|
|
|
|
|
|
|
|
|
|
|
|
I love Kaper's island love theme. Great score.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I prefer it to that 1935 version. And, yes, Brando was excellent.
|
|
|
|
|
|
|
|
|
|
|
This is my favorite film score, no other score is as rousing and emotionally moving. A close second is Battle of the Bulge, the Blue Max, El Cid, Ben Hur and believe it or not The Ghost and Mrs Muir, for me, its the string progressions, they knock me out This, GREEN MANSIONS and LORD JIM are brilliant Kaper scores.
|
|
|
|
|
|
|
|
|
|
|
I think this would be in anyone's FSM top five titles. It is certainly the most ambitious and best executed FSM release of a single score. Kaper's Bounty theme may well be the most magnificent seafaring theme in film music history. Its "full sail" rendition in "Leaving Harbor" may have had an antecedent in Rozsa's "The Mayflower" from PLYMOUTH ADVENTURE a decade earlier, but surely Kaper's music was the inspiration for Goldsmith's "Leaving Drydock" from STAR TREK: THE MOTION PICTURE and Horner's "Enterprise Clears Moorings" from "STAR TREK II: THE WRATH OF KHAN." This is one CD album that belongs in every film music library.
|
|
|
|
|
It CERTAINLY does. Humph!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Comparing the 1935 classic and Brando's self-indulgent variation on the theme is really apples and oranges. (Trevor Howard was superb, but he usually was.) However, there's no question about the magnificence of Kaper's score. Nor about the glorious FSM preservation of same. When I put the first disc on my player I cried throughout the overture, the main title and the disembarkment, just to remember that this kind of excitement used to be part of the movie-going experience in my youth...
|
|
|
|
|
|
|
|
|
|
|
|
|