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"Cagney & Lacey"
As I stated earlier in the thread, she scored only two episodes
"The Gimp" (4.15)
https://www.youtube.com/watch?v=H3fnx1mr1JI
Highlights:
21:12 in. Coincidently the first cue I could find.
22:45 in. A long cue, running three and-a-half minutes long.
28:34 in.
40:30 in.
42:17 in.
46:18 in.
Woodwinds, repeating string ostinatos, and some piano work -- over all this may be one of Walker's best scores to an episode of any TV series.
That's everything except one short cue.
"The Rapist: Part 2" (5.10)
https://www.youtube.com/watch?v=oVGpTvHzwuc
For some reason she didn't score Part I.
Highlights:
7:34/8:01 in.
30:05 in.
31:19 in.
40:54 in.
43:26 in.
44:33 in.
46:55 in. Yeah, it's a short outro cue, but it's nice.
That's everything except two short cues. It's good, but it's not a top tier effort. Maybe a borderline second tier effort.
Nothing says "Christmas" like an episode about a rapist.
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I hate to sound unhealthily obsessed with this score in regards to how often I bring it up, but is it okay that I often refer to Child's Play 2 as a S. Walker score?
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I hate to sound unhealthily obsessed with this score in regards to how often I bring it up, but is it okay that I often refer to Child's Play 2 as a S. Walker score?
I only heard it once, specifically to hear how clear it was that she wrote it, but didn't think it was as obvious as some of True Lies.
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For what it's worth, ASCAP lists Revell for CP2 and a mystery composer with two initials "DP" (co-credited).
BMI has no listing that I could find.
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Don Peake?
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Backtracking because I just found something...
"The Notorious 7"
A failed 1997 pilot. I had to skip it because there was no load, but I've found the opening credits.
Presumably composed by Walker:
https://www.youtube.com/watch?v=t21mGvf1vN8
EDIT: Video has been made private and you have to have permission to access it, but since there is no longer a PM system on YouTube for users, there's no way to get permission!
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"The Flash"
Finishing the two episodes that were not found at the time.
These loads are, incase anybody doesn't notice, slowed down.
"Sight Unseen"
https://www.dailymotion.com/video/x6ue8dz
Highlights:
2:45 in.
11:58 in. Opens with a kind of "Mars Attacks!" sound (which comes back shortly in the cue).
15:09 in.
18:34 in. I just love when Walker does that quick four-note running ostinato with brass. I hope one day to have all of it and make a dah dah Doom Doom suite.
26:28/27:58 in.
30:14/31:05 in.
39:11 in. If I played this for you and didn't say where it came from, you'd have said "Batman: The Animated Series".
44:33 in.
50:52/51:42 in.
"Tina, is That you?"
https://www.dailymotion.com/video/x6ugx5n
Highlights:
2:37 in.
4:49 in.
7:32 in. Big whimsical pacing music and light quasi-dramatic vending machine music.
13:18 in.
15:17 in.*
25:06 in.
29:01/31:28/35:46 in. Brass with a beat. These three can work edited together.
40:49 in.
44:48 in. Cellos, brass and a wooden blocks.
48:27 in. More of the beat, but I don't want to spend time figuring out if it can be combined with the three cues already cited.
* = CinemaSins voice: "They survive this. Also, this is cold-blooded murder, right?"
Unfortuantely, it's unlikely we'll be getting another score from the series. One: I seem to recall this being a slow and/or poor seller, and a months or two ago MV said it's getting expensive to release thigns from Warner Bros. (sigh)
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Here is the one episode of "Tucker's Witch" she scored:
https://www.youtube.com/watch?v=MuMQfQwqCHE
As I noted, nothing worth hearing, but for those of you who just got to...
By the way, be sure to check out the unaired pilot on this channel. It features a totally different arrangement of Fiedel's theme music than what ended up in the series!
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"It Came From Outer Space II"
A 1996 direct-to-TV sequel nobody asked for.
Additional Source Music (According to IMDb): Kristopher Carter
https://adult.noodlemagazine.com/watch/-675567_163290867 (safe, at least in Firefox)
Highlights:
0:20 in.^
4:41 in.^
10:00 in.^
18:23 in.
41:47 in.
43:56 in.
50:53 in.
53:27 in.^
1:10:23 in.^
1:12:06 in.^
1:15:06 in.^
1:20:08 in. Immediately followed by the end credits.^(both)
The score seems to be divided into two parts: the country-flavored orchestral cues, and the cheap synth stuff for the aliens. The cheap synth stuff is boring, repetitive, and considering what Mark Snow was doing on "The X-Files" for years and during that time, just inexcusable to me.
If I were releasing this score, I'd only include a sampling of the cheap synth stuff and then pair the CD release with another score to make up for the empty space. In fact, I'd only include what I cited above.
12:25 in: Next time any of you want to complain about the special effects in "Ghostbusters" (which look fine, by the way), I want to you remember these were done ten years after said film. Awful.
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According to her credits at her official website, she orchestrated for (composer not specified) for the TV series "Palmerstown, U.S.A.".
Previously I didn't bring it up because there were not episodes available, then only select episodes. However, now the whole thing is up:
https://ok.ru/video/c19703067
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