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The June edition of FSM ONLINE is now live. In this month's cover story, RUPERT GREGSON-WILLIAMS discusses his score to the Patty Jenkins blockbuster WONDER WOMAN. Also this month, we take a look behind the scenes at La-La Land Records’ WONDER WOMAN (TV) 3-CD set; an interview with BRIAN TYLER about Tom Cruise's THE MUMMY; RAEL JONES scores the gothic romance MY COUSIN RACHEL and the anachronistic HARLOTS; an inspection of CONCERT MUSIC’s influence on film composition, including analyses of Bartok's CONCERTO FOR ORCHESTRA, Goldsmith's THE WIND AND THE LION, Ravel's DAPHNIS ET CHLOE, Williams' RETURN OF THE JEDI and much more; the second part of our extensive coverage of the TRIBECA FILM FESTIVAL, including chats with JEFF RUSSO and DANNY BENSI AND SAUNDER JURRIAANS, and attending the GODFATHER grand finale event; WONG'S TURN looks at the art of the needle-drop in movie soundtracks; going “behind bars” with SCOTT DOHERTY and ORANGE IS THE NEW BLACK; a FRANZ WAXMAN Gold Rush; a JOHN BARRY Score Restore of YOU ONLY LIVE TWICE; the Royal Philharmonic Concert Orchestra’s ELMER BERNSTEIN concert gets reviewed; more embedded audio clips, and more.

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Your Friends at FSM ONLINE

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Today in Film Score History:
December 19
Elmer Bernstein begins recording his score for Going Ape (1980)
Fred Karlin begins recording his score to The Autobiography of Miss Jane Pittman (1973)
Galt MacDermot born (1928)
Herbert Stothart begins recording his score for Northwest Passage (1939)
Michel Magne died (1984)
Paul Dessau born (1894)
Recording sessions begin for Frederick Hollander’s score for The Bride Wore Boots (1946)
Robert B. Sherman born (1925)
Roger Webb died (2002)
The Thief of Bagdad premieres in London (1940)
Walter Murphy born (1952)
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