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The Liquidator is a 60s spy flick, nothing 70s about it. Yes, I raised an eyebrow at that one too. In the context of The Friends of Eddie Coyle and Three Days of the Condor, I'm not sure that I'd put THX 1138, The Heart is A Lonely Hunter or Soylent Green on a list of 'hard boiled' thriller scores. But I hasten to add that it's just my own view.
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Hi Gang: the Condor LP I always liked a lot and so we kept that program intact. Then we ran bonus tracks of the unreleased cues, as well as a few things that got abridged on the LP. The great find for me is "Life and Death Introspection" as Condor and the hit man talk near the end, wonderful! Lukas
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...And just had the shipping notice from SAE
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Speaking of 70s spy movies and re-recordings, would love the OST of EIGER SANCTION (Williams).... I couldn't agree more; a great idea
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One of the many things that mark Eddie Coyle as an early '70s film is the dreary city look so prevalent then. When Brown (Steven Keats) arrives to make the arms sale, the skyline is grey and drab, and everything just looks like hell. In fact, that waterfront scene reminds me of a simialr set up in another 1973 urban blight masterpiece, The Seven Ups, when Scheider and his contact are near those hideous NYC Co-Op buildings. Damn, were they ugly! The characters in the film even say so! If someone said that clothes or a building were ugly in the Seventies, brother, you damn well knew it had to be! Just look at Coyle's home. It was a dump.
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The Friends of Eddie Coyle/Three Days of the Condor arrived from SAE today. Only listened to Eddie Coyle so far, and - not having listened to the sound samples previously, or ever having seen the film - I was rather unprepared for how funky and upbeat it all is. There are some suspense passages which use various types of unusual percussion but anyone who likes wah-wah guitar, drum kits and prominent bass guitar is well catered for here I shall give Condor a listen tomorrow.... Incidentally, on page 2 of the excellent booklet (which gives some very detailed background into each film, as well as analysis of the music) there is a very apt photo of Grusin with a spiffy 70's style 'porno film' moustache.....! The FSM label is going to be missed.
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