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Tintin et le lac aux requins (Tintin and the Lake of Sharks) by François Rauber
The Land That Time Forgot by Douglas Gamley
More Tex Avery Score (Scott Bradley)
La Septième Compagnie au clair de lune (Henri Bourtayre)
Sindbad - The Battle Of The Dark Knight (Gregor Narholz)
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SLIPSTREAM - Elmer Bernstein
DAMNATION ALLEY - Jerry Goldsmith
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The Jackal - Carter Burwell
Fear - Carter Burwell
The Fast and the Furious - BT
Strange Days - Graeme Revell
Batman & Robin - Elliot Goldenthal
Did BT write much for TFATF?
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I'm gonna cheat.
Jerry Goldsmith:
1. BLACK PATCH
2. FACE OF A FUGITIVE
3. CRAWLSPACE
4. BABE (unused score)
5. PURSUIT
THE LONELY GUY would be a worthy inclusion but it had a couple cues released on LP so it's not exactly "unreleased" strictly speaking.
Non-Goldsmith:
1. SINBAD THE SAILOR - Roy Webb
2. STORY OF A WOMAN - John Williams
3. THE RARE BREED - John Williams
4. FIRECREEK - Alfred Newman
5. A DOUBLE LIFE - Miklos Rozsa
SUPPORT YOUR LOCAL SHERIFF by Jeff Alexander used to be on that list, but since it got a complete isolated score track on Twilight Time's Blu-ray I guess it also isn't strictly "unreleased" any longer.
Yavar
P.S. I don't want to bump any of the above scores off, but I also desperately want COLUMBO like many others here, plus Joel McNeely's SECRET OF THE WINGS...oh, and both the Mancini and Goodwin scores to FRENZY, which I know still exist thanks to the DVD special features!
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AIRPORT '77 (John Cacavas)
THE FAN (Pino Donaggio)
RESURRECTION (Maurice Jarre)
THE CONCORDE AIRPORT '79 (Lalo Schifrin)
WHEN TIME RAN OUT (Lalo Schifrin)
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Damn, forgot about this one!! Good call, Yavar. Would definitely be in my top 5 as well.
Also: THE PLAINSMAN, but I thought sticking three Williams scores in there would be overkill (says the guy who gave Goldsmith a separate top 5).
The Painsman / The Rare Breed would be a western twofer that would get me *almost* as excited as Black Patch / Face of a Fugitive.
Yavar
P.S. If Horner's rejected Romeo & Juliet can be unearthed, sign me up for that too. And Shore's King Kong, obviously. And Bernstein's rejected A River Runs Through It (I heard the Main Title performed live in concert at USC, conducted by Peter Bernstein, and it was great.) And Goldsmith's rejected The Public Eye.
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Man, if unofficial releases and re-recordings were ruled out, Korngold's The Sea Hawk (complete!) would probably top my list, even above Roy Webb's Sinbad the Sailor.
Yavar
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