 |
|
|
|
|
|
|
|
|
|
|
What makes a science fiction film worse? Ones placed entirely in spaceships, or ones that focus on ambience, world building and long pointless scenes in alien space casinos?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It's 'guard' by the way.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Just think how bad it will be if the find the tapes for Mo........ er nevermind.
|
|
|
|
|
|
|
|
|
|
It's a British invasion. Make FSM Great Again!
You mean pre - revolution?
|
|
|
|
|
|
|
 |
Posted: |
Feb 6, 2025 - 1:47 PM
|
|
|
|
By: |
Jim Phelps
(Member)
|
638. Thor, with a well reasoned argument for the collaborative arts with a post he probably wrote in isolation in "Studios of John Williams and Hans Zimmer":
"Indeed. Do people have the same issues with John Lennon and Paul McCartney writing songs together? Roger Waters and David Gilmour?
"Zimmer is from a band background, and has applied that to his film music process. Some are predominantly solo, some are semi-solo and some are pure, band-like collaborations.
"The old, romantic notion of a solo composer doing all the work, in some kind of isolated ivory tower, is dated and absurd. Heck, even the most solo of solo composers usually have orchestrators, mixers and other personell, in addition to the musicians bringing their own takes on the material.
"Film and music are collaborative artforms by their very nature, and film music certainly is. We should be evaluating the end product, not the process."
https://www.filmscoremonthly.com/board/posts.cfm?threadID=159169&forumID=7&archive=0&pageID=1
|
|
|
|
|
|
|
|
|
|
|
|
