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 Posted:   Mar 27, 2013 - 12:47 PM   
 By:   MattyT   (Member)

Joel McNeely
- Take a listen to his scores for Iron Will, Squanto, and the Tinker Bell series. He deserves a big budget movie and he's a nice guy as well.

 
 Posted:   Mar 27, 2013 - 1:38 PM   
 By:   IWalkAmongYou   (Member)

Bruno Nicolai -

Too often seen as being in the shadow of Morricone.

 
 Posted:   Mar 27, 2013 - 6:58 PM   
 By:   AndreaDanna   (Member)

Robert Folk, period.

 
 Posted:   Mar 27, 2013 - 7:38 PM   
 By:   mastadge   (Member)

CHRISTOPHER GORDON

Daybreakers was one fantastic score!


IAWTC

 
 Posted:   Mar 27, 2013 - 8:48 PM   
 By:   SBD   (Member)

In light of a number of strong choices (Folk, Lewis, Licht, Scott, Stein, Talgorn), let me add:

Terry Plumeri. His scores for "Final Judgment", "Mr. Atlas", "Stepmonster" and especially "Scarecrows" are marvelous.

On the strength of his rejected "Neighbors" score, Tom Scott surely merits a mention.

And I can't say this enough: Amotz Plessner ("Addams Family Reunion", "Deal of a Lifetime") deserves more attention than he gets.

 
 
 Posted:   Mar 27, 2013 - 9:32 PM   
 By:   MMM   (Member)

Hoimen Stein

 
 
 Posted:   Mar 28, 2013 - 1:03 PM   
 By:   Eugene Iemola   (Member)

Patrick Gowers and Howard Blake. These guys sound pretty good to me and are instant buys when and if I see something of theirs that I don't already own. Sir Peter Maxwell Davies is very good, too, only he hasn't done that much in film- our loss.

 
 Posted:   Mar 28, 2013 - 1:08 PM   
 By:   kingtolkien   (Member)

John Scott

 
 Posted:   Nov 28, 2018 - 3:33 PM   
 By:   Mike Esssss   (Member)

I don't know about "favorite" necessarily, but one composer I rarely see in these underrated discussions is Arthur P. Rubinstein, and maaaaaaaan that guy was the goods. I'm listening now to samples from ANOTHER STAKEOUT. I've seen ANOTHER STAKEOUT. It's fine. But it did not deserve this music.

I'm glad he had a champion in John Badham, who gave him some high profile jobs and without whom we wouldn't have gotten Rubinstein's brilliant work for WARGAMES, but otherwise he just seems lost to the wind. He shined even when the projects were dull. There was certainly enough room at that table for someone besides Goldsmith.

 
 Posted:   Nov 28, 2018 - 4:26 PM   
 By:   Ray Faiola   (Member)

I'd also give a vote to John Leipold. He was a workhorse at Paramount and Columbia. He excelled at comedy writing, including most of the early W.C. Fields features.

 
 Posted:   Nov 28, 2018 - 5:16 PM   
 By:   Yavar Moradi   (Member)

In the Golden Age, Roy Webb -- by FAR.

In the modern age, Shirley Walker. She should have had a huge film career.

Living? Well there are loads of overlooked talented people. Wouldn't know how to narrow it down.

Yavar

 
 
 Posted:   Nov 28, 2018 - 6:10 PM   
 By:   villagardens553   (Member)

Stanley Myers. What a talent. I say underrated because so much of his vast output has never been commercially released (The Witches, The Night of the Following Day, all those Peter Walker scores, etc.), and so many of his great lp soundtracks have never been released on cd: No Way To Treat a Lady, Ulysses, Take a Girl Like You, The Raging Moon, Otley, and Prick Up Your Ears.

 
 
 Posted:   Nov 28, 2018 - 6:49 PM   
 By:   Spymaster   (Member)

Stewart Copeland

 
 Posted:   Nov 28, 2018 - 10:58 PM   
 By:   'Lenny Bruce' Marshall   (Member)

Anton Karas

 
 Posted:   Nov 29, 2018 - 6:34 PM   
 By:   Mark Mostel   (Member)

Paul Smith tends to get overlooked due to falling under the "brand" of classic Disney films and the large roster of musical directors that worked on them, but he was a herculean film composer in his own right. I think his contributions to film scoring technique, particularly in his development of "mickey-mousing" into more than just a gimmick, are extremely underappreciated. I can think of lots of composers who've been mimicked and copied by others successfully, but Paul Smith is one of the few who's never really been matched in style or technique. I think that's pretty admirable and rare for someone who wrote music with such wide appeal.

 
 Posted:   Nov 29, 2018 - 7:09 PM   
 By:   Sarge   (Member)

Michael Convertino is very, very underrated.





 
 
 Posted:   Nov 30, 2018 - 1:36 AM   
 By:   hyperdanny   (Member)

Christopher Gordon.
Underrated AND shamefully underused.

 
 
 Posted:   Dec 1, 2018 - 4:31 PM   
 By:   BryonDavis   (Member)

For me? Gil Melle and Stu Phillips.

 
 
 Posted:   Dec 1, 2018 - 7:40 PM   
 By:   JRB86   (Member)

Robert O. Ragland, Gil Melle, Richard Band, Jay Chattaway, John Cacavas and Robert Prince.

Misha Segal is another personal favorite. Love his score for "Phantom of the Opera" with Robert Englund.

I'm Facebook friends with film composer John Beal, who's also very underrated but fantastic composer who has done a lot of film trailers, but some of his own compositions are great! Most notably the score he did for Tobe Hooper's "The Funhouse".

 
 Posted:   Dec 1, 2018 - 7:56 PM   
 By:   Dr. Nigel Channing   (Member)

Robert F. Brunner. I love his scores for various Disney films from my youth (especially the Dexter Riley series).

 
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