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Wait a minute, when did Yor come back? This has certainly been an eventful night. Ordered btw, along with DON'T BE AFRAID OF THE DARK and SOUL SURFER. Really looking forward to them all, but it's going to be a while until I get them.
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Just downloaded this from iTunes this afternoon and I'm really enjoying it. I love the way that Morricone's music has been integrated into Beltrami's. Just felt impatient as usual and had to have it right now but I will be picking up the physical CD once it's released. I love Beltrami's horror scores and it's good to have him back at it again! Cheers! Harry
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I don't know why, and every instinct tells me I shouldn't be, but I'm ridiculously excited about this movie and the score (well, I know why I'm excited about the score)
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One thing is for sure, Beltrami score is very different from Morricone's. It's much more violent and loud, while Morricone's is almost minimalist. YOR is not saying this is a bad thing, just saying that the scores are quite different in concept.
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One thing is for sure, Beltrami score is very different from Morricone's. It's much more violent and loud, while Morricone's is almost minimalist. YOR is not saying this is a bad thing, just saying that the scores are quite different in concept. It reflects the taste in filmmaking then and now, I would suppose.
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Posted: |
Oct 13, 2011 - 10:55 AM
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By: |
mastadge
(Member)
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One thing is for sure, Beltrami score is very different from Morricone's. It's much more violent and loud, while Morricone's is almost minimalist. YOR is not saying this is a bad thing, just saying that the scores are quite different in concept. It reflects the taste in filmmaking then and now, I would suppose. I don't know. Carpenter's scores have always, to my recollection (not being an expert on his oeuvre), been fairly minimalist, and Morricone has always forged his own path and not always worked the way other composers were working -- hasn't he frequently been a composer of the record some tracks and themes to be rearranged by the filmmakers to fit the film later variety? And Beltrami's scores, while modern and often aggressive, are rarely so in the same way as other composers of his own generation.
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