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We get ON Trains, Planes and Buses but we get IN Cars.
It's probably got something to do with the fact that we walk onto the first three, but we climb into and sit down in the fourth.
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What´s the reason for life?
So people can sell you stuff.
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You get INTO bed to go to sleep, but ONTO the bed for nookie. Is that anything to do with a forward/backward, lateral moving thing?
No in regards to the former, yes to the latter .
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Has anyone seen my keys?
Why is a cor anglais named in French, but a French horn named in English?
How does Mr Spock know when he's got a nosebleed?
What kind of a crazy, halfwit-ridden, messed-up excuse for a joke of an apology for society do we live in when someone as utterly meaningless as the pig-thick Jade out of NonEntity Big Brother has a spokeswoman?
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How does Mr Spock know when he's got a nosebleed?
That's an easy one: he notices green spots on the front of his uniform shirt.
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If a fly is hovering inside a stationary bus-why doesn't it hit the back of the bus when said bus suddenly pulls away?
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The whole point is to be able to enjoy sex a high speed; as such, disposition of the feet is of no concern.
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Why does 2001: A Space Odyssey (1968), set 33 years into the future, look more futuristic than Star Trek (1968), set 200 years into the future?
Only one man can answer this, so does anyone have Gary Lockwood's phone number?
Yeah, and while he's at it, Lockwood can give us his opinion of Earth II.
That 2001 looks more believably futuristic than Star Trek is obviously a function of their relative budgets; that it looks far more functional and brilliantly designed than 2010 says a lot about the pedestrian abilities of noted "futurist" Syd Mead compared to the talents and tastes of Kubrick ands production designers Ernie Archer, Harry Lange and Tony Masters, and art director John Hoesli.
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