 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Superman music trivia: when is the SECOND time in the film the love theme is heard?
I'll play ... from memory: since the first is in the Main Title, the second would be during the mugger scene, right when Lois sees Clark on the ground.
Correct!
The main title doesn't count as being " in the film"
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Except that the multi-track had the 6-track on it and that is basically what was used. Overlays, chorus and synth were separate.
If one never wants anything to be redone from original master elements, then one need not be concerned about anything lost in the Universal Studios fire.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
Posted: |
Jun 18, 2019 - 4:22 PM
|
|
|
|
By: |
Nono
(Member)
|
I am agreed with that, I prefer the magic mood of the original japan cd and lp than the new mix. And the dynamic range is far better on the old cd (listen "Leaving Home" for exemple)...
Leaving Home has a very wide dynamic range on the original CD release, indeed.
The cue starts very softly, the music seems to come from an outer world, then it grows until a first climax, followed by the americana theme etc.
A cue wonderfully composed, conducted and recorded.
Unfortunately, all the "magic" as you say is gone with the new mixing and mastering which drastically reduce the dynamics : the cue starts much louder , the climax is no more a climax, the americana theme has not the same impact anymore, and is also louder etc.
|
|
|
|
|
|
|
|
|
|
|
) 
