It was used over the end titles so why would there be rights issues?
Um, TITANIC... PRINCE OF THIEVES... No criticism of our soundtrack labels meant but sometimes the rights holders won't allow the song to be included no matter what.
It was used over the end titles so why would there be rights issues?
Um, TITANIC... PRINCE OF THIEVES... No criticism of our soundtrack labels meant but sometimes the rights holders won't allow the song to be included no matter what.
K.D. Lang is no Celine Dion or Bryan Adams and 'Surrender' is no 'My Heart Will Go On' and '(Everything I Do) I Do It for You', two of the biggest hits of the 90's
Love it. This is a score without any skippable tracks for me. I can easily start from track 1 and just listen all the way through to the conclusion. Again, the heavy inclusion of the Bond theme for me is what really does it.
Love it. This is a score without any skippable tracks for me. I can easily start from track 1 and just listen all the way through to the conclusion. Again, the heavy inclusion of the Bond theme for me is what really does it.
Totally agree with the above this is a fantastic score with the James Bond theme all over it, cannot wait to order this soundtrack tomorrow & hope we will soon see more Expanded James Bond scores
It was used over the end titles so why would there be rights issues?
Um, TITANIC... PRINCE OF THIEVES... No criticism of our soundtrack labels meant but sometimes the rights holders won't allow the song to be included no matter what.
K.D. Lang is no Celine Dion or Bryan Adams and 'Surrender' is no 'My Heart Will Go On' and '(Everything I Do) I Do It for You', two of the biggest hits of the 90's
SURRENDER's a first class retro Barry tribute, with thematic material drawn directly from the score. I still imagine what it might have been like had SURRENDER followed the pre-title sequence... instead of the analytical and detached Crowe tune, we'd have a song that celebrated the grandness of the brand. What a loss it is not having that feeling; architecturally it would have made the film stronger, too.
SURRENDER's a first class retro Barry tribute, with thematic material drawn directly from the score. I still imagine what it might have been like had SURRENDER followed the pre-title sequence... instead of the analytical and detached Crowe tune, we'd have a song that celebrated the grandness of the brand. What a loss it is not having that feeling; architecturally it would have made the film stronger, too.
If anyone can reference which cues basicaly quote the songs of 'Surrender' and 'Tommorow Never Dies' thematic material-Id like to know upfront. Any takers?
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