am going to replace the typically awful label art with yours!
I'm trying to decide which version, myself… I like them both…
!!!! I made a back cover - mounted vertically- of the painterly version. I really like to do back covers like that; they seem more like a mini film poster. I flipped the back inset so the cr4dits show inside thru a clear cd tray. I used the pulp version as the back cover of the the booklet. It nicely covers the gauche advert for a magazine!!!!
RAISE THE TITANIC I made a back cover, vertically mounted for the Silva DISASTERS compilation which features a great suite from the film (that cd must have the worst art design ever - orange?)
Did the same for NEVER CRY WOLF which has two great covers. The black and white illustration for the front and the moon howling silhouette for the back; vertically mounted
I think the only way to get a great cover for JOURNEY is if VS does a rerecording. That way we might get another great Matt Peake painting (F451, DTEST etc.) bruce
Love the Is Paris Burning cover, but was wondering whether you could make a variant that does not crop off the actor/character names on the extreme top left and bottom right of the original poster?
And I know you said you were happy with the original Tadlow Blue Max art, but I would still love to see your rendition of this using the original movie art campaign:
I did the corrections directly on the finished image provided by Chris. I did it in Photoshop using stamp and blur
Nice work Lewis&Clark. The application I use to retouch is an ancient Adobe program named PhotoDeluxe. It has a function called clone, which allows one to paint over existing parts of the image by cloning one part of the image onto another part. Is that what stamp and blur does too?
Yep, stamp is like copy/paste of existing color to other parts of the image. And blurring, well, helps to further hide the small differences in pixel's lighting due wrinkles on the original poster.
Chris, your welcome! I did some more touch-up on the white horse, I suggest to use this one: