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Was Savage Jungle an original score (I seem to remember some of the music in it was from the first season's MIST OF SILENCE)?
"Savage Jungle" had an original score by Harry Geller. The only color episode I remember using the first season scores (not including music lifted from films) was "The Plant Man."
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You poor bastard, we keep totally screwing your name up.
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You poor bastard, we keep totally screwing your name up.
I thought it was a clever for Neil way to say bull! as a response to the post. 
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I would have thought that co-producers Bond-'n-Buck would be issuing orders ... & not be recipients of orders.
Bulk
Neil
Apologies to That Neil Guy.
My subconscious mind must be thinking about returns on investments as well.
Still, I think "Obey, Buck" sounds better coming from Tufeld's voice-over than "Obey, Bulk".
Kneal, Neil, before the phantom Krueger.
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Posted: |
Jun 28, 2020 - 6:18 PM
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By: |
Broughtfan
(Member)
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Two additional musicians listings (from S3, incl. library session):
9/6/66
Voyage - 9204 - "Spanish Gold" (cond. by Lennie Hayton)
Session time: 1:00 - 5:45 (again, mostly "usual suspects")
Flute: Luella Howard, Arthur Hoberman, Archie Wade
Oboe: Gordon Pope
Clarinet (doublers): Russell Cheever, Abe Most, William Ulyate
Bassoon: Don Christlieb
Horn: Vincent DeRosa, Harry Schmidt, Jack Cave
Trumpet: John Clyman, Carroll Lewis, Robert Fowler
Trombone: Richard Nash, Ray Klein, Phillip Teele
Tuba; Clarence Karella
Percussion: Hal Rees, Richard Cornell
Piano: Artie Kane
Harp: Ann Stockton
Bass: Meyer Rubin, Kenneth Winstead
1/17/67
Combined Voyage, LIS, Time Tunnel, Batman library session (43 players, cond. by Lionel Newman)
Session time: 8-11:30 (8-9, Voyage cues)
Flute: Luella Howard, Arthur Hoberman
Oboe: Gordon Pope, Gordon Schonberg
Clarinet (doublers): Russell Cheever, Abe Most, William Hood
Bassoon: Don Christlieb, Ray Nowlin
Horn: Vincent DeRosa, Harry Schmidt, Jack Cave
Trumpet: John Clyman, Carroll Lewis, Robert Fowler
Trombone: Richard Nash, Ray Klein, Phillip Teele
Tuba; Clarence Karella
Percussion: Hal Rees, Richard Cornell, Milton Holland
Piano: Artie Kane
Harp: Ann Stockton
Violin (9): Louis Kaufman (Fox CM), Victor Arno, Joachim Chassman, George Berres, Marshall Sosson (Columbia Pic. CM), Irma Neumann, Paul Shure, Kurt Dieterle, Adolph DiTullio
Viola (4): Alvin Dinkin, Alex Neiman, Sven Reher, Paul Robyn
Cello (4): Joseph DiTullio, Joseph Coppin, Gloria Strassner, Lucien LaPorte
Bass (2): Meyer Rubin, Kenneth Winstead
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Two additional musicians listings (from S3, incl. library session):
Broughtfan: In case people aren't saying it aloud, thanks for the musician listings! It is appreciated, and it's going into my notes for this release.
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btw as an aside as most of you might not know, there was a 13 episode series called WESTWIND which had a LOST IN SPACE bit of John Williams type music in the middle of a chase action track. If anyone finds that show or any eps let me know~~! It starred Van Williams and Kimberly Beck, who was in one LOTG episode. The music to it was quite good, too.
Oh my goodness, WESTWIND! The series that replaced the Star Trek Animated series. It's the only reason I remember the name, I was crushed when NBC ran an announcement which said "Star Trek will no longer be seen at this time, now stay tuned for WESTWIND!" I refused to watch it.
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Got mine on Saturday--fast shipping, LALALAND. Great job by all involved. Wonderful to have Goldsmith's JONAH AND THE WHALE score complete and all that fine stuff by Leith Stevens, Alexander Courage, and Lennie Hayton (whose work is a bit of a revelation to me, divorced from the increasingly hokey series it was done for.) The other scores I'll have to listen to more to get into.
By the way, it's been years since I've watched any of the shows but I could have sworn the opening 12-13 seconds of Goldsmith's "unheard alternate" main title was used at the start of one episode, post main titles.
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Just to pipe in, got my copy with copious padding so it made a soft landing. As usual, the release as a whole is a stunning work of art.
I say this every time, but schools and libraries should be required to get their releases for the sake of preserving cultural history (and the sales wouldn't hurt either).
Schools & libraries will edit, censure or eradicate cultural history. We'd better hoard our precious albums in our closets, under our beds & inside our metal safes/safety deposit boxes before hordes of angry protesters vandalize anything made before year 2020.
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Just to pipe in, got my copy with copious padding so it made a soft landing. As usual, the release as a whole is a stunning work of art.
I say this every time, but schools and libraries should be required to get their releases for the sake of preserving cultural history (and the sales wouldn't hurt either).
Yes, as always, La-La-Land pack their work like they really care about it. Evident when you unfurl the bubble-wrap is that they also produce it like they care about it. I got my CD centered football yesterday.
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Mine is apparently coming via Pony Express..... Good lord, it took forever to get to Texas.
I'm in New York, but at least it's on the move.
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No People of Colour appear on the opening credits of Voyage To The Bottom Of The Sea...
BAN THIS SICK FILTH!!!!
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