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Maybe a tad more
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Yeah, what did happen to him? Needful Things and Carlito's Way, both from 1993, are incredible scores, but the last few years, everything he's written has left me with a bland taste. Peaked too soon?
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My. Favorite. Train. Music. Ever. (Hey, has anyone ever done a thread on that topic?) It starts with a bang, goes on furiously and ends with...well, I won't spoil it. DePalma's had his ups and downs, but he knows how to cut flashy set pieces to great music.
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An outstanding piece of music, and I always loved that western-like riff toward the end of the piece when Carlito almost makes it to freedom. Doyle was nothing short of amazing in the early and mid-90s. Carlito, Frankenstein, Needful Things, Great Expectations, Dead Again, Into the West...all just wonderful compositions. Even Exit to Eden had an infectious main theme.
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An outstanding piece of music, and I always loved that western-like riff toward the end of the piece when Carlito almost makes it to freedom. Doyle was nothing short of amazing in the early and mid-90s. Carlito, Frankenstein, Needful Things, Great Expectations, Dead Again, Into the West...all just wonderful compositions. Even Exit to Eden had an infectious main theme. Completely agreed. After getting rejected from Stepmom (following his recovery from leukemia; classy move, guys!), his music has never been the same.
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The album has a bunch of stuff that wasn't used in the film, too, so it's definitely worth hearing apart from the film. Weird that it has a bunch of unused stuff, but it's missing that one great little cue (for the scene that's depicted on the film's poster AND on the back cover of the Varese album; again with using artwork for scenes that are scored but left off the album, Varese!). Shaun
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