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Give me the details on FB or email for future reference!
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Package arrived just now.
Just uploaded the track titles to Gracenote and listening now.
Stunning.
Been waiting nearly 20 years for this!
Thank you SO MUCH LLL and everyone involved!!!!!!!!!!!!!!
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Listening to "Anderton Escapes" and "The Conveyor Belt" now.
Unbelievable, this is a stunning improvement over the original album!!!!
This score truly is one of Williams's masterpieces, just as the film is one of Spielberg's most towering achievements.
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On that note, I never realized how close to the film's release the score was recorded. The liner notes say it was recorded over three days in April 2002, and then four more days in May 2002, finishing on May 17, 2002, only a month before the film and the album came out, just amazing! I wonder how they got the album finished and pressed that quickly?
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On that note, I never realized how close to the film's release the score was recorded. The liner notes say it was recorded over three days in April 2002, and then four more days in May 2002, finishing on May 17, 2002, only a month before the film and the album came out, just amazing! I wonder how they got the album finished and pressed that quickly?
Easy. The guys in charge were veritable pros.
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Listening to this majestic score is making me want to rewatch the movie soon.
I hope we get a 4K disc with a new master, the Blu-Ray was rescanned from the original negative, but they forgot to apply the bleach bypass process that was applied to the original release prints, which was present on the DVD (presumably mastered from a release print), so the Bu-Ray is a bit too bright and colorful.
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How is the Alt segment for Anderton Escapes?? A juicy unreleased jem?
Based on one listen so far, it sounds pretty much identical to the version on the original album, except with MUCH more intense drumming and percussion in the background in parts.
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The jetpack escape sequence has those little bits of “humor” that undercut the weight of the scene, but otherwise the film is absolutely fine - until the LA Confidential part. After that, the whole rest of the movie takes a bleached-out nosedive for me.
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This score truly is one of Williams's masterpieces, just as the film is one of Spielberg's most towering achievements.
Nonsense. It's a film full of terrible plotholes, pretending to be an edgy noir that has a completely nonsensical ending. An extraordinarily disappointing Spielberg effort. William's score is probably the best thing about it, but not enough to warrant me buying this edition. I'm glad for all you guys who enjoy this score and like to read your comments about it, but let's not pretend this film lives up to the hype.
https://ghostof82.wordpress.com/2019/10/19/pre-crime-doesnt-pay-minority-report
The Ghost is correct; as he usually is!
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