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SEASON 6:
"The Condemned"
By: Duane Tatro
https://ok.ru/video/2833165191927
Highlights:
0:00 in.^
24:47 in.^
29:26 in.^
36:54 in.
38:31 in.
42:41 in.
45:11/46:38 in.^
Not too much score in the episode.
Including the rare appearance of a brass harmonica in an episodic TV series score (cue not cited).
"The Traitor"
By: Hugo Friedhofer
https://ok.ru/video/2833164995319
This is the only effort by Friedhofer for the series.
Highlights:
0:00 in.^
1:55 in.^
5:18 in.^
14:13 in.^
21:55 in.^
28:36 in.
35:16 in. And the cue after the commercial break.^
39:59 in.^
45:05 in.^
The score is different, but something of a mixed bag. I don't dislike it -- it's interesting to hear, but this one effort didn't leave me wanting to hear more from Hugo on the show. And it doesn't matter since there wasn't more.
(NtM: 15:39)
"Escape to Terror"
TRACK JOB
https://ok.ru/video/4001761397389
(Score: 2:53, 3:52, 5:20 [identify], 7:44, 10:41, 14:05, 15:54, 17:39, 24:33 [identify], 27:38 [identify: second], 30:49, 32:19, 33:27, 36:11 [identify: 36:33], 38:01, 39:09 [identify], 43:01, and 45:48.)
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Continuing SEASON 6:
"The Architect"
By: Willard Jones
https://ok.ru/video/2833164864247 (looks every so slightly better than below load)
Alternative link: https://ok.ru/video/3359736138367
Highlights:
1:12 in.^
2:43 in.
5:13 in.^
10:43 in.^
22:02 in.
25:10 in.^
31:01 in.
38:15 in. And the cue after the commercial break.^
43:02 in.^
45:44 in.^
Not a bad score, but it's kind of scatter-brained and goes all over the place.
(NtM: 26:21)
"The Savage Wilderness" (5)
By: John Elizalde
https://ok.ru/video/2833165912823
Highlights:
0:00 in. Bold and kind of lush music for a lovely rocky beach.^
2:32 in.^
5:29 in.^
6:53 in.^
8:23 in.
16:05 in.^
23:48 in.^
25:31 in.^
27:41 in.
28:42 in.^
33:18 in.^
39:01 in.^
41:53 in.^
46:37 in.^
49:26 in.^
Elizalde seems to focus his scoring more of presenting this as if it was a nature documentary special, with lush music, bold statements, and the kind of scoring you'd expect to depict the picture-esque views.
I really don't like this episode. Aside from the fact its painfully slow and gives you no reason for it for like 90% of the episode, it departs from the realistic crimes element that made the show what it was, and focuses on a fake premise and more film-like bad guy.
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Continuing SEASON 6:
"Time Bomb"
TRACK JOB
https://ok.ru/video/2833165978359
(Score: 0:00, 2:33, 3:31, 5:45, 10:31, 13:36, 18:41 [identify: second], 20:46, 23:27, 24:47, 25:33 [Hulk theme piano noodling], 28:59, 31:30 [identify], 32:22 [identify], 33:02 [identify], 35:23, 36:32 [identify: Morton Stevens brass build/quick fall], 37:27, 40:27/41:28, and 46:40 [identify].)
"The Innocents"
TRACK JOB
https://ok.ru/video/2833166043895
(Score: 0:00 [maybe from "The Savage Wilderness" score], 2:35, 3:24 [identify], 7:06, 11:23 [identify], 19:35, 21:50 [identify], 24:24 [identify], 26:18, 27:42, 29:02, 32:46 [identify], 35:21, 36:01 [identify], 37:55, 40:10, and 42:58 [identify].)
"The Deadly Pact"
By: Sidney Cutner
https://ok.ru/video/2833165257463
This is the final effort by Cutner for the series.
Highlights:
8:45 in. Danny Elfman-like cue.^
14:38 in.^
17:48 in.^
20:17 in.
23:02 in. And the cue after the commercial break.^(second)
27:27 in.^
33:57 in.^
35:07 in.^
37:45 in.^
42:10 in.^
46:21 in. And the cue after the commercial break.^
(NtM: 36:26)
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Continuing SEASON 6:
Sorry, but this entire batch today is a track-job listing.
"The Impersonator"
TRACK JOB
https://ok.ru/video/5414386928269
(Score: 0:00, 3:32 [identify], 5:22 [identify], 7:47 [identify], 9:49, 13:03, 13:57 [identify], 16:47/21:17/22:46/26:01/33:27/35:28/43:56 [identify: pleasant upbeat], 19:14 [identify: second], 32:33, 37:45, 38:40 [identify: second], 42:01 [identify], 45:26 [identify], and 49:32.)
"Antennae of Death"
TRACK JOB
https://ok.ru/video/2833165585143
(Score: 0:00 [identify], 1:35 [identify], 3:14, 5:33, 7:19 [identify], 8:41, 11:51 [identify; should be Markowitz], 18:06, 22:11, 23:12 [stirring opening, leading to a solo flute over strings], 24:43 [identify], 26:12 [identify], 29:49, 32:21, 32:45 [identify], 35:03 [identify: 36:19], 38:09 [identify], 41:02 [identify], 45:16, 45:54, 47:06, 48:32 [identify], and 49:15 [identify].)
"The Target"
TRACK JOB
https://ok.ru/video/4132343057037
(Score: 0:00 [identify], 1:44 [identify; plucks and mystery material], 5:49 [identify], 8:35 [identify], 9:15, 10:50, 12:55, 16:11, 17:11 [identify: 18:01], 19:43 [identify], 21:55 [identify], 24:09, 25:59 [identify], 29:47, 31:22 [identify], 34:30 [identify], 39:39 [identify], 42:04 [identify], 44:34 [identify; including scraped strings-like sound], and 47:59.)
"The Witness"
TRACK JOB
https://ok.ru/video/2833165126391
(Score: 0:00 [identify: McCarthy trombone-like cue], 4:01 [identify], 7:20, 8:18, 10:43, 11:37 [contains a little of "The Widow" score], 12:58, 16:23, 17:45, 18:16, 19:16, 24:43, 25:50, 28:49, 30:19, 32:53 [identify], 37:33, 39:15, 42:21, 43:19 [identify], 44:52 [identify].)
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Finishing SEASON 6:
"Incident in the Desert"
By: Duane Tatro
https://ok.ru/video/2833165322999
Highlights:
1:29 in.^
3:25 in.^
7:25 in.^
9:20 in.^
16:33 in.^
31:35 in.
35:04 in.
39:23 in. *
44:47 in.
Final original score of the season.
* = Wow, those were awful unbuyable green screen effect.
"The Inheritors"
TRACK JOB
https://ok.ru/video/2833165454071
Cute moment: Larry Linville's character asks another guest star: "May I be frank with you?"
(Score: 0:00, 2:46, 3:58 [identify: tuba playing over trembling strings and plucks], 5:36, 6:50 [identify], 9:09 [might be from "The Savage Wilderness" score], 13:45, 15:04, 15:52, 17:10 [identify], 19:35, 21:15, 22:59, 24:51, 29:01 [might be from "The Savage Wilderness" score], 31:13, 32:43 [identity], 33:02, 34:34, 35:29 [identify; shaker, congas], 39:59, 42:30, 44:51 [might be from "The Savage Wilderness" score], 47:27, and 49:35.)
"The Unknown Victim"
TRACK JOB
https://ok.ru/video/2833165781751
(Identify: 14:07, 18:31, 25:50, 34:47/45:37 [percussion, bending brass], 38:46, 41:27/44:00, 48:47, )
"The Stalking Horse"
TRACK JOB
https://ok.ru/video/2833165847287
(Identify: 0:00, 0:30, 8:58, 24:14, 34:00, 39:02, 44:52)
"Center of Peril"
TRACK JOB
https://ok.ru/video/2833165650679
(Identify: 0:00, 4:45, 8:44, 21:23, 23:25, 27:10, 33:01, 39:33 [driving funky; may be from another TV series].)
"The Eye of the Needle"
TRACK JOB
https://ok.ru/video/2833165716215
(Identify: 2:20/4:13/8:17/26:26/33:00/40:40/45:00 [echoplex trumpets], 25:??.)
(Score: 0:00 [from "The Savage Wilderness" score].)
"The Fatal Connection"
TRACK JOB
https://ok.ru/video/2833166240503
(Identify: 0:00 [probably season four or five], 2:57, 5:00, 18:13, 20:07 [also contains more of that driving funky], 34:44, 48:19.)
"The Replacement"
TRACK JOB
https://ok.ru/video/2833166109431
(Identify: 4:45, 18:24, 32:03, 36:41, 40:50, 47:00.)
(Score: 7:35 [from "The Widow" score].)
"Death Watch"
TRACK JOB
https://ok.ru/video/2833166306039
(Identify: 0:00, 13:50, 15:59, 16:46 [percussion and bending brass], 20:00/23:14, 26:40 [driving funky], 44:44.)
"Downfall"
TRACK JOB
https://ok.ru/video/2833165388535
(Identify: 0:13, 7:26, 28:07, 32:10, 43:52.)
"The Hitchhiker"
TRACK JOB
https://ok.ru/video/3997398534797
Before clicking on this episode, I saw the title and thought: I bet it'll use score from "The Widow" to make the undoubtedly young hitch hickers cool/edgy.
(Identify: 0:00, 5:05, 8:07, 23:15, 24:38, 29:43, 34:09, 36:28, 44:22)
(Score: 16:08 [from "The Widow" score], 31:21 [from "The Widow" score], 40:45 [from "The Widow" score; so is the cue after the commercial break], 46:44 [from "The Widow" score].)
"Turnabout"
TRACK JOB
https://ok.ru/video/2833166174967
Contains tracked score from Leo Arnaud.
(Identify: 0:00, 2:05, 7:30, 11:00, 16:30, 19:00, 24:25, 27:00, 33:49, 38:34, 43:00, 44:49, 46:20.)
"The Natural"
TRACK JOB
https://ok.ru/video/2833166371575
(Identify: 1:10, 2:48, 4:21, 21:31, 32:03, 37:00, 39:32.)
"Three Way Split"
TRACK JOB
https://ok.ru/video/2833166502647
For the guys here: 23:08 in. You're welcome.
(Identify: 0:00 [should be Markowitz, season three or four], 3:59, 7:25, 21:05, 28:38, 34:00, 44:35,.)
(Score: 16:03 [from "The Widow" score; so is the cue after the commercial break, but sped up].)
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SEASON 7:
"Death on Sunday"
TJ
https://ok.ru/video/2851755526903
All score covered on this episode just incase score from efforts below, is tracked in.
(Score: 0:00, 1:14, 2:52, 5:04, 7:00 [country source cue], 11:27, 15:09, 20:34, 22:12 [identify], 23:30, 24:45 [identify], 28:13, 32:50, 35:15, 34:21 [cue after commercial break is from "The Widow" score], 37:08, 41:02, 41:40 [identify], 46:30, and 48:36.)
"Recurring Nightmare"
By: Duane Tatro
https://ok.ru/video/5418818538125
Highlights:
1:34 in.
2:32 in.^
5:10 in.^
11:27/12:51 in.^
17:35 in.
22:30 in.^
23:47 in. Off kilter jazz chase music.^
28:31 in.^
31:25 in.^
34:10 in.^
35:52 in.^
38:20 in.^
43:30 in.^
(NtM: 9:40, 29:52, 42:09)
"The Last Job"
By: John Elizalde
https://ok.ru/video/2853029677815 (sound quality not quite suitable for suite use; good enough, waiting for better)
Highlights:
0:00 in.^
2:12 in.^
4:56 in.^
21:26 in.^
22:37 in.^
25:59 in.^
29:41 in.
37:13 in.^
41:16 in.^
43:39 in.^
44:16 in.^
46:20/46:56 in.^
47:34 in.^
A good score, especially the closing action cues.
(NtM: 12:47, 35:37)
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Continuing SEASON 7:
Sorry, all track-job efforts today. Like I said earlier, I am not longer noting all score used, just stuff of note I hope to maybe identify one day.
"The Deadly Gift"
TJ
https://ok.ru/video/2853029481207
(Identify: 0:00/4:38, 37:57, 46:59.)
"Dynasty of Hate"
TJ
https://ok.ru/video/2851775843063
(Identify: 0:00 [maybe the same country source cue from "Death on Sunday" track job], 7:06/25:27/37:37/42:45, 28:12 [season one or two], 31:48 [I think this from a different TV series], 40:17 [snare drum and staccato lower octave piano], 44:54.)
"The Mastermind (Part 1)"
TJ
https://ok.ru/video/2851755002615
(Identify: 2:00, 12:00, 30:19 [including triangle], 36:40, 42:15, 44:51, )
(Score: 14:10 [from "The Widow" score; stops at 16:36 and becomes unknown driving funky].)
"The Mastermind (Part 2)"
TJ
https://ok.ru/video/2853029939959
(Identify: 0:00, 5:40, 11:39, 18:30/27:50/34:10/37:50 [sounds like maybe Bernstein, probably from a different series], 33:22, 36:25, 39:38, 43:55)
"The Watch-Dog"
TJ
https://ok.ru/video/5429752892045
Alternative link: https://ok.ru/video/2853030202103
(Identify: 0:00, 14:25/24:44 [maybe from "The Savage Wilderness" score], 23:36, 29:12, 46:10.)
(Score: 4:05 [from "The Widow" score].)
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Finishing SEASON 7:
This is the end of "The FBI" for now.
"The Game of Terror"
By: Michel Mention
https://ok.ru/video/2853030660855
This is the only effort by Mention for the series.
Highlights:
0:00 in.^
2:03 in.^
4:00 in.
4:50 in.^
6:05 in.^
9:02 in.^
16:50 in. And the cue after the commercial break.^
21:06 in.^
22:48 in. While fine music on its own terms, if you a prime example of How Not to Score a Scene 101, I note what the music changed into when they ran down the slope for the money. Wow, so wrong.^
24:51 in.^
27:53 in.^
30:44 in.^
35:12 in.^
37:00 in.^
39:10 in.^
45:00 in. And the cue after the commercial break.^
Final original score of the season.
It's not a bad score and would be welcomed on CD, but as a series composer, I'm not disappointed he didn't get more episodes.
(NtM: 20:02)
"End of a Hero" (10)
TJ
https://ok.ru/video/2853030267639
(Identify: 0:00 [may be from "The Sanctuary" score], 10:33, 13:57 [should be Markowitz], 28:10, 33:57, 35:31 [should be Markowitz], 37:30.)
"Superstition Rock"
TJ
https://ok.ru/video/2853030398711
(Identify: 0:00, 2:31, 4:38, 6:50, 22:49, 23:30/29:36, 47:46.)
"The Minerva Tapes"
TJ
https://ok.ru/video/2853030726391
(Identify: 0:00, 7:57, 17:00, 22:30, 40:52, 41:51.)
"Bitter Harbor"
TJ
https://ok.ru/video/2853030529783
(Identify: 0:00, 2:50, 4:10, 12:10, 16:00, 17:10 [spirited cue with trumpet; tracked before in other track-job episodes], 29:08, 35:07, 36:08, 41:55.)
"The Recruiter"
TRACK JOB
https://ok.ru/video/2853030005495
(Identify: 0:00, 12:50, 27:42, 38:43, 41:10, 41:38 [should be Markowitz; loser octave piano stabs cue], 45:31, 47:14.)
(Score: 38:42 [from "The Widow" score; taken from the music & effects track, this can clean up part of the score -- if any label is reading this].)
"The Buyer"
TJ
https://ok.ru/video/2853030595319
(Identify: 0:00, 15:00, 22:09, 30:54, 34:10, 43:00.)
"A Second Life"
TJ
https://ok.ru/video/2853029546743
(Identify: 0:00 [probably season one or two], 23:20, 45:30.)
"The Break-Up"
TJ
https://ok.ru/video/2853029284599
(Identify: 25:44 [might be from "The Sanctuary" score], 42:00, 46:29.)
"Judas Goat"
TJ
https://ok.ru/video/4194698070669
Alternative link: https://ok.ru/video/2853029612279
Very little tracked score in this episode. A lot of songs.
(Identify: 10:55 [should be Markowitz].)
"The Hunters"
TJ
https://ok.ru/video/2851756641015
(Identify: 0:00, 1:51.)
"Arrangement With Terror"
TJ
https://ok.ru/video/2853029415671
(Identify: 0:30, 3:37, 5:15, 14:37, 20:20, 21:24 [snare drum], 33:03, 36:41, 41:17, 44:13.)
(Score: 0:00 [from "The Widow" score -- can be used to clean up music & effects track cue].)
"The Set-Up"
TJ
https://ok.ru/video/2853030071031
(Identify: 0:00, 2:13, 16:27, 27:30, 43:21.)
"The Test"
TJ
https://ok.ru/video/2853029808887
(Identify: 0:00/10:22/24:10/30:00 [spirited cue with trumpet; tracked before in other track-job episodes], 6:23 [echoplex trumpet cue], 17:20, 33:02, 36:19/42:53/46:10.)
"The Corruptor"
TJ
https://ok.ru/video/2853030333175
(Identify: 0:00 [should be from the Mention score], 11:33, 19:30, 21:00, 28:00, 35:49, 39:00, 40:30, 41:51, 43:31, 44:57, )
(Score: 2:45 [from "The Widow" score; this use is not needed for a music & effects salvage job]. 3:12 [from "The Widow" score; can be used to make a music & effects salvage job], 5:32 [from "The Widow" score; some of this can be used, too].)
"The Deadly Species"
TJ
https://ok.ru/video/2853030136567
(Identify: 4:00, 5:24, 16:44, 27:29/36:46, 38:02, 39:16.)
"Dark Journey"
TJ
https://ok.ru/video/5414452071053
(Identify: 0:00, 15:23, 26:28, 41:30, 45:47.)
"Escape to Nowhere"
TJ
https://ok.ru/video/2851756575479
(Identify: 0:00, 1:07, 4:14, 10:01, 12:??, 29:15, 31:12, 33:24, 37:37 [season one], 39:50.)
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SEASON 8:
The last couple of season were kind of shaky and had some bad episodes, but season eight recovers and at times is almost as good as it's heyday in season four.
"The Runner"
By: Richard Markowitz
https://ok.ru/video/7125820115575
https://www.dailymotion.com/video/x8euj4g
Highlights:
1:53 in. Over three minutes of jazz chase music.^
7:11 in. A minute of jazz music.^
9:27 in. Action material.^
11:11 in.^
15:35 in. And the cue after the commercial break.^
20:14 in. Over three minutes of tense material, with a short amount of vague callbacks to his episode score "The Widow".^
23:41 in.^
27:15 in.^
28:52 in.^
31:15 in.^
35:29 in.^
37:17 in. And the cue after the commercial break.^
42:13 in.^
44:09 in.^
Another good score from Markowitz. I cited pretty much every last bit.
"We all have our share. One way or the other, we all have our share."
"The Edge of Desperation"
TJ
https://ok.ru/video/7125820508791
https://www.dailymotion.com/video/x8euj4i
(Identify: 1:36 [might be from the prior episode], 3:47, 10:44, 14:00, 16:38, 18:51, 34:43, 36:37 [would be a shame to not identify this one], 41:03, 44:37 [another cool one that needs identifying; should be Markowtiz], and 49:15.)
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Continuing SEASON 8:
"The Fatal Showdown"
By: Robert Drasnin
https://ok.ru/video/7125820705399
https://www.dailymotion.com/video/x8euj4x
Highlights:
0:10 in.^
1:57 in.^
3:47 in.^
6:00 in.^
9:27 in.
11:19 in. The funky source music on the radio, cut off early.^
13:07 in.^
19:10 in.^
22:41 in.^
25:35 in.^
28:30 in.^
29:50 in.^
33:23 in.^
38:08 in.^
40:51 in.^
42:18 in.^
47:23 in.^
Drasnin also provides a good score, with occasional light similarities to his one score to the series "Most Wanted".
Some of this may have been tracked in the above track-job episode.
5:10 in: The old guy looks like he just realized he shit his pants.
(NtM: 15:35,)
"The Franklin Papers"
By: Willard Wood-Jones
https://ok.ru/video/7125820770935
https://www.dailymotion.com/video/x8euj52
Highlights:
6:55 in.^
26:19 in. Joining a cue already in progress. and.^
27:45 in.^
43:10 in.^
45:21 in.^
49:30 in.^
On a set of season eight scoring, I'd probably only take away two or three cues, like the 45:21 highlight. The score is serviceable enough, but lacks what other composers brought to the show.
"The Gopher" (5)
TJ
https://ok.ru/video/4140129585805
Alternative link: https://ok.ru/video/7125821033079
(Identify: 1:57, 11:43, 19:18, 47:00.)
(Score: 27:03 [from "The Widow" score].)
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Continuing SEASON 8:
"End of a Nightmare"
By: Duane Tatro
https://ok.ru/video/7129241356919
https://www.dailymotion.com/video/x8euj6u
Highlights:
2:21 in.^
3:26 in.^
7:44 in.^
12:50 in.^
21:08 in.^
23:03 in.^
31:03 in. I think this cue was in the first track-job episode of the season.^
35:00 in. and.^
37:35 in.^
42:23 in. Cue is cut off because the scene is cut early (obviously cut down to broadcast).^
44:09 in.^
Tatro provides a good score, even with touches of echoplex sounds. The score falls more into line with writing and orchestration with Kaper and earlier Markowtiz efforts, while bringing his own touches. Tatro was a perfect choice for this episode.
And it proves to be a favorite for track-job episodes, especially certain moody settings.
A very young looking Dean Stockwell guest stars.
(Note to Me: 28:56)
TRACK JOBS.
"The Engineer"
TRACK JOB
https://ok.ru/video/7129444387447
https://www.dailymotion.com/video/x8euj6k
(Identify: 17:22, 31:42, 38:55, 41:11 [also contains some Tatro from the above episode and some Drasnin from his first score of the season], 49:40.)
(Score: 1:40 [from the above Tatro episode until the truck chase], 23:56 [from the above Tatro episode].)
"I get the cold shakes filling out my income tax, even when I know I haven't done anything wrong."
"A Game of Chess"
TRACK JOB
https://ok.ru/video/7129444649591
https://www.dailymotion.com/video/x8euj7u
(Identify: 12:11, 13:31, 30:40, 40:22 [probably Drasnin], 41:53, 44:12.)
(Score: 1:53 [from the above Drasnin effort], 2:37 [from the above Tatro score], 21:53 [from the above Tatro score].)
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Continuing SEASON 8:
"The Wizard"
By: Richard Markowitz
https://ok.ru/video/7129242536567
https://www.dailymotion.com/video/x8euj80
Highlights:
5:17/5:44 in.^
27:58 in. The jazz/disco source music. And the score cue that immediately follows it at 30:53.^
32:28 in.^
37:01 in. Joining a cue already in progress.^
42:09 in. Over six and-a-half minutes long. And the cue after the commercial break.^
On a set of season eight scoring, I would probably just take the source cue and the final two cues that close out the episode.
(NtM: 1:40, 5:17, 19:06, 24:27)
"The Loner" (10)
By: Duane Tatro
https://ok.ru/video/7138016234103
https://www.dailymotion.com/video/x8euj7o
Highlights:
1:50 in. Cue really takes off about 3:30 in.^
5:46 in. Laid back kind of country sounding cue with harmonica and banjo leading.^
11:32 in. The country-music bar source cue.^
13:49 in.
16:55 in.^
20:42 in.^
22:00 in. Soft kind of warm romantic material, eventually followed by mystery music for night happenings, then some action material.^
28:16 in.^
31:13 in.^
37:42 in.^
39:49 in.^
41:47 in.^
44:36 in.^
(NtM: 29:30, 36:42)
"Canyon of No Return"
By: Albert Harris
https://ok.ru/video/7138017086071
https://www.dailymotion.com/video/x8euj8c
Highlights:
1:39 in.^
5:32 in.^
10:44 in.^
11:23 in.^
13:56 in. And the cue after the commercial break.^
19:13/25:23 in.^
29:55 in. And the cue after the commercial break.^
36:22 in.
37:39 in.^
40:50 in.^
42:37 in. Short dramatic outtro cue, and the cue after the commercial break which goes all the way to the next commercial break, then the following closing cue. Just over seven minutes of scoring, all three total.^
Harris provides a different kind of approach, while at times still sounding like some of the first season work by Kaper. It's a good score and I'm tempted to say it's one of the series' best.
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Continuing SEASON 8:
"Holiday With Terror"
By: Willard Wood-Jones
https://ok.ru/video/7138017282679
https://www.dailymotion.com/video/x8euj4y
This is Jones' third and final effort for the series.
Highlights:
1:41 in.^
3:34 in.^
6:22 in.^
11:41 in.^
13:37 in.^
18:10 in.^
26:24 in.^
28:15 in.^
30:15 in. This is the nearest to some action the score gets, so I guess if this disappoints you, you probably don't need to hear the rest of the score.^
35:53 in. And the cue after the commercial break.^
41:00 in.^
43:33 in.^
45:25 in.^
A lot of generally nice stuff, but don't expect big material, bombast, edgy, or the jazz work of Markowitz. Some of the score is more kind of in line with the different approaches Harris was taking, to some degree.
Final credited original score of the season. Yes, not very many.
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Continuing SEASON 8:
Nothing but track-job episodes, but too many for one updates, I think I should break these things up, so...
"The Jug-Marker"
TRACK JOB
https://ok.ru/video/7138017610359
https://www.dailymotion.com/video/x8euj4w
(Identify: 1:46, 5:03 [I think this is Markowtiz from a prior season], 16:32, 19:49, 22:44, 28:01, 37:44, 38:41 [should be Markowitz], 42:38, 46:14 [has to be Markowitz, but not from this season].)
(Score: 31:38 [from the above Drasnin score].)
"The Outcast"
TRACK JOB
https://ok.ru/video/3994160728717
(Identify: 2:00, 9:07, 16:37, 34:15, 37:55, 42:55, 43:57, 47:00.)
"Dark Christmas" (15)
TRACK JOB
https://ok.ru/video/7138018200183
https://www.dailymotion.com/video/x8ewge7
I think there is a possibility some of the Christmas music is original, a partial uncredited score.
(Identify: 0:00, 2:27, 8:08 [Christmas music], 11:23, 22:30, 31:45, 33:55, 38:58, 40:18 [Christmas music], and 48:19.)
"The Rap Taker"
TRACK JOB
https://ok.ru/video/7138077117047
https://www.dailymotion.com/video/x8ewgft
(Identify: 2:10 [the source music], 5:11, 11:51, 20:30, 23:02, 24:55, 31:00, 32:53, and 44:02/46:10.)
"A Gathering Of Sharks"
TRACK JOB
https://ok.ru/video/7138077313655
https://www.dailymotion.com/video/x8ewggm
(Identify: 14:15, 18:44, 25:44, 28:28, 31:28, 35:59/38:50/41:58 [possibly from "Canyon of No Return" score], and 48:21.)
(Score: 1:50/about 45:15 [from "End of a Nightmare" score], 43:18 [echoplex trumpets; I think this is from a season six episode].)
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Continuing SEASON 8:
Sorry, all track jobs.
"The Disinherited"
TRACK JOB
https://ok.ru/video/3955752700557
(Identify: 1:27, 9:00, 10:29, 11:53 [dramatic brass-lead cue, possibly from season one, maybe Kaper], 13:27, 17:51, 19:07, 26:15, 28:16, 31:37, 47:51.)
(Score: 34:44/37:55 [from "The Fatal Showdown" score].)
"You wanna die?"
Erskine: "Not especially."
"Desperate Journey"
TRACK JOB
https://ok.ru/video/7138078034551
https://www.dailymotion.com/video/x8ewgfb
(Identify: 6:40, 13:55, 20:38, 27:42, 29:44, 31:50, 36:50, 38:57, 44:21)
(Score: 1:40 [from the pilot].)
"The Double Play" (20)
TRACK JOB
https://ok.ru/video/3999924619917
(Identify: 5:21, 12:27, 13:58, 23:28 [the source music, but I don't think this is from a prior episode -- might be original], 30:41, 47:03.)
"The Wedding Gift"
TRACK JOB
https://ok.ru/video/7138288667255
https://www.dailymotion.com/video/x8ewgja
(Identify: 1:29 [I think this is from season one], 11:47, 13:27, 19:39, 25:18, 38:01, 44:11 [should be Markowitz], 49:50.)
"The Detonator"
TRACK JOB
https://ok.ru/video/7138288732791
https://www.dailymotion.com/video/x8ewgjg
(Identify: 0:00, 153 [some or all may be from "End of a Nightmare" score], 5:03 [opening part is probably from that Tatro score], 12:35, 22:46/24:51/30:21/32:00/35:18/36:36 [from "End of a Nightmare" score], 39:30 [funky music], and 41:15 [maybe all from "End of a Nightmare" score].)
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Finishing SEASON 8:
"Sweet Evil"
TRACK JOB
https://ok.ru/video/7138288863863
https://www.dailymotion.com/video/x8ewgj0
(Identify: 1:35 [theme on alto sax', then strings take over], 5:55, 13:41, 15:28, 26:29, 31:29, 38:37, 43:04, 45:27 [including funky music].)
(Score: 8:18/16:58/21:25 [from "The Loner" score], 24:23 [from "The Widow" score].)
"Memory of a Legend"
TRACK JOB
https://ok.ru/video/7138288929399
https://www.dailymotion.com/video/x8ewgkr
(Identify: 3:33, 4:44, 7:10, 16:48, 17:21, 18:26, 20:07, 21:29, 34:00, 47:37, 49:27)
Out-of-context quote...
"There' no need to be fancy, gentlemen, let's just get it off."
"Night of the Long Knives" (25)
TRACK JOB
https://ok.ru/video/7138289126007
(Identify: 3:15, 12:11, 13:16, 26:19, 31:53, 40:07, 48:11)
"The Loper Gambit" (26)
TRACK JOB
https://ok.ru/video/4485894900365
(Identify: 0:00, 4:40, 8:14, 15:40, 25:55, 37:27, 42:22.)
(Score: 39:46 [from "The Widow" score).)
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SEASON 9:
The final season.
"The Big Job"
TRACK JOB
https://ok.ru/video/4886273460877
Alternative link: https://www.dailymotion.com/video/x8ey2gc (mediocre quality) (CORRECT)
https://www.dailymotion.com/video/x76t4si (EPISODE???)
This episode marks the final time score from the episode "The Widow" is tracked.
(Identify: 3:55, 7:20, 15:18, 25:01, 31:59.)
(Score: 17:50 [from "The Widow" score], 20:57 [from "The Widow" score].)
"The Confession"
TRACK JOB
https://ok.ru/video/7141050288759
https://www.dailymotion.com/video/x76uo8u
(Identify: 13:16, 22:07, 27:17, 28:25, 33:20 [has to be Markowitz], 45:35)
(Score: 14:37 [from season one].)
"Break-In"
By: Willard Wood-Jones
https://ok.ru/video/4106568141453
https://www.dailymotion.com/video/x76uh7p
https://www.dailymotion.com/video/x8ey2ge
Highlights:
0:00 in.^
2:17 in.^
11:25 in. And the cue after the commercial break.^
21:17 in.^
44:30 in.
48:22 in.^
A score that is much more Markowitz sounding.
On a set of season nine scoring, I'd probably only include half of the cues cited above. It's just not a score that needs a full release.
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Continuing SEASON 9:
"The Pay-off"
By: Duane Tatro
https://ok.ru/video/7141050550903
https://www.dailymotion.com/video/x8ey2gh
Highlights:
3:20 in.^
27:07 in.^
28:52 in.^
31:04 in.^
32:50 in.^
43:59 in. Some of this was tracked into one or both of the track-job episodes that opened the season.^
There's not much score in the episode, especially considering that Tatro had to do quite a bit of score from previous efforts. For some reason he made the score particularly edgy, hard, biting -- probably to make up for the episode being kind of a boring slog and not so engaging.
(NtM: 19:26, 27:03)
"The Exchange" (5)
By: Albert Harris
https://ok.ru/video/7141050813047
https://www.dailymotion.com/video/x8ey2gu
This is Harris' second and final effort for the series.
Highlights:
2:03 in.^
6:15 in.^
17:26 in.^
28:20 in.^
32:20 in.^
36:32 in.^
48:32 in.^
(NtM: 17:21/Rosenman tone pyramid, 44:56)
"Tower of Terror"
By: Duane Tatro
https://ok.ru/video/7141051402871
https://www.dailymotion.com/video/x76w2xb
https://www.dailymotion.com/video/x8ey2gm
Highlights:
2:06 in.^
5:49 in.^
7:53/8:21/10:07 in.^
11:49 in.^
3342 in.^
35:13 in. Bittersweet soft arrangement of the Kaper theme for woodwinds.^
35:46 in.^
43:15 in.^
Maybe it's just me, but I think your bad guy should not look like he's a little black eye liner and hat away from auditioning for A Clockwork Orange.
About 28:30 in: arrangement of the theme from A Summer Place (Steiner). I don't know if this is a tracked pre-existing piece of something done by Tatro.
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Continuing SEASON 9:
"Fatal Reunion"
By: Richard Markowitz
https://ok.ru/video/7141051533943
https://www.dailymotion.com/video/x8ey2gr
This is the final effort by Markowitz for the series.
Highlights:
4:26 in. Quite reminiscent of his work on the episode "The Widow".^
8:13 in.^
9:39 in.^
22:41 in. More action material like the opening cue.^
24:04 in. Softer more romantic material.^
26:53 in.^
34:58 in.^
36:05 in.^
47:15 in.^
49:28 in.
28:24 in: Arrangement of the song "As Time Goes By" (Herman Hupfeld). I don't know if this is a tracked pre-existing piece or done by Markowitz.
The song title may not ring any bells for some of you, but the lyrics will: "You must remember this: A kiss is still a kiss."
Popularized, of course, by the Dooley Wilson take used in the 1942 film Casablanca.
(NtM: 12:35)
"Rules of the Game"
TRACK JOB
https://ok.ru/video/7141051599479
https://www.dailymotion.com/video/x8ey2gl (correct)
(Identify: 2:05, 4:28, 9:49, 18:50/22:41 [has to be Markowitz], 30:44, 32:21 [probably Drasnin], 33:07, 36:12, 39:01, 44:58.)
"Fool's Gold Raub"
TRACK JOB
https://ok.ru/video/7141051796087
https://www.dailymotion.com/video/x76zhur
https://www.dailymotion.com/video/x8ey2he
(Identify: 1:57, 2:49, 4:00, 13:53, 15:55, 19:48, 29:40, 35:33, 37:05, 46:30, 50:38.)
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