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The ever-hopeful January edition of FSM ONLINE is now live. Kicking off 2014, the cover story is an interview with PATRICK DOYLE on JACK RYAN: SHADOW RECRUIT, featuring a wealth of multimedia exclusives, including scoring session footage, and the composer demonstrating his themes at the piano. And hold on on to your seats for our annual YEAR IN REVIEW coverage, with diverse contributions from an array of contributors. Also in this issue: BENJAMIN WALLFISCH, discusses THE THIRTEENTH TALE and HOURS; an enormous look at the film music critic PAGE COOK; Part 2 of AN EVENING WITH GEORGE FENTON, in which the composer talks of his collaborations with Harold Ramis, Andy Tennant and more; a review of the London live-to-picture concert of THE ARTIST; a first-time TORN PAGES; more embedded audio clips, and more.
 
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Today in Film Score History:
March 24
Alberto Colombo died (1954)
Alex North wins an Honorary Oscar, “in recognition of his brilliant artistry in the creation of memorable music for a host of distinguished motion pictures;” John Barry wins his fourth Oscar, for the Out of Africa score (1986)
Arthur B. Rubnstein begins recording his score for WarGames (1983)
Brian Easdale wins only Oscar, for The Red Shoes score (1949)
Fred Steiner's score for the Star Trek episode "The City on the Edge of Forever" is recorded (1967)
Gabriel Yared wins the Dramatic Score Oscar for The English Patient; Rachel Portman wins the second Comedy or Musical Score Oscar, for Emma (1997)
John Barry begins recording his score for The Deep (1977)
John Barry wins his fifth and final Oscar, for the Dances With Wolves score; Stephen Sondheim wins first Oscar, for the song "Sooner or Later" from Dick Tracy (1991)
Michael Masser born (1941)
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© 2017 Film Score Monthly. All Rights Reserved.