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SEASON 1:
I have to be honest, my goal is to hear the scores by Velton Ray Bunch and Jerrold Immel.
"One Riot, One Ranger"
By: Jeff Sturges
Flute music by: J.C. High Eagle
Part 1: https://www.dailymotion.com/video/x5vj7w9
Part 2: https://www.dailymotion.com/video/x6i80kc
Highlights:
Part 1:
0:00 in.
5:13 in.
23:42 in.
36:11 in.
Part 2:
2:43 in.
33:14 in.
37:50 in.
52:35 in.
"Borderline"
By: Jeff Sturges
Flute music by: J.C. High Eagle
https://www.dailymotion.com/video/x6mkuwc
This is Sturges' final effort for the series.
Highlights:
0:00 in.
31:41/36:51 in.
44:04 in. The end credits music.
Presumably the end credits music is by Sturges.
"A Shadow in the Night"
By: John E. Davis
Flute music by: J.C. High Eagle
https://www.dailymotion.com/video/x6mkuwd
This is Davis' only effort for the series.
Highlights:
2:35 in. A brief statement of theme heard in the end credits.
3:38 in. Another cue using the theme, though it's got more of a country flavor to it.
9:18 in.
20:25 in.
22:06 in.
33:55 in. And after the commercial break.
38:20 in. I'm joining a cue already in progress.
Much better.
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Yikes, that's a total THIEF rip-off in the opening credits of the Bounty episode!
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If you're into Velton Ray Bunch, I recommend you try The Adventures of Brisco County Jr. next -- he and Stephen Graziano did some great work on that series, particularly early on while there was a still a budget for a full orchestra rather than a few live players + synths/samples, which is sadly where the series got to later.
Yavar
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Oh, I'm a fan. I may be his biggest fan on the board. I've probably heard more by Bunch than anybody on the board. Everybody's got favorite obscure composers I guess. :-)
I've contacted him, I've added missing projects he scored, to IMDb; added missing credits, offered to put anything else that was missing if he found something, I think I even offered to help do a basic simple website if he ever wanted to update the place.
His work on "Qauntum Leap" and "Enterprise" are probably my favorite works by him, this far in my listening experience. Believe it or not, I've not really sampled Brisco much yet, so I may have to take up that suggestion. I have a promo of a bunch of cues by Graziano, but that's it.
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Yeah I heard that Graziano promo and it's mostly small scale, short cues...from later in the season when the music budget was cut. He and Bunch did great full orchestral stuff for the first batch of episodes. Also, the TV show itself is just WONDERFUL. One of my very favorites, in fact! One of those Fox one-season wonders, and a fun mix of western and sci-fi predating Firefly.
Yavar
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Actually, I have another version with different selections for Brisco.
Continuing SEASON 2:
It's been slim pickens thus far, but I watched the series when it originally aired and I remember enjoying scoring by Stone, so I'm sticking with it.
"On Deadly Ground"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x5viz35
Highlights:
17:46 in.
21:55 in.
42:40 in.
Some live acoustic guitar has certainly helped.
"Right Man, Wrong Time"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x5viz37
Highlights:
18:45 in. Some country-style music.
24:17 in. A tender acoustic guitar and strings piece.
28:08 in.
31:04 in.
"The Prodigal Son"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x5viz2w
Highlights:
12:53 in.
17:30/20:54 in.
"The Committee"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x6ie6h1
Highlights:
27:03 in.
43:05 in.
46:40 in.
With a plot idea "Angel" later borrowed for the final season.
"Deadly Vision"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x5viz32
Highlights:
6:08 in.
"Skyjacked"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x5viz34
Highlights:
0:05 in.
9:08/9:49 in.
Some parts of the score have similarities heard in his score to the episode "Silent Enemy" from the awful "Enterprise" series.
Normally in any TV series, when a bad guys is escaping in a car chase and other vehicles swerve to avoid the bad guy or get hit, the people always live, just run into something, spin out, etc., but here two cars crashed into each other and exploded, killing the innocent drivers.
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Finishing SEASON 2:
"The Long Haul"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x6e2ghh
Highlights:
2:28 in.
3:40/4:50/6:15 in.
9:50 in.
18:13 in.
29:44 in.
40:19 in.
What a different even a small group of real players can make. Now the synths are augmenting, rather than taking over. It's like a combo of "Dr. Quinn, Medicine Woman", part "Quantum Leap" material, and sort of part "Wiseguy" (the final season, which he scored).
"Rampage"
By: Velton Ray Bunch
https://www.dailymotion.com/video/x5vj08x
Highlights:
33:04 in.
45:50 in.
"The Reunion" (AKA: "Deadly Reunion: Part 1")
By: Velton Ray Bunch
No link since no highlights are mentioned.
Highlights:
Nothing.
Speaking of "Wiseguy", there's ol' Frank McPike (actor Jonathan Banks). Playing a bad guy here. I kept waiting to hear at least part of the "Wiseguy" theme as an in-joke.
"Stolen Lullaby" (AKA: "Deadly Reunion: Part 2")
By: Velton Ray Bunch
https://www.dailymotion.com/video/x6igtpp
This is Bunch's final effort for the series.
Highlights:
16:42 in.
25:00 in.
34:07 in. Kind of reminds me of material from "Dr. Quinn, Medicine Woman".
34:57 in. Same as the above example.
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SEASON 3:
There's a new opening theme and pictures to go with it, by Immel. It's unusual.
"Badge of Honor"
By: Jerrold Immel
https://www.dailymotion.com/video/x5vj091
Highlights:
21:04 in.
Another small budget takes down another talented composer. Sad.
Trivette: "You can kiss my black--"
"Branded"
By: No composer credited. *
https://www.dailymotion.com/video/x6igtrx
Highlights:
0:00 in.
2:46 in. If only this has been fully performed with real players, this might have been a heck of a cue.
14:35 in.
18:35 in.
21:35 in.
23:45 in.
37:04 in.
* = While no composer is credited, none of this is tracked and it's got a theme running through various cues. Maybe I'll run it by Immel and see if he remembers what happened.
A lot of cheap-sounding synthesizer stuff. I wonder if this was a last-minute replacement score.
The way it sounds, I'm surprised they let it air like this.
Given the theme veers a little close to a theme from an episode of "Gunsmoke" he scored ("Matt Dillon Must Die!") and that Craig Huxley worked with him on this series (uncredited) and that Huxley has the synthesizer experience, I'm inclined to say this score is written (mostly) by Immel and performed by Huxley. Huxley does has ASCAP credits for cues, so he undoubtedly did some of this.
C.D.: "You know, I was talkin' to folks tonight and a lot of people don't realize the branding-iron helped win the west. It helped win America. Yup, that branding-iron says 'This is mine'. America is one of the few countries that still respects that. You know, when someone comes to take what you got, there's always a bunch of people like ol' Billy Cox to say 'No ... no, you ain't gonna do that'."
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Continuing SEASON 3:
NOTE: ASCAP shows Sturges for end credits music, which I assume was just season one and not for season two.
"Silk Dreams"
By: Jerrold Immel
No link since I didn't give any highlights.
Highlights:
Nothing.
"Mustangs"
By: No composer credited *
https://www.dailymotion.com/video/x5vj09x
Highlights:
0:00/1:17 in.
2:26 in.
* = Another episode score with no composer credited, but running ideas, like "Branded", also with cheap-sounding synths.
"Till Death Do Us Part"
By: Jerrold Immel
https://www.dailymotion.com/video/x5vj09y
Highlights:
0:44 in.
29:28/38:00 in. Kind of reminds me of the soft string theme Ron Jones did on an episode of "Star Trek: The Next Generation" ("Who Watches the Watchers?").
42:28 in.
"Rainbow Warrior"
By: No composer credited *
https://www.dailymotion.com/video/x6n0wcu
Highlights:
4:50 in.
11:28 in.
21:54 in.
23:42 in.
38:00 in.
49:30 in.
* = Another episode score with no composer credited, but running ideas, like "Branded" and "Mustangs", also with cheap-sounding synths. It's ridiculous they let out a prime-time drama show with scores that sound like a then Saturday morning PBS kids show. This was 1994, when synths scores to even TV series like "The X-Files" sounded miles above this.
Based on later efforts below and similar samples, I'd again speculate this os a score mostly by Immel and performed by Huxley with some additional material by him as well.
"The Road to Black Bayou: Part 1"
By: Jerrold Immel
https://www.dailymotion.com/video/x5vj0a3
Highlights:
22:55 in.
42:35 in.
"The Road to Black Bayou: Part 2"
By: Jerrold Immel
https://www.dailymotion.com/video/x5vj0a6
Highlights:
37:07/39:30 in.
"I tripped!"
Ugh. Fuck you, writers.
"Line of Fire"
By: Jerrold Immel
https://www.dailymotion.com/video/x5vj0a7
Highlights:
3:25 in.
9:00 in.
33:00 in.
38:40 in.
43:10 in.
"Payback"
By: No composer credited *
https://www.dailymotion.com/video/x5vj0a8 (link included just to showcase the cheap-sounding score, especially that closing cue)
Highlights:
Nothing.
* = Another episode score with no composer credited, but running ideas, like "Branded" and "Mustangs", also with cheap-sounding synths.
Based on later efforts below and similar samples, I'd again speculate this is a score mostly by Immel and performed by Huxley with some additional material by him as well.
"Tiger's Eye"
By: Jerrold Immel
No link since I didn't give any highlights.
Highlights:
Nothing.
"The Big Bingo Bamboozle"
By: Peter Bernstein
https://www.dailymotion.com/video/x5vj09w
This is Bernstein's only effort for the series.
Highlights:
14:30 in.
29:29 in.
39:13 in.
40:54 in. Here's Bernstein doing a cross between Tim Truman's "Miami Vice" work and with Jan Hammer thrown in.
43:30 in. Joining a cue in progress.
And now, halfway into the third season of the show, the series now has it's famous theme song.
Sometimes Walker's pick up is grey, sometimes it's blue.
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Continuing SEASON 3:
"Money Train"
By: Jerrold Immel
https://www.dailymotion.com/video/x6n0wbo (load is slowed down)
They couldn't even be bothered to spell his name correctly, crediting him as Jarrold
Immel.
Highlights:
11:50 in.
27:10 in.
Walker: "When you live in the edge, you're never far from falling off."
"Mean Streets"
By: Christopher Franke
https://www.dailymotion.com/video/x5vj0a2
Highlights:
28:15 in.
39:02 in.
"Cowboy"
By: No composer credited *
https://www.dailymotion.com/video/x482mc4
Highlights:
6:05 in.
15:22/16:42 in.
17:55 in.
* = Same as episodes like "Branded" and "Mustang".
"War Zone: Part 1"
By: Jerrold Immel
https://www.dailymotion.com/video/x5vj0a5
These are Immel's final credited efforts for the series.
Highlights:
40:58 in.
44:43 in.
"War Zone: Part 2"
By: Jerrold Immel
https://www.dailymotion.com/video/x5vj0kj
These are Immel's final credited efforts for the series.
Highlights:
5:13 in.
22:40 in.
32:20 in.
My Twilight Zone suspension of disbelief doesn't let me go the level required to believe the same yellow truck can follow an armored security money collecting truck around for hours and hours three car lengths back and make me think that would work. That's suspension of my brain altogether needed!
"Trust No One"
By: Christopher Franke
https://www.dailymotion.com/video/x6ehslx
Highlights:
0:00 in.
About 20:15 in.
27:10 in. Joining a cue already in progress.
40:13 in.
"Blue Movies"
By: Christopher Franke
https://www.dailymotion.com/video/x6n0wb5
Highlights:
44:20 in. Joining a cue already in progress.
Well, that's it until Tuesday. Tuesday: more Franke, and finally we arrive at Stone.
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After hurricane Michael put the kibosh on me for five weeks, I now have some normalcy back, with being online almost every day of the week now.
Continuing SEASON 3:
"On Sacred Ground"
By: Christopher Franke
https://www.dailymotion.com/video/x6n0w4d (this load is slowed down)
Highlights:
0:00 in.
12:40 in.
26:40 in.
32:43 in.
48:15 in.
The only Franke score so far for the series I can say I enjoyed.
"Case Closed"
By: Christopher Franke
https://www.dailymotion.com/video/x5vj0kn
Highlights:
5:07/44:44 in. Franke's take on "The X-Files"-like scoring.
8:03/14:35 in.
8:55 in. More Mark Snow impersonating.
21:27 in.
39:20 in.
Another score from Franke I enjoyed, but because it was primarily a Mark Snow pastiche.
Gah, I hate these X-Files knock-off episodes.
Fake exchange to demonstrate when series do things like this:
"Aliens!"
LATER:
"Oh, wait, no, it wasn't aliens. Sorry, my bad."
Cahill: "Why do I feel so vulnerable out here all of the sudden?"
Walker: "Even with me?"
"Flashback: Part 1"
By: Christopher L. Stone
https://www.dailymotion.com/video/x6w00pt (load slowed down)
This is Stone's first effort for the series.
Highlights:
3:30 in.
5:45 in.
9:08 in.
12:27 in.
2032/27:52 in.
22:50 in. I'm joining a cue already in progress. The FX is eventually died down to zero for a minute.
39:39 in.
Some things were dropped from the original way the series started but I love how they kept one aspect for sure: right before Walker makes his arrests, he walks around his pickup and puts the gate down in advance of loading them.
Walker: "Hold it, boys; lets do this the easy way: just go back there and jump in the back of the truck."
Buford: "You gotta be kidding."
Walker: "Well, it was worth a try."
"Flashback: Part 2"
By: Christopher L. Stone
https://www.dailymotion.com/video/x6qkdqg (load slowed down)
Highlights:
10:10 in.
29:25/30:37 in.
37:05 in.
46:30 in.
49:54 in.
"You know, that son of a bitch is hard to kill."
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Finishing SEASON 3:
"Standoff: Part 1"
By: Christopher Franke
https://www.dailymotion.com/video/x6n0wbx (load slowed down)
Highlights:
20:00 in.
43:53 in. Joining a long cue already in progress, but it's mostly atmospheric stuff until this point. Continues passed the commercial break.
47:52 in.
49:07 in.
51:38 in.
That's the most crowded hotel lobby full of awkward actors I've ever seen. Seriously, could some of them be anymore awkward and look at the camera?
Good ... lord. I can't say this is when the show jumped the shark, but I can say it jetpacked the roof.
Trivette: "You got to admit a lot of what he says makes sense, partner."
Walker: "It always makes sense until they get elected."
"Standoff: Part 2"
By: Christopher Franke
https://www.dailymotion.com/video/x6n0waq (load slowed down)
Highlights:
6:10 in.
16:28 in. Again, joining a cue long already in progress.
28:38 in.
51:19 in.
Walker isn't killing all these men, so they can, you know ... regain consciousness and keep coming after him. Fuck, why let that get into the way of the script.
I've pointed this out before in other threads, but ANOTHER one of those episodes of a TV series where an extra doesn't know how to mop. It's again like the director's direction was:
"Okay, push the bucket to a random spot and pretend like you don't know how to mop. Action!"
(if I had a Youtube channel with videos like CinemaSins, I'd totally be pointing this out every time!)
C.D.: "They all make a mistake sooner or later."
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SEASON 4:
"Blown Apart"
By: Christopher Franke
https://www.dailymotion.com/video/x5vj0kv
Highlights:
0:00 in.
18:55 in.
26:08 in. Joining a cue already in progress.
30:07 in.
What awful dreck. A month or two ago CinemaSins started a separate channel for sins for episodes of TV series -- surely this is a contender.
"Deep Cover"
By: Christopher Franke
https://www.dailymotion.com/video/x5vj0kx
Highlights:
25:07 in.
33:46 in.
36:41 in.
"The Guardians"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0ky
Highlights:
8:14 in.
27:00 in. It continues after the commercial break.
31:04 in.
37:56 in.
40:45 in.
One scene it's night time during the climax, then it goes to commercial break, and now it's broad daylight. Did they think nobody would notice?
"Collision Course"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5rvz75
Highlights:
Nothing.
"Point After"
By: Ron Ramin
https://www.dailymotion.com/video/x5vj0l1
Ramin's first effort for the series.
Highlights:
2:10 in.
3:50 in. You'd think you were listening to some Mark Snow score from "The X-Files", if not for the country guitar.
9:30 in.
18:38 in.
36:10 in.
38:30 in.
40:12 in.
44:01 in.
I like how Ramin's scores rely less on synths.
Randomly-appearing new character is randomly appearing!
"Evil in the Night"
By: Christopher Franke
https://www.dailymotion.com/video/x5vj0l3
Highlights:
17:37 in.
40:16 in. Only to about 41:00 in.
Okay, this may be a jumped the shark moment -- ghosts rising from the ground and killing people.
This episode is bad, too, but not as bad as "Blown Apart".
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Continuing SEASON 4:
"Final Justice"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0kw
Highlights:
24:25 in.
36:10 in.
40:36 in.
And the season of clichéd plots continues.
"The Lynching"
By: Ron Ramin
https://www.dailymotion.com/video/x5vj0l0
Highlights:
0:00 in.
10:58 in.
13:02 in.
16:05 in.
21:20 in.
29:25 in.
34:00 in.
37:50 in.
42:30 in.
And the season of clichéd plots still continues.
"Whitewater: Part 1"
By: Christopher L. Stone
https://www.dailymotion.com/video/x6n0wg5 (load slowed down)
Highlights:
0:00 in.
5:33 in.
7:27/11:11/18:00 in. *
27:15 in.
32:55 in.
48:04 in. Continues after the commercial break.
This may be the first truly good score of the series. Only took getting to season four.
* = I'd really like to get ahold of the score to this episode, especially the bits here (I left out one short piece which would make a good opening) and edit and re-arrange them into a suite.
And the season of clichéd plots rages like a whitewater river.
"Whitewater: Part 2"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0l4
Highlights:
0:00 in. Picks up where Part 1 left off.
10:10 in. And after the commercial break.
About 17:40 in. Joining a long cue already in progress.
20:49 in.
25:27/28:08 in.
20:49 in.
35:22 in.
38:30 in.
Also some good stuff here, too. More like a film score on a low budget.
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Continuing SEASON 4:
"The Covenant"
By: Christopher L. Stone
https://www.dailymotion.com/video/x6er5ni
Highlights:
3:24 in.
7:36 in.
35:57 in.
Well, the writing, acting and direction has gotten better. Still not what it could be.
C.D.: "You come back around here one more time and I'll plant this shotgun so deep in your butt they'll heard the echoes in Houston!"
"Rodeo"
By: Ron Ramin
https://www.dailymotion.com/video/x5vj0uf
Highlights:
1:45 in.
14:40 in.
19:22 in. Owing, of course, to Copland's piece Hoedown.
33:05 in.
38:50 in.
44:45 in.
"Flashpoint"
By: Christopher Franke
https://www.dailymotion.com/video/x5vj0ug
Highlights:
0:00 in.
17:18 in.
24:19 in.
35:35 in.
Once again another episodes of a TV series perpetuating the myth that grenades not only wait a few second to explodes -- just long enough for you to run off or duck behind something -- but also have no blast radius, that they're essentially fancy cherry bombs.
"Break-In"
By: Christopher Franke
https://www.dailymotion.com/video/x5vj0uh
Highlights:
28:13 in.
32:24 in.
36:55 in.
43:50 in.
"The Return of LaRue"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0ui
Highlights:
9:46 in.
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Finishing SEASON 4:
"Deadline"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0uz
Highlights:
4:54 in.
7:47 in.
13:50/15:30 in.
21:50 in.
36:14 in.
38:34 in.
Magical vans where bullets only break windows and bounce off the rest of the car!
"The Siege"
By: Ron Ramin
https://www.dailymotion.com/video/x5vj0v0
Highlights:
0:00 in.
10:06 in. Laid-back strings and acoustic guitar. Ron does this well. Mostly SFX free.
12:35 in.
14:54 in.
24:19 in.
29:30 in.
32:25 in.
35:00 in.
43:17 in. Yeah, I know it's a short outro, but it's pleasant.
Ron would have made a good "In the Heat of the Night" composer. His country-flavoring would have worked well on "King of the Hill", too.
A thoughtful villain --a rarity in the series.
Magical bullets that can make a vehicle explode with one shot, despite that it's nearly impossible to do that even when shooting the gas tank ("Mythbusters"covered it).
"The Moscow Connection"
By: Gary S. Scott
https://www.dailymotion.com/video/x5vj0v2
This is Scott's only effort for the series.
I noted many years ago, probably back when the episode originally aired (guilty of having watched the series!), that I liked the score. Let's see how it holds up now...
Highlights:
054 in.
2:54 in.
5:07 in.
11:00 in.
1330 in.
15:57 in.
20:58 in.
30:12 in.
33:57 in.
36:42 in.
43:07 in.
More synths, but like Stone, Scott is big on ideas instead of pads and moods, and tries to be more filmic in approach.
Trivette: "Wow," reading a book.
Walker: "What?"
Trivette: "Listen to this: No one, not even a lover, looks at you as intensely and closely as someone who intends to knock you out in the ring. I could actually feel my opponent's eyes drilling into me; examining my slightest movement, measuring my breathing, calculating my physical condition. And I did the same to him. It's no exaggeration to saying winning or losing a bout is directly related to concentration," puts the book down, "Wow."
Walker: "What's the name of that book?"
Trivette: "Secret Power Within."
Walker: "Who wrote it?"
Trivette: "Chuck Norris."
Walker: "Never heard of him."
Trivette: "You never heard of Chuck Norris?"
Walker: "Um un."
Trivette: "Four-time world karate champion?"
Walker: "six..." Walker says in a low voice.
(0:20 in, if you want to hear/watch the exchange)
"Miracle at Middle Creek"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0v4
Highlights:
0:00 in.
5:07 in.
39:05 in.
43:24 in.
"Hall of Fame"
By: Ron Ramin
https://www.dailymotion.com/video/x5vj0v6
Highlights:
6:10 in.
9:11 in.
16:17/17:54 in.
24:42 in. Yet another cue you'd think would be by Mark Snow, until the country flavor kicks in.
37:40 in.
41:50 in. Another Mark Snow-sounding piece. Ron has a way of making piano pieces in similar veins.
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SEASON 5:
"Higher Power"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0ux
Ugh, please don't be one of those awful little boy is an important Buddhist reincarnation plots...
Highlights:
10:06 in.
12:53 in. A solo shakuhachi piece.
16:13 in.
17:16 in. With some Japanese percussion chase music.
20:09 in.
25:10 in.
35:05 in.
39:20 in. Different composer, but most of this sounds like something Mark Snow would have done.
43:21 in. Another Mark Snow-sounding piece (well, the string work).
Plenty of Japanese instruments to flavor this score enough to make it different from other Stone
efforts.
...Goddamnit, it is one of those clichéd plots. A bad episode.
"Wait, this isn't one of your Cherokee things, is it?" says Trivette on reincarnation, who was witness to flying Indian ghosts who were killing people a season or two ago.
"Patriot"
By: Christopher L. Stone
https://www.dailymotion.com/video/x6qiz6c (load slowed down)
Highlights:
1:12 in. Some lightly whimsical stuff.
4:07 in.
12:30 in.
15:08 in.
18:44 in.
24:33 in.
49:39 in.
A bad episode.
Walker: "Why did I ever teach you this?" Walker says while Alex has him in a headlock.
"Ghost Rider"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5vj0v3
Highlights:
14:34 in.
20:25 in.
23:19 in.
30:09 in.
41:39 in.
A bad episode.
Once again Trivette isn't believing he is seeing a ghost, even though, as I just pointed out episodes ago, a season or two ago he was witness to Indian ghosts attacking and killing people. This is Dana Scully-level madness; Scully witnesses something, then immediately reverts back to a not believing.
"The Brotherhood"
By: Christopher L. Stone
https://www.dailymotion.com/video/x5rvykz
Highlights:
10:47 in.
19:35 in.
30:40 in.
33:43 in.
36:48 in.
A bad episode.
"Plague"
By: Ron Ramin
https://www.dailymotion.com/video/x5vj0v7
Highlights:
20:02 in.
23:00 in.
26:22 in.
28:32 in.
30:35 in.
39:25 in.
Another bad episode.
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