan Menken wins his third and fourth Oscars, for Beauty and the Beast's score and title song (1992)
David Bell records his score for the Star Trek: Deep Space Nine episode “In the Pale Moonlight” (1998)
Dennis McCarthy and Kevin Kiner record their score for the two-part Star Trek: Enterprise episode “In a Mirror, Darkly” (2005)
Dimitri Tiomkin wins his third Oscar, for The High and the Mighty score (1955)
Ennio Morricone, inexplicably, doesn't win the Best Score Oscar for The Mission, which was pretty much the only score album anyone in Hollywood listened to during the late '80s; Herbie Hancock wins Oscar for Round Midnight score instead (1987)
Eric Clapton born (1945)
Georges Delerue begins recording his score for Rapture (1965)
Kan Ishii born (1921)
Luis Bacalov born (1933)
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