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 Posted:   Jul 8, 2014 - 6:17 PM   
 By:   Chris Avis   (Member)


The most confident and complete score Giacchino's written yet. 10/10


It is indeed pretty great. The score of the year so far, for me and I'm someone who's not a rabid Giacchino fan. In fact, I was pretty bummed that Doyle wasn't back for this one, until I heard the album. Can't wait to see it in the film.

Chris.

 
 
 Posted:   Jul 8, 2014 - 9:52 PM   
 By:   Krakower Group   (Member)

Press release is below:

ORIGINAL FILM SOUNDTRACK OF DAWN OF THE PLANET OF THE APES
AVAILABLE DIGITALLY ON JULY 8 AND ON CD JULY 29

MUSIC BY ACADEMY AWARD® WINNING COMPOSER MICHAEL GIACCHINO


Sony Classical is pleased to announce the release of the original motion picture soundtrack of Dawn of the Planet of the Apes, composed by the Academy Award®-winning Michael Giacchino (Ratatouille, Up, The Incredibles). Directed by Matt Reeves, the film is the sequel to Rise of the Planet of the Apes (2011) and is the second time that Reeves and Giacchino collaborated following the romantic horror film Let Me In (2010). The soundtrack will be available digitally on July 8 and on CD on July 29.

The previous work of the prolific American composer Michael Giacchino includes scores for movies, television series and video games. Giacchino has received numerous awards for his work, including an Emmy®, multiple Grammys®, a Golden Globe® Award, and an Academy Award®. Giacchino majored in film production at the School of Visual Arts in New York City and studied composition at the Juilliard School. His early work on video games such as Medal of Honor and Call of Duty was followed by writing the music for the television series Alias as well as the award winning show LOST, which earned Michael an Emmy®.

His career in movies took off ten years ago with the commission to score The Incredibles, which garnered two Grammy® nominations in 2005 (Best Score Soundtrack Album and Best Instrumental Composition) for its lively, jazz-influenced orchestral sound. In 2008, Giacchino’s compositions for Ratatouille earned the Grammy Award® for Best Score Soundtrack Album and an Academy Award® nomination. In 2010 Giacchino received two Golden Globe Awards®, a BAFTA, and the Academy Award® for Best Original Score for his music for the movie Up. Giacchino’s other credits for film music include Mission: Impossible III, Star Trek and Star Trek Into Darkness, the latter two showing that he is no stranger to composing for science fiction. To his previous work in this genre, he now adds a full orchestral score for Dawn of the Planet of the Apes.

Michael Giacchino’s stated preference is for clear melodies and themes which he likes to combine with touches of atonality, while respecting previous compositions and reacting to the content of the movie. “I knew immediately that I wanted to acknowledge the experimental musical style which my hero Jerry Goldsmith chose for the original film by finding my own interesting sounds. Dawn of the Planet of the Apes is an extremely moving story about tolerance and how we deal with each other as a society … I knew we would have to treat that subtext with great respect and dignity. I hope that I have done so while also honoring Jerry's original sound.”

About the movie
A nation of genetically evolved apes led by Caesar is threatened by a band of humans who survived the virus that devastated them ten years earlier. The fragile peace that they reach proves to be short-lived, when men and apes come to the brink of a war that will decide which species dominates Earth. Dawn of the Planet of the Apes stars Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, and Kodi Smith-McPhee.

Sony Masterworks comprises Masterworks, Okeh, Portrait, Sony Classical, RCA Red Seal, and Masterworks Broadway imprints. For email updates and information please visit www.SonyMasterworks.com.

For more information, please contact:
cinemediapromo@yahoo.com or @cinemediapromo on Twitter

 
 Posted:   Jul 8, 2014 - 10:05 PM   
 By:   TheSeeker   (Member)

® ® ® ® ® ® ® ® ® ® ®

 
 
 Posted:   Jul 8, 2014 - 10:07 PM   
 By:   KeoNato   (Member)

Also -- I am pleasantly surprised by the mix on this. As someone who has thought Giacchino's work has long been hampered by some muddy recordings, I was happy to hear a change with Star Trek Into Darkness. The trend seems to continue here.

I'm assuming Dan Wallin was not a part of this score.

 
 Posted:   Jul 9, 2014 - 2:26 AM   
 By:   EvilDead   (Member)

Additionally, the small danger motif we get treated to in Close Encounters of the Furred Kind, Monkey to the City, and Enough Monkeying Around (I feel silly typing all that) is catchy and durable enough to be put through its paces.

I've been humming that motif for over a day now, so yes, VERY catchy! smile

 
 Posted:   Jul 9, 2014 - 5:22 AM   
 By:   Erik Woods   (Member)

Also -- I am pleasantly surprised by the mix on this. As someone who has thought Giacchino's work has long been hampered by some muddy recordings, I was happy to hear a change with Star Trek Into Darkness. The trend seems to continue here.

I'm assuming Dan Wallin was not a part of this score.


Dan Wallin has retired. Joel Iwataki records Giacchino's scores now.

-Erik-

 
 Posted:   Jul 9, 2014 - 7:20 AM   
 By:   RoryR   (Member)

“I knew immediately that I wanted to acknowledge the experimental musical style which my hero Jerry Goldsmith chose for the original film by finding my own interesting sounds. Dawn of the Planet of the Apes is an extremely moving story about tolerance and how we deal with each other as a society … I knew we would have to treat that subtext with great respect and dignity. I hope that I have done so while also honoring Jerry's original sound.”

There's respect and dignity in how he titles the cues?!!!! I guess respect and dignity only goes so far -- and then it's monkey business.

 
 Posted:   Jul 9, 2014 - 8:30 AM   
 By:   Jason LeBlanc   (Member)


Dan Wallin has retired. Joel Iwataki records Giacchino's scores now.

-Erik-


Best news I've read in a while! Thanks for the scoop Erik!

 
 Posted:   Jul 9, 2014 - 9:30 AM   
 By:   Jeff Bond   (Member)

The movie is fantastic and the score a very powerful element of it.

 
 Posted:   Jul 9, 2014 - 12:01 PM   
 By:   RoryR   (Member)

The movie is fantastic and the score a very powerful element of it.

Good! I couldn't be happier. I hope it's a huge box office hit too, earning close to a billion world-wide. I hope the third one is just as good as this one is supposed to be and I hope Fox considers doing more down the road.

But next time, please.... no funny cue titles.

 
 Posted:   Jul 9, 2014 - 12:04 PM   
 By:   Erik Woods   (Member)

That's right! No more fun.... EVER!

I mean, who wants more of this?

 
 Posted:   Jul 9, 2014 - 1:26 PM   
 By:   Jason LeBlanc   (Member)

I'm loving this CD, listened to it 4 times already now.

Does anybody know who the orchestrators were for this score?

 
 
 Posted:   Jul 9, 2014 - 2:29 PM   
 By:   bondo321   (Member)

Giacchino gives me hope that large-scale orchestral scores for summer films are in no danger of disappearing. Can't wait to hear "The Great Ape Processional" in the theater! big grin

 
 Posted:   Jul 9, 2014 - 2:58 PM   
 By:   Erik Woods   (Member)

I'm loving this CD, listened to it 4 times already now.


Interestingly enough that's the same amount of times I've spun it and for me that was 3 times too many. I'm not a fan of the score overall. It's a tedious 77 minute album. There's about 15-20 minutes that I might return to but I haven't been this disappointed with a Giacchino effort since... oh.... Cars 2. I highly doubt I will ever spin this one again.

That being said, Giacchino still rocks!

-Erik-

 
 
 Posted:   Jul 9, 2014 - 3:07 PM   
 By:   tomandshell   (Member)

I don't blame him for not wringing anything inspired out of Cars 2.

 
 Posted:   Jul 9, 2014 - 3:10 PM   
 By:   Erik Woods   (Member)

I don't blame him for not wringing anything inspired out of Cars 2.

Actually, there is one cue that's pretty darn cool. It's only 58 second but it's a really fun 58 seconds.



-Erik-

 
 Posted:   Jul 9, 2014 - 4:09 PM   
 By:   Jason LeBlanc   (Member)

Wow Erik, that's shocking that you feel that way about this score!

 
 Posted:   Jul 9, 2014 - 4:53 PM   
 By:   DavidCoscina   (Member)

I listened through the clips. Really found the first track interesting with its choral eeriness that reminds me of the hatching raptor scene cue in Jurassic Park. The second track also has a wonderful Ligeti inspired choral thing but is interrupted by a very by the numbers string figure that rips it out of then cool atmosphere into generic film score land. Pity.

Still, I see a lot of praise for the film and score. It's available on iTunes for $17 which is pretty expensive for them and the samples are good but not quite good enough to get me to commit yet. Don't care for the more noble music. Not sure what it is but I still have troubles with Giacchino's chord choices. I used to be a huge fan of his up to Lost but something in his compositional style changed and while I still like some of his current work (Let me in is pretty terrific) I'm mostly lukewarm on his stuff.



 
 Posted:   Jul 9, 2014 - 4:53 PM   
 By:   DavidCoscina   (Member)

I listened through the clips. Really found the first track interesting with its choral eeriness that reminds me of the hatching raptor scene cue in Jurassic Park. The second track also has a wonderful Ligeti inspired choral thing but is interrupted by a very by the numbers string figure that rips it out of then cool atmosphere into generic film score land. Pity.

Still, I see a lot of praise for the film and score. It's available on iTunes for $17 which is pretty expensive for them and the samples are good but not quite good enough to get me to commit yet. Don't care for the more noble music. Not sure what it is but I still have troubles with Giacchino's chord choices. I used to be a huge fan of his up to Lost but something in his compositional style changed and while I still like some of his current work (Let me in is pretty terrific) I'm mostly lukewarm on his stuff.



 
 
 Posted:   Jul 9, 2014 - 8:14 PM   
 By:   Mike_H   (Member)

Was this posted already?

http://www.filmmusicsociety.org/news_events/features/2014/070814.html

Mainly, however, Giacchino points out, his job on Dawn of the Planet of the Apes was to enhance the emotional aspects of the story. "I told Matt, right off the bat, 'We have to care about all of these characters.' One of the things that the earlier Apes films lacked was the idea of emotion. They were heavy on sci-fi and weirdness but emotion was not really explored. When I first saw this film, I realized there are no bad guys. There are characters who believe different things. Both sides are trying to convince the other that what they believe is right, and they have valid reasons for believing that. Matt has created something that is incredibly complex in all the right ways."

 
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