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So far, my second best film and my favorite score of 2019.
I can guess for some people that the deliberate Lynchian pace, the "do-I-laugh-at-this-or-do-I-feel-weirded-out-or-do-I-feel-both-at-once" mating ritual scene, some of the strange hallucinatory effects, etc. will decidedly not be their cup of (psychedelic) tea, but I dug it.
The score album is only 40 minutes long, so I'm eager to find out how much is Krlic's music. The entire score is fantastic; I particularly like the trio of woodwinds that greet the guests when they arrive at the village and, toward the end, the haunting music used for the placement in the temple of...well, if you've seen the movie you know what I mean. In his review, Jonathan Broxton suggests those who like Jonny Greenwood's film scores will like this one. Count me in.
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For those who like to lose themselves inside of long, atmospheric films, Midsommar is perfect.
+1
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By the way, the kid from the 1971 Death in Venice (he's in his early 60s now) is in Midsommar playing a villager named Dan. Does anyone remember which specific character that is? Yeah, I know: "Watch it again yourself, Mark."
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For those who like to lose themselves inside of long, atmospheric films, Midsommar is perfect.
+1
The Marky Predictability
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