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 Posted:   Jan 5, 2001 - 7:38 AM   
 By:   Ron Pulliam   (Member)

quote:
Originally posted by Damon:
Yes Ron. Damon is my name. You seem a bit edgy there guy, take your valium.
This is a pretty hardcore soundtrack forum! I think I might have personally insulted some of you for voicing my opinion. Sorry if I have. http://www.filmscoremonthly.com/board/frown.gif"> I just happen to like some of the scores Zimmer has done recently.

Nah, I'm not edgy. Don't take or need valium. Could use a little Prozac now and then, but that's life!

Your opinion is just fine. But if you don't want to hear any negative input, don't ask what we think. I know you stated you liked him and cited reasons. I cited reasons why I don't.

That's the basis for dialogue where I come from. It isn't always touchy-feely, but it doesn't have to be ugly, either. I don't think I was being ugly, do you?

More power to you...enjoy film music. If, along the way, you discover greater talents than Zimmer, don't be alarmed....

: )

 
 
 Posted:   Jan 5, 2001 - 8:39 AM   
 By:   kaijuu-oyabun   (Member)

Beatles make me laugh. Elvis is a big fat depressed guy in girdles singing My Way at state fairs. Basically there are Dirty Harry people and then there are ABBA people, at least on this subject.

 
 
 Posted:   Jan 5, 2001 - 8:41 AM   
 By:   kaijuu-oyabun   (Member)

How In the World Can You Guys Not Like Shrink Wrap?

 
 
 Posted:   Jan 5, 2001 - 8:42 AM   
 By:   kaijuu-oyabun   (Member)

How in the World Can You Guys Not Like
Turtle Wax?

 
 
 Posted:   Jan 5, 2001 - 6:14 AM   
 By:   JohnnyK   (Member)

Zimmer is Yanni on steroids.

 
 
 Posted:   Jan 5, 2001 - 6:20 AM   
 By:   Timmer   (Member)

Andre! Andre!! ANDRE!!!...How many more times must you be told...Morricone is an old has been, Zimmer is God!

P.S. I thought it was shameful the way Gustav Holst nicked all those riffs from Zimmer's highly original Gladiator score!

 
 
 Posted:   Jan 6, 2001 - 10:15 AM   
 By:   joan hue   (Member)

LOL, Timmer. I'm sure Andre WILL respond.

Kaijuu-oyabun (and H Rocco), how in the world can you guys NOT like Forrest Gump???

"And that's all I have to say about THAT!"
http://www.filmscoremonthly.com/board/biggrin.gif">

 
 
 Posted:   Jan 6, 2001 - 6:18 AM   
 By:   André Lux   (Member)

quote:
Originally posted by Timmer:
Andre! Andre!! ANDRE!!!...How many more times must you be told...Morricone is an old has been, Zimmer is God!

You are 100% right Timmer!!

I mean, who is this Moricuone person aftear all?
How many Dom $imp$om/Jerry Bruckenheimer movies has he scored??

HÁ! http://www.filmscoremonthly.com/board/tongue.gif">

 
 
 Posted:   Jan 6, 2001 - 6:26 AM   
 By:   Howard L   (Member)

Will you guys please stop calling Z a Maricon!

 
 
 Posted:   Jan 6, 2001 - 7:06 AM   
 By:   keyser soze   (Member)

Man, that Yanni on steroids remark was sooooo on the nose. (don't be alarmed Zimmer lovers, I like him too)

And I agree that you guys should stop calling people morricons, it is confusing others!
http://www.filmscoremonthly.com/board/confused.gif"> http://www.filmscoremonthly.com/board/confused.gif"> DUH, somebody should sue that Holzt guy! He should know that he can't steal other people's brilliant work!
We should get this Holzt guy, and set him on fire for stealing from our beloved Zimmer!

http://www.filmscoremonthly.com/board/mad.gif"> http://www.filmscoremonthly.com/board/mad.gif"> http://www.filmscoremonthly.com/board/mad.gif"> Bern um! Bern um all!

 
 Posted:   Jan 6, 2001 - 12:19 AM   
 By:   Dana Wilcox   (Member)

Perhaps I am guilty of being an "orchestral snob" but there is a reason. The orchestra offers an infinitely diverse range of possibilities, subtle differences between what sort of emotional "button" is touched by different instruments, or the combinations therof. Composers who understands the proper use of an orchestra (i.e., who have formally studied various styles of composition), can create a complex companion to the film's visual aspects, that underlines, explains, and holds together the film, that begins in one place and develops with the film. This is called "depth" (a term mentioned in a previous post), and it is precisely what Hanz Zimmer and his friends cannot impart to a film, because he, and they, lack the tools to do so.

That is not to say that Zimmer cannot provide an acceptable musical accompaniment to certain kinds of films -- those which do not require any insight or depth. Let's face it -- "As Good As It Gets" did not require Alex North! I do think that at least a couple of the films Zimmer did, "Driving Miss Daisy" and "Gladiator," would have been far better served by trained composers. Especially the latter!

One last comment: Lisa Whatsername, the vocalist who Zimmer has lately brought into his fold, is a beautiful example of his amateurish take on film scoring. Her vocals for "The Insider" were surreal, distracting and totally irritating, while they were merely inappropriate in "Gladiator." Zimmer does not have the training or insight to recognize how out of place she is in these films. She is to film music what Sondra Locke was to serious acting.

 
 
 Posted:   Jan 6, 2001 - 12:38 AM   
 By:   SjONGBIrD   (Member)

Ok kids - being it's Saturday and the cartoons are all done...
I feel moved to put in my 2 cents worth in on good ol Hans Z.
Question - does the score serve the film? As far as it goes for GLADIATOR - YES it does! Did Zimmer 'borrow' from Holst and E. Morricone - perhaps.
I once heard Johnny W say (in PERSON) how he 'borrowed' here and there from Korngold, etc. for (now hang on kiddies...) STAR WARS.
I LOVE the score for GLADIATOR - I'm listening to it right now (on the DVD of same). It SUITS the film. Lisa Gerrard's vocals also fit swimmingly. Of course, this is just one schmucks opinion - mine - and I don't mind saying - I also LOVE James Horner for all he's worth too! THE ROCKETEER remains within reach on my shelf constantly!
Having worked along side a director and producer or two -- I've witnessed them tell their composer of choice to 'make the score sound like...'! Many times composers are FORCED to COPY an exsisting films' score in order to soothe the audience (and studio brass{es}). I knew a director who basically MADE his composer copy himself!
It's also funny to me, that while all this ZIMMER bashing and defending goes on - his interview stays on the FSM main page!!
cheers

[This message has been edited by SjONGBIrD (edited 06 January 2001).]

 
 
 Posted:   Jan 6, 2001 - 1:52 AM   
 By:   Beatty   (Member)

quote:
It's also funny to me, that while all this ZIMMER bashing and defending goes on - his interview stays on the FSM main page!!

Explain funny, please.

And thanks for the news flash about Korngold vis á vis Star Wars, thou oh-so-31337 abuser of the in-cap.

Hanging on, kid-wise.

------------------
np: http://www.geocities.com/kyle_beatty" TARGET=_blank>www.geocities.com/kyle_beatty

 
 
 Posted:   Jan 6, 2001 - 2:27 AM   
 By:   André Lux   (Member)


quote:
Originally posted by SjONGBIrD:
Question - does the score serve the film? As far as it goes for GLADIATOR - YES it does!

Right anwser: no, IT DOESN'T.
Sorry.
"Zimmer's" score is so amateurish and out-of-place that only make the movie even more ludicrous...
If you don't believe me, just check the first teaser trailer of the movie (featured on the DVD), temp tracked with CONAN, THE BARBARIAN's score. Man, makes you wonder what GREAT score a real composer could have created to this artistic flop!

quote:
Did Zimmer 'borrow' from Holst and E. Morricone - perhaps.

PERHAPS??
Wow! That was a good one.
Please, buy yourself a copy of SECRET OF THE SAHARA and listen to the track "Kerin". What Zimmer did was just adapt Morricone's gem to fit his primitive "orchestrations"!


quote:
Of course, this is just one schmucks opinion - mine - and I don't mind saying - I also LOVE James Horner for all he's worth too!

Well, now it became easy to understand your praising over GLADIATOR... I mean, don't take me wrong, I used to love Horner too. But just until I discover what a fraud he is - something that grows everyday now. What a shame!!

quote:
It's also funny to me, that while all this ZIMMER bashing and defending goes on - his interview stays on the FSM main page!!

And that means... http://www.filmscoremonthly.com/board/confused.gif"> (Maybe I am losing something very profound here).


Cheers indeed!!

http://www.filmscoremonthly.com/board/biggrin.gif">

 
 
 Posted:   Jan 7, 2001 - 2:08 AM   
 By:   Damon   (Member)

God for bid, alow me to never mention Zimmers name on this forum again! http://www.filmscoremonthly.com/board/eek.gif"> I never realized he was so unliked by so many of you. As for all of the comments about Gustav Holtz, lets face it, Zimmer is still pretty young. I'm sure he gets his inspiration from all of the great composers of our time, I know I sure do. I'm a huge fan of Mozart, Wagner, Vivaldi, etc. One thing I can tell you is music will never be composed as great as these classic composers. I don't care if you're a Morricone fan, Goldsmith fan, whatever, the original classical composers are the ones who started this great music in the first place. Listen to Goldsmiths score for "Six Degrees of Seperation", total classical influence. All of the great soundtrack composers have classically studied under great teachers. Maybe not Zimmer, which is one reason I respect him more for being able to do what he does. How can they not be influenced?
Oh well, that's it for me bringing up anything to do with Hans Zimmer. I expected people to give their own opinions which is perfectly fine, but man, I feel like I just stepped into a mine field with this post.
I'm also a huge fan of Gabriel Yared ("English Patient-brilliant), Goldsmith (LA Confidential), Williams (especially the brilliant score for 'Schindlers List'), and Elfmann (loved "Edward Scissorhands and "To Die For").
As for Morricones "Mission to Mars"-hated it. It didn't suit the movie at all IMO especially all of those generic synth sounds he used with it. I thought it was quite laughable personally especially that entire stupid movie. Sorry, just my opinion.
Peace

[This message has been edited by Damon (edited 07 January 2001).]

 
 
 Posted:   Jan 7, 2001 - 3:35 AM   
 By:   Thor   (Member)


>>God for bid, alow me to never mention Zimmers name on this forum again! I never realized he was so unliked by so many of you.<<

Please forgive them, Damon, for they know not what they do...

 
 
 Posted:   Jan 7, 2001 - 6:49 AM   
 By:   André Lux   (Member)


quote:
Originally posted by Damon:
I don't care if you're a Morricone fan, Goldsmith fan, whatever, the original classical composers are the ones who started this great music in the first place. Listen to Goldsmiths score for "Six Degrees of Seperation", total classical influence. All of the great soundtrack composers have classically studied under great teachers. Maybe not Zimmer, which is one reason I respect him more for being able to do what he does. How can they not be influenced?

Don't be so touchy mate!
You have the right to like Hanzimmer or whatever. Just don't get so hysterical when you discover that not everybody agree with your opinion about things.

I loved MISSON TO MARS - both as pure music experience and withing the movie. But you don't. Will I slash your throat now? Of course not. I mean... Does an artist like Ennio Morricone needs to be defended?? http://www.filmscoremonthly.com/board/wink.gif">

But for suree: one thing is "get influenced" by classical composers. The other is just use their music as if it was your own, simple because you don't have the necessary skills to achieve it. But it is even more shameful when these hacks steal from their collegues of profession, which are still alive!!

Peace indeed...

P.S. to Thor: piss off, would you?

 
 
 Posted:   Jan 8, 2001 - 6:18 AM   
 By:   Howard L   (Member)

Thank you, Mr. Wilcox, for a clean & succinct appraisal. Good companion i.e. worth "borrowing" for future reference like the other guy's. As for those of you knocking As Good & Miss Daisy--a pox be on you & all your ancestors! http://www.filmscoremonthly.com/board/smile.gif">

 
 
 Posted:   Jan 22, 2023 - 11:20 AM   
 By:   Howard L   (Member)

Ummmm, is the subject question still up for grabs?
eek

 
 Posted:   Jan 22, 2023 - 11:45 AM   
 By:   PollyAnna   (Member)

It's not Hans Zimmer or his music that I don't really like, it's the dozens of musical protege's he has set upon the world. Some are good, some are very good but an awful lot are so-so. The "formula" has in my opinion saturated the market and became a bit bland. I know this is what producers want these days but it doesn't mean it's good. I loved Han's music in the 90's and anxiously awaited each score but with a few exceptions I have not found it the same these days. I remember thinking years ago why can't they hire him for a Bond movie? Then they did and it was not what I expected. It was left a lot to Steve Mazzaro, God bless him, and he just does not cut the mustard.
I did like Wonder Woman 1984 which was a musical nostalgia blast for me.

 
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