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me likee da analogue. da strings's good in analogue.
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Dogplant gave me this for my birthday but I am keeping the original as well.
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judy the hutt: Dogplant gave me this for my birthday but I am keeping the original as well. I'm keeping the "Original Motion Picture Score" album too, judy. One of the finest soundtrack album productions of that time.
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Minority Report's score is very JFK.
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With it's more up-front sound, I wonder if "Anderton Escapes (Alternate Segment)" is sourced from the digital multitracks? Or vice versa? On further listening, maybe all the alternates are from the digital.
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With it's more up-front sound, I wonder if "Anderton Escapes (Alternate Segment)" is sourced from the digital multitracks? Or vice versa? On further listening, maybe all the alternates are from the digital. Every bit of the release came from the analog 2-inch mix-down tapes with separate orchestra, percussion, synth and vocal.
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Mike Matessino:. Every bit of the release came from the analog 2-inch mix-down tapes with separate orchestra, percussion, synth and vocal. Shawn Murphy mix-downs to analogue. Heady, with just a hint of mellow smoothness.
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Among other things, this score is a great demonstration of William's antipathy to the idea of resting on his laurels. By the age of 70, most composers are scaling back, but what Williams produced for Minority Report has probably the densest string writing of anything he's ever done. Just a feast to listen to. Multiple thumbs up.
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If I start this program with "First Vision of Anne Lively", it makes for the best playout for my taste. Really good score, with--again--a lot of a great "borrows" from JFK.
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With the caveat that I don’t care about retaining any tracks that were created simply by combining two separate cues together, is there anything unique to the original album release or is it safe to sell off now? If you want that big action cue by itself and without a not-essential cue attached to the beginning of it, keep the album.
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