Hi there, I recently put out my 2nd album of what I would call Film Score themes. Is it ok to share here? I know "advertisements" are not allowed. I would love to share. Thanks!
It's OK only if it sounds like John Williams or Jerry Goldsmith.
ok, I'm assuming you're busting my chops. So anyways, look me up on Spotify. My (artist) name is Andrea Barbarino, new album is Compositions For Film, Vol. 2. Comments/critiques welcome.
Also, suggestions as to how and where promote my music and/or find collaborations are very much appreciated.
ok, I'm assuming you're busting my chops. So anyways, look me up on Spotify. My (artist) name is Andrea Barbarino, new album is Compositions For Film, Vol. 2. Comments/critiques welcome.
Also, suggestions as to how and where promote my music and/or find collaborations are very much appreciated.
Yes, hence "JK."
What aspect, style, or era of Morricone do you channel?
And for those of us who don't have a Spotify, can we hear you anyplace on the Interwebz, such as the InterTubes?
Oh, yes, I should have mentioned you can find me pretty much on any of the digital storefronts: Amazon Music, iTunes, Apple Music, etc etc. Also, here is my first "Official Video":
I love a lot of Morricone's work from the obvious spaghetti western stuff to the more jazzy and experimental. But I resonate the most with his more emotional work, and I think that's where i draw a lot of my inspiration from. Cinema Paradiso, Malena, The Mission, some of the slower Western ballads. There's really no end to what he gave us!
Thank you so much purplemonkeydishwasher! I really really appreciate it. I should have mentioned you c an also purchase my albums on Bandcamp, thanks for finding it. Yes, romantic is a good word also to to describe my work.
My feedback: if you want to compose for film, it might be good to focus on writing a memorable melody, and then demonstrating you can adapt it into multiple situations, a theme-and-variations kind of approach. This 1933 non-film work by Miklos Rozsa pointed towards how well he would do in the film medium soon after:
My feedback: if you want to compose for film, it might be good to focus on writing a memorable melody, and then demonstrating you can adapt it into multiple situations, a theme-and-variations kind of approach. This 1933 non-film work by Miklos Rozsa pointed towards how well he would do in the film medium soon after:
Yavar
Thanks Yavar! That's a great point. Perhaps for my next album I will focus on doing something like that. My first two albums are definitely more separate "themes".
