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Well, Alan Taylor directed six episodes of SEX AND THE CITY, and Aaron Zigman scored the two SEXY AND THE CITY features (which Taylor had nothing to do with), so I'd call that proof positive that Aaron Zigman will score THOR 2.
But wait... Alan Talyor also directed the MAD MEN pilot, and Jon Hamm was in that THE DAY THE EARTH STOOD STILL remake from 2008, so that must mean that Tyler Bates will be adapting Elliot Goldenthal's previously written music for THOR 2, which is probably what the Wikipedia entry was referring to.
Unless, of course, Taylor decides to go for a smooth jazz sound for his version of THOR, in which case I'd put my money on MAD MEN composer David Carbonara.
Open and shut. Thanks again, John!
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@Lokutus...."Marvel garbage"?? Really? The film's not even been finished yet and you already know it's garbage, eh? >
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No sexism, I think most people just attribute "Portman" with one after another lush, softer scores.
One of the actors in the sequel said there's not much action in the film. Portman can nail this. Sure she has her dozens of lyrical string and woodwinds scores, but she's also got things like "Private Peaceful", "Hart's War", and though I can't find samples for it supposedly there's some action material in "The Manchurian Candidate".
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Portman for Thor 2 is like trying to get Randy Newman to score Air Force One.
It ain't gonna work, except for a couple bars.
Based on "The Man Who Loves Cat Dancing", "Cinderella Liberty", "Daddy's Gone A-Hunting", and "Earthquake", who'd have hired John Williams to score "Star Wars". That's crazy talk! Pft. That's like hiring that Silvestri guy who scored "CHiPs" and "Starsky and Hutch" to do "Back to the Future"! LOL.
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Portman for Thor 2 is like trying to get Randy Newman to score Air Force One.
It ain't gonna work, except for a couple bars.
Based on "The Man Who Loves Cat Dancing", "Cinderella Liberty", "Daddy's Gone A-Hunting", and "Earthquake", who'd have hired John Williams to score "Star Wars". That's crazy talk! Pft. That's like hiring that Silvestri guy who scored "CHiPs" and "Starsky and Hutch" to do "Back to the Future"! LOL.
Williams had decades in jazz and classical and was well-versed in the symphonic language well before Star Wars was a gleam in George Lucas' little brain.
pre-Star Wars we have what...The Reivers? Jaws? Images? Concerti for Flute, and Violin, The Poseidon Adventure, The Towering Inferno.
=p
Which doesn't translate in the ability to pull off a full major score for what was a big thing at the time. It was a chance. He just pulled it off.
So, are we saying Portman couldn't? Okay, I already listed three scores, like you listed scores. She's writen a children's opera, a "dramatic choral symphony", and she is also classically trained.
But Heaven forbid, what ever variation on opposing creditials given hereafter, one was given a chance to spread their wings. We cannot have that in film!
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