Ah, so "The Departure" alternate (just noticed this) will be the one from the 1996 and 2002 release then, I guess. So the poster above was correct! Still weird to split it up!
Weird? It's perfect! You have options! Someone could eliminate the bicycle chase part in their playlist if they choose too (although, I can't imagine why anyone would).
Since obviously you can see the power of John Williams... Can You please consider releasing a special edition CD - The Complete Score + Alternates, Source Music, and Unused Cues to...
SABRINA (1995)
That is the only John Williams Holy Grail I am waiting on... But then; don't forget...
Since obviously you can see the power of John Williams... Can You please consider releasing a special edition CD - The Complete Score + Alternates, Source Music, and Unused Cues to...
SABRINA (1995)
That is the only John Williams Holy Grail I am waiting on... But then; don't forget...
Wait what? Did MV just announce LLL is doing Sabrina, Far and Away, AND The River?!?!?
He was asked if he could please consider releasing the above-mentioned titles and confirmed that yes, he could consider it. Considering it is obviously better than an outright no, but that doesn't mean all the hurdles in actually doing so can be achieved...
Apologies if this was answered already - I don't think it has been - but why the split of the finale cue into two tracks? I think I'm blocked by most people in charge of making these decisions, but it does seem strange considering how famous it is as a 15 minute block of music.
Ok, but two tracks don't means two blocks separated by a pure silence... In the film (and helas in the 20th Ann. edition) the two pieces are linked too quickly, but in the original album there is a brief but clear (and musically necessary) pause between them. You can make two tracks of it, with just half a second of "studio breath" in between, it's not really a cut... more like a musical breathing.
I'll chime in and say that I have no knowledge of anything happening with any of those three titles at the moment. I would recommend enjoying E.T. when it arrives and then the forthcoming CE3K. It won't be every year that these two top-tier Williams scores and Spielberg films get to be celebrated like this, so savor it.
I'll chime in and say that I have no knowledge of anything happening with any of those three titles at the moment. I would recommend enjoying E.T. when it arrives and then the forthcoming CE3K. It won't be every year that these two top-tier Williams scores and Spielberg films get to be celebrated like this, so savor it.
Mike M.
AMEN, Mike! I remember you saying "forget ET" not long ago, and now we have it done the best way we can get it. Thanks again.
I'll chime in and say that I have no knowledge of anything happening with any of those three titles at the moment. I would recommend enjoying E.T. when it arrives and then the forthcoming CE3K. It won't be every year that these two top-tier Williams scores and Spielberg films get to be celebrated like this, so savor it.
Spielberg and Williams would seem to have covered just about everything 'alien' on earth, in 3 parts. Close Encounters - part(i), ET - part(ii) and War Of The Worlds - part(iii).
The first score was (in broad brushstrokes) mysterious, the second intimate and the third menacing, all separated by time, yet, differing perspectives from the same viewpoint. That's a pretty good thematic programme for a concert trilogy.