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Continuing SEASON 6:
"Try to Die on Time"
By: Don B. Ray
https://www.dailymotion.com/video/x6lqeuc
Highlights:
3:30 in.
11:37 in.^
20:45 in.^
30:49 in.
38:43 in.
42:50 in.
45:43 in.
20:40 in: What the exchange in German sounds like in English:
"Yeah, Jenny?"
"You just'a pitiful."
"The $100,000 Nickel"
By: Bruce Broughton (and conducted by)
https://www.dailymotion.com/video/x6lqewr
Highlights:
0:54 in.^
3:24 in.
5:35 in.^
14:00 in.^
17:24 in.^
19:30 in.6(EDIT)
24:07 in. Quiet softer material.^
25:07 in.^
30:41 in.^(small part)
32:47 in.^
About 37:10 in.
About 42:53 in. Hard to tell where it begins as it's low and the FX is heavy.^(part)
45:31 in. Good on it's own, but too cheesy sounding in the episode.^
(NtM: 11:20, 16:44)
This episode score was nominated for an Emmy. Go back to the season six premiere to see the other competition that year.
"The Flip Side is Death"
By: Don B. Ray
https://www.dailymotion.com/video/x6ltw5c
Highlights:
8:46 in.^
9:37 in.^
12:47 in. Another fugue. 13:33 in is score from "Hookman", so maybe the stuff before is from another episode, too.^
16:47 in.^
20:56 in. 21:13 in is score from "Hookman", so I assume the first opening seconds are also tracked from another episode.^
23:48 in. 25:05 in is score from "Hookman", so I assume the first opening seconds are also tracked from another episode^
39:35 in.^
44:46 in.
Ray should have at least gotten an Emmy nomination for thi episode score.
There have been a number of occasions in Stevens cues where I wonder just how much Stevens and Ray might have helped each other on series like this and "Police Woman".
EDIT: MRAUDIO pointed out a number of cues are from the Stevens' scored episode "Hookman" and I compared and found out the following are from "Hookman" and therefore been removed from the highlights: 0:53, 4:07, 11:00 (though the first few seconds are taken from another episode score), and 17:56.
"The Banzai Pipeline"
By: Don B. Ray
https://www.dailymotion.com/video/x6ltw4b
Highlights:
5:39 in.^
16:54 in.
35:09 in.^
(NtM: 30:50)
22:48 in: I hope my "Tommy, how's the peepin'?" neighbor is ever that hot.
"One Born Every Minute"
By: Don B. Ray
https://www.dailymotion.com/video/x6vdblk (in English)
Highlights:
2:11 in.^
2:59 in.
10:54 in.^
15:44 in.^
21:32 in.^
25:11 in.^
29:51 in.^
36:23 in. Including a water chime.^
37:52 in.^
41:29 in.^
43:05 in.
49:24 in. Could probably work as a tag onto another cue.^
For the guys here: 49:07 in. You're welcome.
"Secret Witness"
By: Don B. Ray
https://www.dailymotion.com/video/x6lx83x
Highlights:
2:37 in.^
3:57 in.^
32:25 in.
36:02 in.^
42:28 in. I might skip this cue of a set of season six scoring.
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Finishing SEASON 6:
"Death with Father"
By: Morton Stevens
https://www.dailymotion.com/video/x6vdbjb (LINK STILL GOOD)
Highlights:
0:59 in.^
7:36 in. You know what? I'd like to have heard Stevens do an episode of "MacGyver".^
11:22 in. This could have easily have come from "Police Woman". In fact, if I added it to a suite from that series, no one would be the wiser.
15:38 in.
21:20 in. Joining a cue already in progress.^
24:30 in.^
26:38 in.^
43:07 in. Including a waterphone.
32:14 in: all tracked. At a certain point score from his Emmy winning effort from the episode "Hookman" takes over.
(NtM: 15:18, 26:23)
"Murder with a Golden Touch" (20)
By: Don B. Ray
https://www.dailymotion.com/video/x6vdvda (NEW link as of 10-17-2023)
Highlights:
About 3:40 in.^
11:02 in.^
21:47 in. Including a water chime.^(parts)
29:15 in. Also including a waterphone.^
36:06 in.
"Nightmare in Blue"
By: Don B. Ray
https://www.dailymotion.com/video/x6vd3j9 (English)
https://www.dailymotion.com/video/x6m09ei
Highlights:
0:57 in.^
3:19 in.^
5:31 in.^
10:37 in.^
12:16 in.^
14:44 in.^
15:09 in.
16:39 in.^(opening/17:44)
21:10 in.^ *
25:47 in.^
32:10 in.
36:22 in.^
38:36 in.^
39:55 in.^(40:30)
47:05 in.^
48:53 in.^
This episode score was nominated for an Emmy. For the other competition that year, go back to the first episode of season six.
* = I hope my undercover sting lady is that super fucking hot.
"Mother's Deadly Helper" (22)
By: Don B. Ray
https://www.dailymotion.com/video/x6vdbfz
Highlights:
2:36 in. There's a possibility this might be tracked.^
13:43 in.
15:47 in. This might also be tracked.^
16:47 in.^
32:49 in.^
34:51 in.^
40:06 in.^
48:13 in.^
"Killer at Sea" (23)
By: Harry Geller
https://www.dailymotion.com/video/x6vctzh (in English; this load was used for highlight times)
https://www.dailymotion.com/video/x6m39kp
Highlights:
4:16 in.
14:53 in. And the cue after the commercial break.^(both)
24:37 in. And the cue after the commercial break.^(both)
31:13 in.
40:59 in.^
44:50 in.^
48:14 in.^
(NtM: 35:19)
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Posted: |
Apr 14, 2021 - 6:32 PM
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By: |
MRAUDIO
(Member)
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Continuing SEASON 6:
"Try to Die on Time"
By: Don B. Ray
https://www.dailymotion.com/video/x6lqeuc
Highlights:
3:30 in.
11:37 in.^
20:45 in.^
30:49 in.
38:43 in.
42:50 in.
45:43 in.
20:40 in: What the exchange in German sounds like in English:
"Yeah, Jenny?"
"You just'a pitiful."
"The $100,000 Nickel"
By: Bruce Broughton (and conducted by)
https://www.dailymotion.com/video/x6lqewr
Highlights:
0:54 in.^
3:24 in.
5:35 in.^
14:00 in.^
17:24 in.^
19:30 in.6(EDIT)
24:07 in. Quiet softer material.^
25:07 in.^
30:41 in.^(small part)
32:47 in.^
About 37:10 in.
About 42:53 in. Hard to tell where it begins as it's low and the FX is heavy.^(part)
45:31 in. Good on it's own, but too cheesy sounding in the episode.^
(NtM: 11:20, 16:44)
This episode score was nominated for an Emmy. Go back to the season six premiere to see the other competition that year.
"The Flip Side is Death"
By: Don B. Ray
https://www.dailymotion.com/video/x6ltw5c
Highlights:
0:53 in.^
4:07 in. Ray pulls off his own awesome fugue, though it's not that long and only most of the cue and not the entire cue.
8:46 in.^
9:37 in.^
11:00 in.^
12:47 in. Another fugue.^
16:47 in.^
17:56 in.^
20:56 in.^
23:48 in.^(25:05)
39:35 in.^
44:46 in.
Ray should have at least gotten an Emmy nomination for thi episode score.
There have been a number of occasions in Stevens cues where I wonder just how much Stevens and Ray might have helped each other on series like this and "Police Woman".
"The Banzai Pipeline"
By: Don B. Ray
https://www.dailymotion.com/video/x6ltw4b
Highlights:
5:39 in.^
16:54 in.
35:09 in.^
(NtM: 30:50)
22:48 in: I hope my "Tommy, how's the peepin'?" neighbor is ever that hot.
"One Born Every Minute"
By: Don B. Ray
https://www.dailymotion.com/video/x6vdblk (in English)
Highlights:
2:11 in.^
2:59 in.
10:54 in.^
15:44 in.^
21:32 in.^
25:11 in.^
29:51 in.^
36:23 in. Including a water chime.^
37:52 in.^
41:29 in.^
43:05 in.
49:24 in. Could probably work as a tag onto another cue.^
For the guys here: 49:07 in. You're welcome.
"Secret Witness"
By: Don B. Ray
https://www.dailymotion.com/video/x6lx83x
Highlights:
2:37 in.^
3:57 in.^
32:25 in.
36:02 in.^
42:28 in. I might skip this cue of a set of season six scoring.
Hi Justin,
The first half of THE FLIP SIDE IS DEATH is 95 percent Mort Stevens, which is music from his HOOKMAN score, but for some reason, the music credit went to Ray.
Most of the shows that featured mostly Stevens and/or other Composers cues got a “Theme by Morton Stevens” credit.
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Posted: |
Apr 14, 2021 - 8:15 PM
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By: |
Broughtfan
(Member)
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Sounds to me that “Charter for Death” and “Nightmare in Blue” are the only S6 shows Don scored completely (that is, where all the music contained is original to him). Also, I noticed the production number for "The $100,000 Nickel” precedes that of “The Finishing Touch” even though the latter was broadcast first. So “Nickel” was likely Bruce Broughton’s first credited episode of the series (but, as we earlier discovered, not his first cues for the series as he composed cues for the previous season’s “The Child Stealers” and ‘The Diamond Nobody Stole."
Justin: “Child Stealers” is a mish-mash of (mostly) Ray with some Stevens (some cues for shows as far back as S1) and the remaining, probably, Bruce Broughton (as he did compose some cues for the episode, based on the fact some of these cues are in UCLA Special Collections). Many of Don’s cues have recurrent figures (e.g, the echoing brass effect) and sound similar season to season. Mort’s stuff as well has it’s identifying traits though he could be quite the musical chameleon, especially when employing orchestral strings, S9’s “The Bells Toll at Noon” sounding nothing like “Hookman” or Mort’s great S1 scores. On a related note, Dick Shores’ latter seasons scores for “Police Story” sound little like his “5-O” music (or any of his CBS, MGM music), in particular, his outstanding, multi-faceted score for the excellent Mike Connors two-parter, “Stigma,” an effort very much deserving, but (sadly) not receiving, an Emmy nom. This was broadcast in November 1977, the series underscore category (for the 1977-78 season) then including mini series episodes (nominated in 1978, the year Shores' score would have been eligible, segments of Mort's "Wheels," Morton Gould's Holocaust, Fred Karlin's "The Awakening Land." and Billy Goldenberg's Emmy-winning "King.")
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SEASON 7:
Every single episode this season had a credited composer.
"The Young Assassins"
By: Morton Stevens
https://www.dailymotion.com/video/x6mcum2
Highlights:
2:17 in.^
4:57 in.
6:38 in.
21:56 in.^(part)
24:34 in. And the cue after the commercial break.(second)
32:25 in.^
Guest-starring Larry Wilcox (John from "CHiPs").
"A Hawaiian Nightmare"
By: Morton Stevens
https://www.dailymotion.com/video/x6moeh8
Highlights:
0:53 in. The first half sounds like something John Parker would do and the second part is clearly familiar Stevens territory.^
21:13 in.^
"I'll Kill 'Em Again"
By: Harry Geller
https://www.dailymotion.com/video/x6mwa3k
Highlights:
0:55 in. Just over two minutes long and no dialogue.^
4:31 in.
11:49 in.^
12:41 in.^(connect to above?)
19:56 in.^(connect to first cue?)
24:17 in.
25:50 in.^
42:48 in.^
45:58 in.
44:35 in: What it sounds like he said in German in English: "A tuna, Tanaka, Worf-it." (sounds like how to cast a fucked up magic spell)
"Steal Now -- Pay Later"
By: Richard Shores
https://www.dailymotion.com/video/x6n0x1a
Highlights:
2:49 in.^
17:07 in.
29:37 in. Joining a cue already in progress for the "MacGyver" Jeep Travel Music-like material.^
31:16 in. Guys: Make sure you stick around for right after the cue, for the super sexy girl in the white dress.^ *
38:20/40:07/41:23 in.^(all three)
* = I was focusing on the girl with the sexy legs during the action. I was annoyed when the camera moved away from her for a few seconds.
"Bomb, Bomb, Who's Got the Bomb?"
By: Jerrold Immel
https://www.dailymotion.com/video/x6n0hvu
Highlights:
12:25 in.
15:47 in.^
18:45 in.^(19:07)
34:19 in.^(parts)
36:45 in.^
39:59 in.^
42:13 in.
46:35 in.
"Right Grave, Wrong Body"
By: Don B. Ray
https://www.dailymotion.com/video/x6n0wy3
Highlights:
23:16 in.^
25:48 in.
29:41 in.^(parts)
45:31 in.
(NtM: 41:34)
"We Hang Our Own"
By: Richard Shores
https://www.dailymotion.com/video/x6n5i8k
Highlights:
0:53 in.^
6:01 in.
9:15 in.^
16:04 in.
19:15 in. Soft kind of breezy car driving music.^
21:55 in. Opens quietly but turns into "Hawaii Five-O" version of horse riding music.^
25:04 in.
28:49 in.^
40:51 in.^
Guest-starring Leslie Nielsen.
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Continuing SEASON 7:
"The Two-Faced Corpse"
By: Don B. Ray
https://www.dailymotion.com/video/x6n5tun
Highlights:
0:53 in.^
11:32 in.^
18:50 in.^
25:32 in.^
38:32 in. Now that's one cool cue.^
44:45 in.^
2:05 in: What it sounds like he said in German, in English: "Hey, Coolio!"
45:20 in: What it sounds like he said in German, in English: "Danny, Doogie is alpha. Ben needs to get off his glass hair. Un Ziggy be the hired help and Jake is loose!"
"How to Steal a Masterpiece"
By: Morton Stevens
https://www.dailymotion.com/video/x6n5trn
Highlights:
0:53 in. Triangle, shaker, and woodwinds lead for around three minutes.^
20:31 in. Made up almost completely of multiple woodwinds, including clarinets and bass clarinets. About five minutes long and only some light FX over it (I don't recall any dialogue off hand; but I was multi tasking while listening).^
30:54 in.^
33:58 in.^(parts)
36:10 in.^
39:40 in.^
41:03 in.^
42:04 in.^
44:40 in.^
I'm tempted to say Stevens should have gotten at least an Emmy nomination for this score.
"A Gun for McGarrett" (10)
By: Don B. Ray
https://www.dailymotion.com/video/x6mcuja
Highlights:
1:53 in.
6:26 in.^
13:56 in. "MacGyver" Jeep Travel Music-like cue.^
41:37 in.^
46:04 in.^
"Welcome to Our Branch Office"
By: Bruce Broughton
https://www.dailymotion.com/video/x6mcph3
Highlights:
1:23 in.^(stop at dialogue)
9:48 in.^
15:10 in.^
16:27 in.
21:00 in.^
29:24 in.^
33:33 in.^
34:40 in.^
36:37 in.^
38:10 in.
41:58 in.^
"Presenting... in the Center Ring... Murder"
By: Bruce Broughton
https://www.dailymotion.com/video/x6mh4mn
Highlights:
5:57 in.
8:45 in.
17:31 in.
31:10 in.^
32:45 in. The circus source music that doesn't sound like circus music (thank goodness).
"Hara-Kiri: Murder" (13)
By: Don B. Ray
https://www.dailymotion.com/video/x6mh4g3
Highlights:
0:53 in.^(include?)
5:34 in.
23:03 in.^
25:00 in.
32:09 in.
35:53 in.
40:42 in.^(parts)
"Bones of Contention"
By: Don B. Ray
https://www.dailymotion.com/video/x6mh4gc
Highlights:
0:53 in.
2:18 in.
8:32 in.
24:47 in.
27:02 in.^
35:46 in.^(36:28)
44:31 in.*
An overall weak score and I'm not sure on a set of season seven scoring, if I'd include any of it.
* = 44:41 in: What it sounds like he said in German, in English while looking at the grass: "Dog matter."
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Continuing SEASON 7:
"Computer Killer"
By: Don B. Ray
https://www.dailymotion.com/video/x6mkh70
Highlights:
1:32 in.^
16:25 in.^
22:38 in.^
For the guys here: 20:10 in. You're welcome.
"A Woman's Work is with a Gun"
By: Bruce Broughton
https://www.dailymotion.com/video/x6mkh6e
Highlights:
0:55 in.^
2:52 in.^
4:51 in.^
10:51 in.
13:24 in. The damn scene is cut abruptly so we don't get to hear the full cue. Damnit.^
16:25 in.^
20:01 in.
29:46 in.
36:45 in.
40:41 in.^
45:19 in.^
For the guys here: 3:50 in. You're welcome
"Small Witness, Large Crime"
By: Harry Geller
https://www.dailymotion.com/video/x6mk6sg
Highlights:
0:54 in.^
6:08 in.^
11:43 in.^
19:24 in.^
35:46 in.^
41:04 in.^
"Ring of Life"
By: George Romanis
https://www.dailymotion.com/video/x6moke3
This is the final effort by Romanis for the series.
Highlights:
0:53 in.
4:05 in.^
25:13 in.
28:51 in.
31:02 in.^
35:00 in.
41:08 in.^
42:50/43:48 in.^(both)
45:31 in.
"Study in Rage"
By: Don B. Ray
https://www.dailymotion.com/video/x6mokda
Highlights:
15:43 in.^
20:07 in.
33:25 in.
45:19 in.
A weak score overall an on a set of season seven scoring, I'm not sure I'd include any of it.
(NtM: 4:16)
"And the Horse Jumped Over the Moon"
By: Don B. Ray
https://www.dailymotion.com/video/x6ms10g
Highlights:
19:27 in.^
26:01 in. There is a short lull and the cue continues.^
There's barely any score in the episode.
13:18 in: airplane porn.
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Finishing SEASON 7:
NOTE: Because it's not likely I'll be online tomorrow, I am posting twice as many today (in two separate posts).
"Hit Gun for Sale"
By: Don B. Ray
https://www.dailymotion.com/video/x6ms11r
Highlights:
5:23 in.
6:46 in.^
12:41 in.
15:15 in. The source music.^
18:32/21:06 in.^(both)
24:31 in.^
35:17 in.^
40:03 in.^
45:00 in.^(44:37) *
* = Aaaaahhhhh ... how did he fall off the building? They shot him. While he was lying down. They're firearm bullets, not explosive bombs that blow you away/to pieces.
"The Hostage"
By: Don B. Ray
https://www.dailymotion.com/video/x6mruzl
Highlights:
3:51 in.
There's not much score in the episode. I probably wouldn't even include that one cue on a set of season seven scoring.
"Diary of a Gun"
By: Don B. Ray
https://www.dailymotion.com/video/x6mw1od
Highlights:
1:46 in.^
7:37 in.
12:33 in.^
16:42 in.^
19:19 in.
20:09 in.^
24:23 in.
28:29 in.
36:19 in.
"6,000 Deadly Tickets" (24)
By: Don B. Ray
https://www.dailymotion.com/video/x6mwa66
Highlights:
0:53 in. I believe the opening percussion and rising brass stuff is tracked from a few episodes ago.^
35:02 in.^
37:39 in.^
42:24 in.
46:27 in.
46:57 in: What it sounds like he said in German, in English: "Fart fest"
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SEASON 8:
"Murder - Eyes Only: Part 1"
By: Morton Stevens
https://www.dailymotion.com/video/x6n941b
Highlights:
8:45 in.^
18:54 in.^
33:05 in.^
36:14 in.
42:47 in.^(most)
(NtM: 26:09: dramatic flourish for boat)
"Murder - Eyes Only: Part 2"
By: Morton Stevens
https://www.dailymotion.com/video/x6nksvf
Highlights:
0:53 in.^
6:38 in.^
27:56 in.^
31:44 in. Lower octave piano light stabs, cymbal tapping, brass and some strings and percussion for a montage cue with an edge; little SFX. About three minutes long.^
34:53 in. It's almost as if the score was written to go along with her small butt while it walks away from the camera. A little over six minutes long, building all the way to the finish.^
41:58 in. Just over four minutes of exciting boat chase music. There's just something about Stevens' music and the big fat re-occurring bad guy's big speeding boat that just creates awesome.
47:19 in.
I cited nearly every single cue. I almost want to say his score for Part 2 should have gotten an Emmy nomination.
"McGarrett is Missing"
By: Bruce Broughton
https://www.dailymotion.com/video/x6nvowv
Highlights:
0:53 in.^
6:07 in.^
14:31 in.^
22:07 in.
25: in.???
34:34 in.^
39:27 in.^
41:12 in.^
44:46 in.^(maybe parts)
"Termination with Extreme Prejudice"
By: Don B. Ray
https://www.dailymotion.com/video/x6nzbzc
Highlights:
0:53 in.^
1:33 in.^
11:16 in.^
26:25 in.^
29:21 in.
37:27 in. The source music and the score cue that immediately follows it.^
39:25 in. More source music.^
41:49 in. Brass-lead boat chase music.^
NO LOAD FOUND.
"Target? The Lady" (5)
By: Don B. Ray
"Death's Name is Sam"
By: Don B. Ray
https://www.dailymotion.com/video/x6nyzan
Highlights:
14:17/15:35 in.^(both)
18:42 in.^
41:46 in.
That's all that should be released from that episode score.
"The Case Against McGarrett" (6)
By: Don B. Ray
https://www.dailymotion.com/video/x6o3c92
Highlights:
0:53 in.^
2:24 in.^(parts)
6:54 in.
16:53 in.
28:17 in.^
36:51 in.
42::03 in.^
21:55 in: What it sounds like the guy over the phone said in German, in English: "Pizza director"
"Sing a Song of Suspense" (8)
By: Morton Stevens
https://www.dailymotion.com/video/x6o30sh
Highlights:
13:05 in. Pizzicato strings and fast cymbal tapping opens the cue before nervous trembling strings running around with percussion and brass also in play.^
19:52 in.
24:45 in.
32:18 in. And the cue after the commercial break.^(both)
36:25 in. The fine-dining restaurant source music, mainly strings and piano.
39:15 in.
43:17 in.^
46:29 in.
Those first two cues and 43:17 has him in "Police Woman" mode; you could track them into that series and probably get away with it.
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Thank you. :-)
"Bored She Hung Herself" has no credited composer, so I skipped it like other episodes with no credited composer.
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Thanks. I'll hunt down the two episodes and post links here later. You can e-mail him at his website; his wife answers the e-mails and decides who passes, so tell her the discussion you had and that if he has a chance, to look 'em over. If need be, I can go through and note the time every cue starts, to save him some time.
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Continuing SEASON 8:
"Retire in Sunny Hawaii -- Forever"
By: Morton Stevens
https://www.dailymotion.com/video/x6n9czu
Highlights:
2:55 in.^
10:00 in.^
16:44 in.^
18:30 in.
20:30 in.
24:49 in.^
26:49 in.^
31:47 in.^
39:21 in.^
44:33 in.^
"How to Steal a Submarine" (10)
By: Don B. Ray
https://www.dailymotion.com/video/x6n943d
Highlights:
0:53 in.^
12:59 in.
20:52/21:39 in. That first cue would make a good opening to the second.
36:42 in.^
43:50 in.^
45:26 in.
For the guys here: 17:20 in. You're welcome.
So, that's where they're hiding: sewing compounds.
"Honor is an Unmarked Grave" (12)
By: Morton Stevens
https://www.dailymotion.com/video/x6ncds1
Highlights:
1:01 in.^
6:23 in.^
11:07 in.^
14:25 in.^
16:20 in.^
18:45 in.^
23:41 in.^
36:05 in.^
39:18 in.^
44:19 in. Somber solo piano piece. Some strings join in around the end.
48:53 in.
Stevens should have gotten an Emmy nomination for this episode score.
"A Touch of Guilt"
By: Bruce Broughton
https://www.dailymotion.com/video/x6ncm75
Highlights:
0:53 in.
3:16 in.^
5:15 in.
8:21 in.
11:29 in.^
27:15 in.^(parts)
31:47 in.^
35:39 in.
40:23 in.^
42:59 in.^
46:01 in.
7:17 in: airplane porn.
"Wooden Model of a Rat"
By: Harry Geller
https://www.dailymotion.com/video/x6ngen7
Highlights:
0:53 in.^
2:59 in.
10:34 in.^
19:11 in.^(parts)
21:02 in.^
23:51 in. And the cue after the commercial break.^(both)
31:20 in.^
"Deadly Persuasion"
By: Don B. Ray
https://www.dailymotion.com/video/x6ngelv
Highlights:
0:54 in. Over six minutes long and only light FX.
9:19 in.
10:51 in.^
24:33 in.^
36:09 in.^
38:56 in.
46:20 in.
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Posted: |
Apr 22, 2021 - 5:24 AM
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By: |
Broughtfan
(Member)
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Thanks. I'll hunt down the two episodes and post links here later. You can e-mail him at his website; his wife answers the e-mails and decides who passes, so tell her the discussion you had and that if he has a chance, to look 'em over. If need be, I can go through and note the time every cue starts, to save him some time.
Justin, just watched "Child Stealers" and have a pretty good idea as to whose music is whose, one of the tip offs being the partial score orchestration, which includes harp, and I think, a couple of low strings (3-4 cellos, one bass).
Instead of giving you a breakdown of all the cues, I'll post (later on) the time starts for those segment-specific cues most likely composed by Bruce Broughton (at least I know he scored the big kidnap scene in the middle) since he may not have this season (or any season) of the series on DVD (and thus be unable to confirm what cues are his).
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Finishing SEASON 8:
"Legacy of Terror" (16)
By: Don B. Ray
https://www.dailymotion.com/video/x6ngekz
Highlights:
4:53 in.^
18:18 in.
20:33 in.^(parts)
22:49 in.^(parts)
24:09 in.
34:00 in. The source music and the score cue that immediately follows it.^
37:17 in.
40:12 in.
42:25 in.^
44:09 in.^
For the guys here: 10:46 in. You're welcome.
38:19 in: What it sounds like he said in German, in English: "Before I want the flu."
"Turkey Shoot at Makapuu" (19)
By: Morton Stevens
https://www.dailymotion.com/video/x6npoad
Highlights:
1:20 in.^
4:16 in. This cue just kicks ass. Just a tad over two minutes long.^
13:06 in. The bar source music. And the score cue that immediately follows it, and the cue after that one. A little over four minutes for all three.^(all three)
21:18 in.
23:14 in.^
27:24 in. One kick-ass fugue.^
33:51 in.
38:07 in.^
41:39 in.^
"A Killer Grows Wings" (20)
By: Jerrold Immel
https://www.dailymotion.com/video/x6npocn
Highlights:
0:53 in.^
2:43 in.^
5:29 in.^
14:21 in.^
20:19 in. And the cue after the commercial break.^(both)
25:34 in.
29:41 in.^
34:21 in. Also contains one awesome arrangement of the series' main theme; I'd have been okay with that being done as the opening credits.^(parts)
38:17 in.^(parts)
I think I cited every single cue, so I might as well say (even if wrong) the entire score should be released. I'm almost tempted to say he should have gotten an Emmy nomination for this score.
"The Capsule Kidnapping"
By: Bruce Broughton
https://www.dailymotion.com/video/x6nqkbu
Highlights:
1:07 in.^
3:47 in. The music the radio station guy is playing.^
6:45 in.^
12:42 in.
14:55 in.
17:47 in.^
19:18 in.
27:55 in.^
33:13 in.
36:35 in.
40:26 in.^(opening to dialogue/41:54)
45:20 in.
"Love Thy Neighbor, Take His Wife"
By: Don B. Ray
https://www.dailymotion.com/video/x6nvox9
Highlights:
8:32 in.^
12:57 in.^
15:40 in.
23:44 in.
25:57 in.^
27:50 in. Unfortunately, the first cue is cut off while still going, by the fade to commercial break; an officially release will hopefully rectify this. And the cue after the commercial break.^(second)
30:58 in.
42:29 in.
45:05 in.
For the guys here: 16:24 in. You're welcome.
"A Sentence to Steal"
By: Don B. Ray
https://www.dailymotion.com/video/x6nw4ul
Highlights:
0:53 in.^
3:34 in.^
11:25 in.^
13:12 in.^
17:19 in.^
19:27 in.
21:00 in. Cue is cut off before we hear a proper ending.^
24:25 in.^
30:25 in.^
34:52 in.^
40:29 in.^
45:00 in.^(parts)
You know, especially those first two cues and 40:29, I think maybe I would have been okay with him scoring an episode of "CHiPs".
I cited just about every single cue, so I might as well say the entire score should be released. And I'm tempted to say he should have gotten an Emmy nomination for the score.
45:40 in: What it sounds like he said in German, in English: "Exploding hat"
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