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First and foremost:
U.S. Marshals - complete
Then after that:
Air Force One - with McNeely
Hollow Man - complete
13th Warrior - complete
Along Came Spider - complete
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I don't care which ones comes next, but my immediate list is:
"Air Force One"
"Rudy"
"Planet of the Apes" (remastered with today's mastering technology. And not brickwalled)
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1. Our Man Flint (1966) / In Like Flint (1967) - The film recordings all have the same clarity as the Varese release, and sound wonderful on those Twilight Time discs.
2. The Mephisto Waltz (1971) - One of my most oddly favorites, and more overlays + Mattesinoization would be stellar
3. Love Field (1991) - It sounds like we've not even really heard this score yet.
4. Matinee (1993) - Tons more Dante/Goldsmith is always a Santa drop.
5. The Final Conflict (1981) - Any more of this, plus the now almost standard sonic upgrade makes it a no brainer.
6. City Hall (1996) - I love this music, even play it more frequently than I do Chinatown & L.A. Confidential
7. Mom and Dad Save the World (1991) - Yavar's right.
8. Hollow Man (2000) - Shaun's right
9. U.S. Marshals (1997) - Hopefully everyone else is right.
10. Malice (1993) - I love Jerry's haunting stuff, so I'll take 7 more minutes anytime.
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His rejected score for SACK LUNCH (1997).
I think he also did a rejected score for its sequel, SACK LUNCH 2: SACK IS BACK.
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Wow, Last Child! All these rejected scores are a revelation to me! I would of course buy any/all of them, because I am a lunatic. 
Apart from Planet of the Apes, the Omen titles and possibly Flint, the scores mentioned above look to me like listings of his weaker scores. But that's good news in a way, because it suggests everyone must be reasonably happy with the sound and presentation of his much better scores.
Well, if I'm not mistaken Basil you are part of the crowd that really doesn't care for Jerry's 90s work, so it really doesn't surprise me that you feel this way, when the vast majority of the Goldsmith titles Varese holds in perpetuity are from the 90s. I will say I'm a bit surprised you think The Other and The Mephisto Waltz are "weaker scores" -- they're pretty uncompromising in my view; both very strong and different works.
It looks like, as I feared, many folks aren't bothering to provide ranked choices. So I'll have to improvise...maybe I'll do the requested ranked choice vote for Tom and others who wanted it, necessarily excluding the non-ranked votes, and then do a separate tally just like last time with just 1 point for each score mention by anyone.
Yavar
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Remastered Lionheart 2CD set in a jewel case, not a heart shaped cardboard box with a lion mane around the outside.
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AIR FORCE ONE!
The complete score by Goldsmith on one disc and Joel mcneelys rejected score on disc 2.
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AIR FORCE ONE!
The complete score by Goldsmith on one disc and Joel mcneelys rejected score on disc 2.
McNeely's music wasn't rejected; it was supplemental to the Goldsmith score (and in Jerry's style...albeit it sounds more like 70s Jerry than 90s Jerry to me!) since Jerry was so short on time. Their complete score would require more than a single disc, spilling over onto the second disc for maybe 10-15 minutes. It's the Randy Newman score which was rejected, and as recorded it lasts about an hour, so it would be a wonderful way to fill out that second disc.
Remastered Lionheart 2CD set in a jewel case, not a heart shaped cardboard box with a lion mane around the outside.
Haha. But just FYI unless there are unreleased cues or alternates (which would be super exciting of course!) the complete Lionheart should just barely be able to fit on a single disc, once the repeated finale cue is removed.
Yavar
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