Ron, thank you for your link to another recording of the Tomorrow Waltz. I heard it as a kid, but didn't know where to find it nor who composed it. I believe it was Thor who pointed out the episode. Also enjoyed hearing The Cardinal Waltz. That is such a lovely soundtrack.
I love the Goldsmith (most here know that the entire BOYS FROM BRAZIL score is written in 3/4), Elfman, and Goldenthal examples already given, and would add Herrmann’s lovely “Memory Waltz” from ANNA KARENINA.
I love the Goldsmith (most here know that the entire BOYS FROM BRAZIL score is written in 3/4), Elfman, and Goldenthal examples already given, and would add Herrmann’s lovely “Memory Waltz” from ANNA KARENINA.
You mean the Memory Waltz from SNOWS OF KILIMANJARO. That said, I absolutely adore Constant Lambert's evocative score fo the Vivien Leigh KARENINA, to which I was introduced via Herrmann's lovely suite that he conducted.