 |
|
|
|
|
|
|
|
|
|
|
You have inadvertently got the correct title: The Man on Lincoln's Nose.
That's me - Mr. Inadvertent!
I'm also curious to know if there were any other major differences in Lehman's first draft - that script is just a model of storytelling perfection, and it'd be really neat to see how it evolved into its final form.
The Guardian just published an opinion piece about the movie very recently, as part of their continuing "My Favorite Hitchcock" series, so there's another neat bit of synchronicity. Here's the link: http://www.guardian.co.uk/film/filmblog/2012/aug/03/favourite-hitchcock-north-by-northwest?INTCMP=SRCH
Congratulations to everyone involved in this release - can't wait to hear it in full!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
If I may vent for a moment...it takes a special kind of psycho to obsess over, of all things, a film music label. And it takes a special kind of psycho to infiltrate FSM 5, count them, 5 times in 3 days under hidden IPs and phony email addresses, running around farting out ignorance and hiding like a coward. Much as I love the Internet, it's this kind of insanity that the cyber environment breeds and feeds. What a small person it must take to be that kind of a psycho. It's not even an interesting kind of psycho. I feel like I need a giant net around here.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Assume that any posts in this thread from someone who registered at the forum tonight are from the same fool. I look forward to blocking him again in about 3 minutes.
|
|
|
|
|
|
I'm a longtime fan of the film and the soundtrack, even though I've always delayed getting the score.
Ordered!!
|
|
|
|
|
|
|
|
|
|
So what are we doing ... keep the Johnson for dynamic range, keep the McNeely for faithfulness and completeness, and replace the Rhino with the Intrada? Is that what we're all doing?
No.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
.
|
|
|
|
|
|
|
|
|
|
You have inadvertently got the correct title: The Man on Lincoln's Nose.
That's me - Mr. Inadvertent!
I'm also curious to know if there were any other major differences in Lehman's first draft - that script is just a model of storytelling perfection, and it'd be really neat to see how it evolved into its final form.
The Guardian just published an opinion piece about the movie very recently, as part of their continuing "My Favorite Hitchcock" series, so there's another neat bit of synchronicity. Here's the link: http://www.guardian.co.uk/film/filmblog/2012/aug/03/favourite-hitchcock-north-by-northwest?INTCMP=SRCH
Congratulations to everyone involved in this release - can't wait to hear it in full!
The early draft is very long and has some very superfluous dialogue, which was all trimmed, plus a lot of banal dialogue that was replaced by brilliant dialogue. But as a template it's very close - the structure is all there. Every change was for the better. It's a fascinating read though, and many of the film's classic lines are there. Sometimes there's a word change that makes all the difference in the world.
George Kaplan was originally George Rosen.
Lester Townsend was originally Lester Tomlinson
Vandamm was originally Mendoza.
Each name change was for the better, obviously.
|
|
|
|
|
|
|
I thought the original title was South by Southeast[ha-ha]
|
|
|
|
|
|
|
|
|
|
|
