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 Posted:   Jul 22, 2018 - 8:38 AM   
 By:   Scott McOldsmith   (Member)

Bear McCreary is one of the few newish voices in scoring that I really enjoy. His scores for "Battlestar Galactica" and its sequel "Caprica" are among my very favorite scores of this millennium, and I really enjoy his two "Cloverfield" scores.

Big fan of his Human Target scores, too. He's got the chops to make this a really great score, if he's not locked into a producer/director/studio mandated sound.

 
 Posted:   Jul 22, 2018 - 9:43 AM   
 By:   Jeff Bond   (Member)

The director is a big Godzilla fan so I suppose there's a ghost of a chance they'll reference Ifukube somewhere but we'll see. I liked Desplat's score but when I was watching Godzilla 2014 I found myself substituting Ifukube stuff. I want to hear Rodan's theme!
It's strange but to me Ifukube's music had a grandeur that was eventually out-of-place for the Muppet Show antics of the later 60s Godzilla films, but would be perfect for the kind of scope that can be done now.

 
 Posted:   Jul 22, 2018 - 2:23 PM   
 By:   'Lenny Bruce' Marshall   (Member)

Meh. Not on the Bear train yet. Hope this is false.

Ditto

 
 Posted:   Jul 22, 2018 - 2:24 PM   
 By:   'Lenny Bruce' Marshall   (Member)

The director is a big Godzilla fan so I suppose there's a ghost of a chance they'll reference Ifukube somewhere but we'll see. I liked Desplat's score but when I was watching Godzilla 2014 I found myself substituting Ifukube stuff. I want to hear Rodan's theme!
It's strange but to me Ifukube's music had a grandeur that was eventually out-of-place for the Muppet Show antics of the later 60s Godzilla films, but would be perfect for the kind of scope that can be done now.


Mos def!

 
 Posted:   Jul 23, 2018 - 7:20 AM   
 By:   DavidCoscina   (Member)

The director is a big Godzilla fan so I suppose there's a ghost of a chance they'll reference Ifukube somewhere but we'll see. I liked Desplat's score but when I was watching Godzilla 2014 I found myself substituting Ifukube stuff. I want to hear Rodan's theme!
It's strange but to me Ifukube's music had a grandeur that was eventually out-of-place for the Muppet Show antics of the later 60s Godzilla films, but would be perfect for the kind of scope that can be done now.


Totally agree. The only film that supported Ifukube's music was the original Gojira. Despite the obvious miniatures, his music lent a solemn tone to the film. I read he had around a week to write, orchestrate and record the score. I love his Russian styled march ( I find his kaiju music reminiscent of Shostakovich but Ifukube said he didn't like that composers work- curious).

As for McCreery, I really enjoyed what he did on 10 Cloverfield Lane and I'm hoping he brings the same scoring sensibilities to this project.

It’s also gratifying to see the response to the Debussy tracked into the most recent trailer. Yes it’s been “epic sized” a bit but it’s still a gorgeous piece and many comments note how beautiful he trailer and music is. Maybe we will see a trend to favour good melodic and harmonic writing once again.

 
 Posted:   Jul 23, 2018 - 9:01 AM   
 By:   Jeff Bond   (Member)

I loved the way the Debussy piece was used in the trailer! Before I watched it I saw some comment that the trailer was "terribly scored." It was a counterintuitive approach but I think it was beautifully done.

 
 
 Posted:   Jul 23, 2018 - 9:03 AM   
 By:   Ford A. Thaxton   (Member)

Two recent scores you might wish to seek out by Bear are both THE CLOVERFIELD PARADOX and COLOSSAL.

Very different films, both of which had great scores and prove he's more then ready to tackle the BIG G.


Ford A. Thaxton

 
 Posted:   Jul 23, 2018 - 9:04 AM   
 By:   spook   (Member)

The only film that supported Ifukube's music was the original Gojira. Despite the obvious miniatures, his music lent a solemn tone to the film. I read he had around a week to write, orchestrate and record the score. I love his Russian styled march ( I find his kaiju music reminiscent of Shostakovich but Ifukube said he didn't like that composers work- curious).

As for McCreery, I really enjoyed what he did on 10 Cloverfield Lane and I'm hoping he brings the same scoring sensibilities to this project.

It’s also gratifying to see the response to the Debussy tracked into the most recent trailer. Yes it’s been “epic sized” a bit but it’s still a gorgeous piece and many comments note how beautiful he trailer and music is. Maybe we will see a trend to favour good melodic and harmonic writing once again.


I think Ifukube's music gave the first few Godzilla films class that wasn't just limited to the first one. Maybe by the time the Big G was slugging it out with giant lobsters it was a stretch too far but by then it wasn't just Ifukube scoring. He did wonderful music for King Ghidorah and Mothra. So psyched for this new film. Been waiting impatiently after the last one. Bear wouldn't have been in my mind at all for it but its an interesting choice that gives hope for a good score and not just a Junky XL job [..and i actually quite like Mr. Junky's stuff :-) ]

 
 Posted:   Jul 23, 2018 - 9:06 AM   
 By:   Solium   (Member)


It’s also gratifying to see the response to the Debussy tracked into the most recent trailer. Yes it’s been “epic sized” a bit but it’s still a gorgeous piece and many comments note how beautiful he trailer and music is. Maybe we will see a trend to favour good melodic and harmonic writing once again.


I love the music in the trailer. Especially at the sight of Mothra. Finally a trailer that wasn't pointlessly tracked with classic rock music. Since they're starting to release "trailer music" cues nowadays is this up on iTunes yet?

I haven't followed Bear since his BSG days, so have no idea what he could bring to a film like this.

 
 
 Posted:   Jul 23, 2018 - 9:10 AM   
 By:   KeoNato   (Member)

I’ve been re-listening to Cloverfield Paradox recently and that score continues to impress.

Beyond excited for this and so glad Bear is getting his day in the sun. God of War really opened some doors for him.

 
 Posted:   Jul 23, 2018 - 9:11 AM   
 By:   DavidCoscina   (Member)

Two recent scores you might wish to seek out by Bear are both THE CLOVERFIELD PARADOX and COLOSSAL.

Very different films, both of which had great scores and prove he's more then ready to tackle the BIG G.


Ford A. Thaxton


Agreed. Bear needs a broad canvas such as a blockbuster like this. He has a melodic sensibility the recalls scoring from the Silver Age and this is a perfect project for him. It's actually one of the very few composer casting choices for an event film that I've been really happy to read.

IMO- 10 Cloverfield Lane was one of THE best scored films I've seen in ages. The music is so integral to the story, much like Herrmann's was for Hitchcock or Williams for Spielberg's films.


 
 Posted:   Jul 23, 2018 - 9:12 AM   
 By:   DavidCoscina   (Member)

I loved the way the Debussy piece was used in the trailer! Before I watched it I saw some comment that the trailer was "terribly scored." It was a counterintuitive approach but I think it was beautifully done.

While I found Edwards' Godzilla a terrific bore, the initial teaser trailer for that film with the Ligeti Requiem was the finest trailer I've ever seen. It was truly outstanding.

 
 Posted:   Jul 23, 2018 - 9:48 AM   
 By:   Solium   (Member)

I loved the way the Debussy piece was used in the trailer! Before I watched it I saw some comment that the trailer was "terribly scored." It was a counterintuitive approach but I think it was beautifully done.

While I found Edwards' Godzilla a terrific bore, the initial teaser trailer for that film with the Ligeti Requiem was the finest trailer I've ever seen. It was truly outstanding.


Agreed on both counts.

 
 Posted:   Jul 23, 2018 - 7:37 PM   
 By:   Ray Worley   (Member)

I am beyond happy that JunkieXL is not scoring GODZILLA KING OF MONSTERS. I'm so tired of these percussion overload non-melodic scores by "composers" who come from rock. I thought Desplat hit GODZILLA out of the park, so I don't understand why he's not coming back.
However, if Desplat can't do it, I'm glad Bear is in. I loved his scores to COLOSSAL and THE FOREST.

 
 Posted:   Jul 24, 2018 - 1:34 AM   
 By:   spook   (Member)

I liked Desplat's score enough but don't really get the big love it got here. Maybe because it was at least symphonic and thematic amongst all the synth sound designs of the moment but it just never excited me and always felt a bit restrained when it shouldn't have been.
Never going to happen but I'd actually like to have seen Ko Otani get a crack at the Hollywood option. It might have been synth but the score for Godzilla GMK just blew me away as did the film.

 
 
 Posted:   Jul 24, 2018 - 1:52 AM   
 By:   SoldierofFortune   (Member)

Altough i love Desplat score, the news about McCreary are terrific.

And if is saying is going to use the classic Ifukube themes, i'm massively happy

 
 Posted:   Jul 24, 2018 - 9:49 AM   
 By:   DavidCoscina   (Member)

Altough i love Desplat score, the news about McCreary are terrific.

And if is saying is going to use the classic Ifukube themes, i'm massively happy


I'm a huge Desplat fan but I guess being a life long Godzilla enthusiast, I just didn't like his musical approach to the lead character. Just didn't seem fitting but I acknowledge that's my own personal bias. Aside from that, I've really enjoyed most of Desplat's output (I adore his Isle of Dogs and kinda wish he employed that Japanese type sensibility to Godzilla but I will give it another listen).

 
 Posted:   Jul 24, 2018 - 9:58 AM   
 By:   Shaun Rutherford   (Member)

Altough i love Desplat score, the news about McCreary are terrific.

And if is saying is going to use the classic Ifukube themes, i'm massively happy


I'm a huge Desplat fan but I guess being a life long Godzilla enthusiast, I just didn't like his musical approach to the lead character. Just didn't seem fitting but I acknowledge that's my own personal bias. Aside from that, I've really enjoyed most of Desplat's output (I adore his Isle of Dogs and kinda wish he employed that Japanese type sensibility to Godzilla but I will give it another listen).


Desplat just can't write action music. It's weird, but *most of the time* he sounds totally lost when having to write in that vein.

 
 Posted:   Jul 24, 2018 - 10:03 AM   
 By:   DavidCoscina   (Member)

Altough i love Desplat score, the news about McCreary are terrific.

And if is saying is going to use the classic Ifukube themes, i'm massively happy


I'm a huge Desplat fan but I guess being a life long Godzilla enthusiast, I just didn't like his musical approach to the lead character. Just didn't seem fitting but I acknowledge that's my own personal bias. Aside from that, I've really enjoyed most of Desplat's output (I adore his Isle of Dogs and kinda wish he employed that Japanese type sensibility to Godzilla but I will give it another listen).


Desplat just can't write action music. It's weird, but *most of the time* he sounds totally lost when having to write in that vein.


It wasn't really the action music I had a problem with but more his thematic interpretation of Godzilla. I was raised on the Ifukube stuff and that will always be Godzilla's theme to me. It's like trying to replace JW Star Wars' main theme with someone else. Just wouldn't work.

 
 
 Posted:   Jul 24, 2018 - 12:54 PM   
 By:   Stalker Vigil   (Member)

I think that Christopher Young or Don Davies could be an interesting choice for this film.

Not a big fun of McCreary, but I like his scores for sci-fi movies, such as 10 Cloverfield lane, Europa Report and, of course, Battlestar Galactica. It is interesting, what he will bring to the Godzilla's franchise and how he'll use and adapts Ifukube material.

 
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