|
|
|
|
|
|
|
|
|
|
|
|
Yeah, I'm not a big fan of these pasted end titles either. It's not necessary to paste in material that's been included elsewhere on the album, unless there were connecting tissues created by the composer (as was the case with Total Recall). So people don't like the cut'n'paste end titles even though they are actually in the film like that....but are fine with a fully (or almost fully) redundant 'album' version, sometimes upping the price and/or the space the thing takes up? *boggles* Oh I don’t mind a pasted-together selection of bits from other cues created by a music editor for the end titles being included on an album... as long as it’s a self-contained track. But evidently I’m in a tiny minority because most people just want the music to slavishly reproduce whatever is in the film. I am long resigned to not being a typical consumer of this stuff (since I want the optimal musical experience).
|
|
|
|
|
26. Not My Partner/The Ransom (End Credits from the motion picture Along Came A Spider) (10:38) I hope this is an actual composed piece of music and not a music editor-created end title piece pasted on the end of the genuine finale cue (like Intrada did on The Mummy). No issue with these non-composed end titles being included when they're indexed separately (like on Varese's US Marshals and Air Force One) but not a fan of these pasted-together things being put at the end of "proper" cues. Sadly, darned if we include them, darned if we don't. We learned a lot when Cary took over and we have been trying to be more attuned to what the fans want on these releases (see: Looney Tunes and AFO as examples). It really has become trying to make fans as happy as possible. Yes. Someone will always complain. In this instance me. (Hangs head.) I realise I am not a typical listener!
|
|
|
|
|
Just received my tracking number from Varese UK. Mine's on it's way. Looking forward to every cue. Me too. Huzzah! I bet you its not a proper tracking number. Why. Coz I didn't pay for one and was given one, and it said on royal mail can't find.
|
|
|
|
|
|
|
|
They segue perfectly into one another as a single cue. I totally agree! Joined is how this music was conceived and exactly as should be presented on album. Mind you a CD is devised for listening, not as something to just archive some files. I believe this 10+ min. track alone is THE track worth on this new album. Excellent job, Varese! And thank you again!
|
|
|
|
|
Why would you want this as a separate track though? Two possibilities: 1: I’m strange 2: I’m complaining about something I haven’t even heard yet (hey, that’s what the internet is for!) and it will later transpire that I’m completely wrong and reverse my opinion. I don’t discount the chance that both 1 and 2 apply.
|
|
|
|
|
This has just arrived and is next on playlist.
|
|
|
|
|
The win-win scenario is to simply include "Not My Partner" again, after the "Not My Partner / Ransom" main program-ending combo track, as a bonus track.
|
|
|
|
|
|
|
|
So far just okay. It's like a watered down memory from the halcyon days of yor. End of career JG is my least favourite period.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Mine also arrived this morning, very impressed with the new UK store!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|