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While I don't care for the score to the first WW film, they should have stuck with composer continuity, considering fans of the film liked the score.
My wife and I both LOVED the film (barring the dumb ending confrontation) and we both were very disappointed in the score overall.
Yavar
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Look at that obvious fake-clapping brown noser. Geez.
Everybody else is either laughing at him or totally don't care.
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Hans needs to compose less, exercise more!
brm
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I am hoping for a Rain Man-like score  It is the 80's.
I have not seen, nor heard Rain Man. It's still on my to do list. I only just recently saw Black Rain.
His WHITE FANG score is very much in the vein of Vangelis. Perhaps that is why most of it went unused.
I like his modern sound.
brm
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Zimmers WW theme is the worst thing in the score. One of the worst "themes" ever. Unless Zimmer ghost wrote most of WW this is depressing news for me. Haven't liked anything hes done in a decade.
I honestly feel there's a generational gap that comes into play when it comes to discussions like Zimmer as well. I'm quite young, but even though the man himself is now in his 60s, he certainly has stayed relevant and changed his sound successfully to match the times of the younger generations.
The only thing that is old about Zimmer is his body. His mind is still young and looking to the future (not the past) and I personally applaud him for that. I always look forward to new music from him as each year passes.
Generation comes into play, but its more conservative vs. progressive.
I am a Silver Ager who wants to hear new approaches to scoring, even if I usually do not like the results.
I think fans who grew up with popular music are more forward looking. In the Sixties we loved every new Beatles song, but expected each new one to sound DIFFERENT than the last. Not the same.
b
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I'm not crazy about this, but I guess the good news about Zimmer doing it is that he's the one person who'd probably have the authority to retire his own Wonder Woman theme (the way he more or less retired his Batman Begins theme in Dark Knight). I'll grant that the cheesy heavy-metal cello thing was fine for what it was in Batman V Superman, where the music only had to accompany a badass pose, not a fully-developed character. But man, every time it pops up out of nowhere in the actual Wonder Woman movie it sounds hysterically out of place, like a drunk Nickelback fan stumbling into the wrong theater, crushing beer cans on its head, and screaming, "G'itterdun! USA! G'itterdun!"
The theme/gimmick was never designed to support the compassionate, earnest character Godot ended up turning Wonder Woman into, and my hope is that Zimmer might, miiiiight have the good sense to realize that.
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Retro 80s filmscore FTW!