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Alright, I'm going to chime in here, and forgive me if I offend.... but this is FUCKING BULLSHIT!!!!
WHY on EARTH would ANY label DO THIS THIS WAY???? This is going to hurt their sales.
And you'll notice I used the "pissed-off" emoticon... have any of you ever seen me use that?
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Alright, I'm going to chime in here, and forgive me if I offend.... but this is FUCKING RETARDED!!!!
WHY on EARTH would ANY label DO THIS THIS WAY???? This is going to hurt their sales.
And you'll notice I used the "pissed-off" emoticon... have any of you ever seen me use that?
I was trying to be diplomatic with my post, but yep, I agree with you completely. They can only hurt their sales by releasing it this way. To go through the trouble of making both a CD and LP, but forcing consumers to buy them together is a big mistake. Looks like an awesome set though...if you collect vinyl.
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Even if you do pay the £40.00 for this just for the CD, it's in a feckin' digipak or card sleeve by the looks of things. *sigh*
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There is something VERY twisted going on here. Both this score and Marnie were with other labels. I, for one, would love to know just how this all happened, who is running this label and giving press releases like they're God's gift to soundtrack collectors because they're unearthing rare scores. Really? I think there are about ten other labels that have been doing that very thing and for a much longer time and much more intelligently.
There's something wacky about this - working with the estates? Not the rights' holders? Alfred Hitchcock's estate does not own Marnie, Universal does. Unless these people have suddenly gotten in where so many others have failed. And then to do this kind of thing? I'm sure they'll release the CD alone at some point, but I would like to know the behind-the-scenes on this.
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I'm curious as to how long the score is...
The entire score should fit comfortably on one LP, where a little less than 20 minutes a side is ideal.
Neil
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There is something VERY twisted going on here. Both this score and Marnie were with other labels. I, for one, would love to know just how this all happened, who is running this label and giving press releases like they're God's gift to soundtrack collectors because they're unearthing rare scores. Really? I think there are about ten other labels that have been doing that very thing and for a much longer time and much more intelligently.
There's something wacky about this - working with the estates? Not the rights' holders? Alfred Hitchcock's estate does not own Marnie, Universal does. Unless these people have suddenly gotten in where so many others have failed. And then to do this kind of thing? I'm sure they'll release the CD alone at some point, but I would like to know the behind-the-scenes on this.
Hey Bruce....
Is it possible that "Stylotone" could be an off-shoot of a prominent soundtrack label?
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