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" What don't you fucking understand?"
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" Are you a professional or what?"
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" You and me are done. Professionally"
" Oh laddie daddy's dah!"
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Also, Horner is kind of dead.
Exactly.
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Pandora's Box.
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I think Holkenborg has grown considerably as a film composer - so I'm looking forward to this.
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If Alita/Mortal Engines Junkie is playing this party, I've got a good feeling.
Nah, I think he should go back to his own EDM roots, and approach this industrially and hard. Electronic sound design, as an extended evolution of Fiedel's original scores.
Though overall I just can't feel XL's music, I agree with Thor. Junkie would probably be best off just leaning hard on the braaams and electronics (especially given the basic premise of the Terminator films). Sci Fi and electronic scores can be very interesting imo (and there have been cues I liked by JXL...sometimes I think I'm a Golden and Silver age film score enthusiast to a fault).
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Since this is James Cameron back on board a franchise he started, and this being a sequel to T2. It would only be right for the soundtrack to sound as similar as possible to Brad Fiedel's T and T2 scores. Otherwise part of the emotional connection to the stories of Terminator and T2 would be lost.
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No 'braaams', necessarily (JXL rarely does that anyway) -- just slick, lean, zithering electronic landscapes that mesh organically with the sound design. Maybe a fatalistic theme at the center to underline humanity's destiny, like in the original Fiedel scores.
I was just exaggerating, Thor. I still agree with you, JXL would be far from a terrible choice for this kind of assignment (whether I like him or not).
Too bad Jerry Goldsmith isn't still around....
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