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I agree to the extent of what others here have said about not taking this stuff too seriously. Do I lose sleep over how his music is titled? Nope. Do I dwell on it long after I've listened to the music? Of course not. Does it result in my not purchasing or listening to new music by the composer? No; however, my lukewarm feelings to much of his work contributes sufficiently to that.
I don't begrudge others admiring his acumen when it comes to titling his work. And I know others have expressed a disdain for the way John Williams labels his work. But can you imagine Williams taking the same approach and applying silly names to his music? I can't help but think that if he were to do that it would diminish, in the eyes of his peers and fans, what he has accomplished.
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MONKEY SEE, MONKEY COUP
GODDAMN
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Cool Thread Title 
Couldn't put your thanks in the title, but Thanks Kev!!
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There there are the one word titles Zimmer assigned to Dark Phoenix.
Gap
Dark
Frameshift
Amity
Boooring.
I do rather prefer bald, basic Bernard Herrmann-style track titles like The Car, The Murder, The House etc.
You left out "Nocturne."
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He (or his team) made a Simpsons reference in the STAR TREK BEYOND cue titles, so I am, and will forever remain, pro-pun.
"The Dreaded Rear Admiral". That was a good one.
Just today, I realised a cue in JURASSIC WORLD is called "The Brockway Monorail" as well.
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They don't bother me much, some are funny, some not so much. I do prefer a track title that more refers to the film scene it supports , but it's not a big deal. The Outrage over it is kinda...ridiculous. But then, most of the Outrage seen around here is 
I haven't seen any real outrage in this thread. Just some folks expressing disdain for unfunny puns.
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I actually think his puns are more interesting than his music !
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