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 Posted:   Mar 12, 2020 - 11:57 AM   
 By:   Bob DiMucci   (Member)

At the beginning of World War II, ”Liviu” (Peter O’Toole), a Romanian count, and his wife “Julia” (Charlotte Rampling) come to live on an uninhabited tropical island, on THE OTHER SIDE OF PARADISE, where they hope to escape the war and their past. They bring with them all conceivable provisions and their servants, and live in luxury in a mansion-like tent on the beach. After a short time, a group of uninvited friends arrive. They decimate the supplies and, in the course of a frenzied shooting party, kill every living animal on the island before leaving, taking most of the servants with them. The only people left on the island are Liviu and his wife, their friend “Larsen” (Max von Sydow), and one servant, “Eusebio” (Jorge Luke).

Max von Sydow in THE OTHER SIDE OF PARADISE



This was a unique pairing of high class, multi-Oscar nominated actor Peter O'Toole and B-movie icon producer Roger Corman. It was the first Peter O’Toole film not to get a release in Britain. Arturo Ripstein directed this 1976 British-Mexican co-production, which went by various titles, including "The Far Side of Paradise" and "Foxtrot." Pete Rugolo provided the unreleased score.

 
 
 Posted:   Mar 12, 2020 - 12:31 PM   
 By:   Bob DiMucci   (Member)

VOYAGE OF THE DAMNED told the true story of the tragic 1939 voyage of the S.S. St. Louis, carrying hundreds of German Jewish refugees from Nazi Germany, which seemingly no nation was willing to save from certain doom. Among the all-star cast--which included Oscar winners Faye Dunaway, Lee Grant, Wendy Hiller, José Ferrer and Orson Welles--was Max von Sydow, playing the ship’s Captain, “Gustav Schroeder.” The picture was Oskar Werner's final film before his death on October 23, 1984 at the age of 61. Jonathan Pryce received an “introducing” credit on the film.

Oskar Werner, Jonathan Pryce, and Max von Sydow in VOYAGE OF THE DAMNED



Stuart Rosenberg directed the 1976 release. Various contemporary sources placed the film’s budget at between $6 and $7 million, but the film grossed only $5.3 million in the U.S. VOYAGE OF THE DAMNED received three Academy Award Nominations: Actress in a Supporting role (Lee Grant); Writing (Screenplay--based on material from another medium); and Music (Original Score, Lalo Schifrin). Schifrin’s score was released on an Entr'acte LP. Label X re-issued it on CD, spread over two releases—a 1987 disc that also included Schifrin’s THE FOUR MUSKETEERS and THE EAGLE HAS LANDED, and a 1993 disc that held the remaining tracks along with two Schifrin classical compositions.

The one-sheet poster for the film may hold the record for the most “faces in little boxes” of any movie poster, with twenty.

 
 
 Posted:   Mar 12, 2020 - 12:57 PM   
 By:   Bob DiMucci   (Member)

MARCH OR DIE was set during the 1920s, when French Foreign Legion “Major William Foster's” (Gene Hackman's) unit is protecting an archaeological dig headed by Louvre curator “Francois Marneau” (Max von Sydow). The discovery of an Arab sacred burial site prompts the angry Arab tribes to attack Foster's small garrison.

Max von Sydow in MARCH OR DIE



This film was being made in Spain by director Dick Richards at the same time Marty Feldman was making the comedy THE LAST REMAKE OF BEAU GESTE nearby. The productions for both movies fought over the supply of horses, camels, costumes, and places of shooting. Some extras appeared in the wrong movie on one occasion. Maurice Jarre’s scoe for MARCH OR DIE has not had a release.


 
 
 Posted:   Mar 12, 2020 - 11:54 PM   
 By:   Bob DiMucci   (Member)

GRAN BOLLITO stars Shelley Winters as a mother so insanely over-protective of her grown son that she decides to make a deal with death by offering alternate victims, plucked from among her fellow tenants in a 1938 Italian apartment building. Among these are several men playing women, including “Lisa Carpi” (Max Von Sydow). Laura Antonelli and Rita Tushingham also star.

Max von Sydow and Shelley Winters in GRAN BOLLITO



Mauro Bolognini directed the 1977 film. Enzo Jannacci’s score has been released only as an isolated score track on the 2016 Twilight Time Blu-ray of the film.


 
 
 Posted:   Mar 13, 2020 - 12:10 AM   
 By:   Bob DiMucci   (Member)

In 1978's BRASS TARGET, when Allied forces discover $250 million of Germany’s Reichsbank gold in 1945, General George S. Patton, Jr. (George Kennedy), orders the gold transported by train to a bank in Frankfurt, Germany. Robert Vaughn plays "Colonel Donald Rogers," who is responsible for the transfer. In Switzerland, “Colonel McCauley” (Patrick McGoohan) hires an assassin who poses as “Peter Shelley” (Max von Sydow) and insists that Patton’s murder look like an accident.

Max von Sydow in BRASS TARGET



John Hough (ESCAPE TO WITCH MOUNTAIN) directed this wartime thriller. Varese Sarabande finally got around to issuing a CD of its LP of the Laurence Rosenthal score in 2014.


 
 
 Posted:   Mar 14, 2020 - 12:52 AM   
 By:   Bob DiMucci   (Member)

A young Samoan chief, “Matangi” (Dayton Ka'ne), and an American painter, “Charlotte Bruckner” (Mia Farrow), embark upon a desperate love affair, against the will of her father, “Captain Bruckner” (Jason Robards). Amid this man-made tension comes a HURRICANE so devastating, the lives of the lovers and the entire island are imperiled. Max von Sydow is “Dr. Danielson”, a physician, who has been restoring an 1887 house on the island of Samoa.

This film was screenwriter Lorenzo Semple's second film for producer Dino De Laurentiis. The screenplay was based upon the 1936 novel by James Norman Hall and Charles Nordhoff ("Mutiny On the Bounty"). Semple was also an Executive Producer on the film.

The 1979 film had a troubled production. Roman Polanski was set to direct the film until he was charged with statutory rape. After he fled the country, director John Huston was approached about the job, but due to health concerns and the remote location, he turned down the project. Peter Bogdanovich stated that he declined a one million dollar offer to direct. Swedish director Jan Troell was ultimately hired. Semple felt that Troell, the director of THE EMIGRANTS (1971) and THE NEW LAND (1972) with von Sydow, was wrong for the film.

The entire picture was shot on Bora Bora, which was an island of approximately 2000 inhabitants at the time. De Laurentiis undertook extensive preparations to convert the remote location, with no electricity, into a filming site and a temporary home for cast and crew. To import equipment, props and provisions, the producer bought a freighter that ferried across the Pacific between Los Angeles and French Polynesia. Two hotels existed on Bora Bora, but they were deemed too costly or impractical for housing and feeding the 150-member film company. Therefore, De Laurentiis built a hotel with sixty-six bungalows named the “Marara,” investing approximately $4.2 million. After filming completed, the accommodations were transformed into a tourist resort.

Preliminary crew arrived on the island in October 1977 to construct sets, with a budget calculated at over $7.5 million. A $1.5 million, 160-foot tank was also built on site to create the hurricane special effects. A real hurricane hit the island in February 1978 destroying bungalows at the hotel and several sets while leaving the special effects preparations months behind schedule. De Laurentiis arranged for the French Navy to assist with last minute construction, and principal photography was able to begin 15 May 1978.

Nino Rota’s score was released on an Elektra LP. It was re-issued on CD by Legend in 1995 and Varese Sarabande in 2018.


 
 Posted:   Mar 14, 2020 - 4:12 AM   
 By:   Jim Phelps   (Member)

I wonder how high Max "elevated" those 1970s films? They sound pretty dire, especially...all of them.

Even by 1976, his Bergman days must have felt like they'd happened an eternity ago.

 
 
 Posted:   Mar 14, 2020 - 11:18 AM   
 By:   leagolfer   (Member)

Sad-news, Max was a class-actor, admittedly I don't know his earliest work that will be interesting too know, for me, The Exorcist's quality was chilling the way that movie opens Max travelling Iraq had frenetic-force i'll never forget that, or The Greatest Story Ever Told that is a master-class its the best take of Jesus in my opinion the tone of Max's voice is unique in stuff it will never be forgotten.

 
 
 Posted:   Mar 14, 2020 - 11:08 PM   
 By:   Bob DiMucci   (Member)

A football player (Sam J. Jones) and his friends travel to the planet Mongo and find themselves fighting the tyranny of Ming the Merciless (Max von Sydow) to save Earth in 1980’s FLASH GORDON. This was Lorenzo Semple's third film for Dino De Laurentiis. The film was a comic book derivative, done in a deliberately over-the-top style reminiscent of the "Batman" sensibility. As with his Batman, serious comic-book devotees assailed Semple for the allegedly disrespectful approach he took to the printed originals.

Max von Sydow shaved his head for the role of Ming the Merciless since Ming is bald in the comic strip. Sydow’s Ming costume weighed over 70 pounds. He could only stand in it for a few minutes at a time.

Max von Sydow in FLASH GORDON



Most reviews were poor. The 3 December 1980 Variety review cited weak performances, with the exception of Max von Sydow, and asserted that an uncredited actor voiced Jones’ part. A May 1981 Twilight Zone Magazine review complained about the lack of character development and wondered why an Asian was not cast as “Ming the Merciless.”

The film was primarily scored with rock music from the band Queen, augmented by some orchestral music from Howard Blake. Only the Queen music appeared on the Elektra soundtrack LP, which was first re-issued on CD by Hollywood Records in 1991. There have been numerous subsequent re-issues.

 
 
 Posted:   Mar 14, 2020 - 11:42 PM   
 By:   Bob DiMucci   (Member)

In a World War II German Prisoner of War (POW) camp, an allied officer is killed while attempting to escape. German “Major Karl Von Steiner” (Max von Sydow) accompanies the Red Cross to the camp to investigate the incident. He observes several prisoners, including American POW, “Captain Robert Hatch” (Sylvester Stallone), playing soccer. Von Steiner played for the German team prior to the war and recognizes their coach, “Captain John Colby” (Michael Caine), as a former English soccer player. Colby reveals the POWs have set up a league, and insists his team would “demolish” the Germans in a game. Von Steiner challenges Colby’s team to a game with the team from a nearby German army base. As the Allied POWs prepare for VICTORY, in a game to be played in Nazi-occupied Paris, the French Resistance and British officers are making plans for the team's escape.

This movie featured eighteen international professional soccer players of the time appearing in both acting and sports action stunt roles. Soccer stars who have key roles in this movie included Brazilian Pelé as Trinidadian “Corporal Luis Fernandez” and England's Bobby Moore as the Englishman “Terry Brady.”

Michael Caine and Max von Sydow in VICTORY



Director John Huston and producer Freddie Fields considered locations in Ireland, Austria, Germany, England, and Canada. But the film was shot entirely on location in Hungary. Fields stated that shooting the film in the communist country cost “less than half the estimated budgets given by four other countries.” He noted that budget estimates for filming in the United States or Sweden ranged from $30 million to $35 million. The cost of filming in Hungary was $12 million. Fields also chose Budapest, Hungary, because it was reportedly designed as “Paris East,” and continued to maintain a World War II era look, unlike Paris.

Five interior sets were built at Mafilm Studios, the production base of Hungarian Film Company. A three-acre prison set was constructed on the grounds of the Allag Riding Stables, located near Budapest, and Hungary’s MTK Stadium was chosen to substitute for Colombes Stadium in Paris. Other locations included the Budapest central train station, and a country train station in the village of Fot, Hungary.

Bill Conti’s score was released on a Prometheus CD in 2005.


 
 
 Posted:   Mar 15, 2020 - 12:08 AM   
 By:   Bob DiMucci   (Member)

In prehistoric times, a Cimmerian warrior, CONAN THE BARBARIAN (Arnold Schwarzenegger), along with fellow adventurers “Valeria” (Sandahl Bergman) and “Subotai” (Gerry Lopez), attempt to bring down evil warlord “Thulsa Doom” (James Earl Jones), who has enslaved the daughter (Valerie Quennessen) of “King Osric” (Max von Sydow).

James Earl Jones was a last-minute addition to the cast because of his commitments on Broadway. He and Arnold Schwarzenegger became friends on-set; Schwarzenegger helped Jones stay in shape, and Jones coached Schwarzenegger on acting; so did Max von Sydow. Schwarzenegger called von Sydow the first "incredible dramatic actor" he ever worked with. He declared von Sydow's performance "staggering." Von Sydow did the movie for his son, who was a longtime Conan fan.

Max von Sydow in CONAN THE BARBARIAN



John Milius directed and co-wrote the 1982 film. Basil Poledouris’ score was released on an MCA LP, which was first re-issued on CD by Varese Sarabande in 1992. Intrada released the complete score in 2012, while Prometheus released a re-recording by Nic Raine and the City of Prague Philharmonic Orchestra in 2010.

 
 
 Posted:   Mar 15, 2020 - 9:18 AM   
 By:   Rozsaphile   (Member)

Several have commented on his voice. I hadn't thought about it before. It's one of the things that can pass you by in a foreign-language film. Subtitles are better than hearing an entirely different actor's voice, but they still don't sensitize you to the subtleties of Swedish inflection. Come to think of it, I do remember some particularly striking line readings in GSET:

"Baptize me, John." (His very first line.)

"I am the Resurrection and the Life."

"Lazarus, Come forth!"

Well, he had a good writer for the last two of these, and Alfred Newman for musical support. It is said that Von Sydow's very "foreignness" was one reason George Stevens cast him as Jesus. The idea was to make viewers pay attention to this stranger with something special about him.

 
 
 Posted:   Mar 15, 2020 - 2:46 PM   
 By:   Bob DiMucci   (Member)

STRANGE BREW marked the motion picture debuts of Rick Moranis and Dave Thomas as actors, writers, and directors. In the film, Canada's most famous hosers, “Bob and Doug McKenzie” (Moranis and Thomas), get jobs at the Elsinore Brewery, only to learn that something is rotten with the state of it. Max von Sydow plays Brewmeister “B. M. Smith.”

Max von Sydow in STRANGE BREW



Freddie Fields, President of Motion Picture Production for MGM, gave Rick Moranis and Dave Thomas the opportunity to direct their first feature. The role of “Brewmeister Smith” was written with Max von Sydow in mind. But Moranis and Thomas thought actually enlisting him would be impossible. As it turned out, Fields had just produced VICTORY (1981), which starred von Sydow. Fields telephoned the actor in Stockholm, Sweden, and instructed Moranis and Thomas to “tell him the story.” After receiving the script, von Sydow ran it by his son, who was a huge SCTV fan and who encouraged his father to take the role.

Charles Fox’s score appeared on the Mercury Records soundtrack LP as backing for various dialogue tracks. The LP has not been re-issued on CD.


 
 
 Posted:   Mar 16, 2020 - 3:02 AM   
 By:   Disco Stu   (Member)

Most reviews were poor. The 3 December 1980 Variety review cited weak performances, with the exception of Max von Sydow, and asserted that an uncredited actor voiced Jones’ part. A May 1981 Twilight Zone Magazine review complained about the lack of character development and wondered why an Asian was not cast as “Ming the Merciless.”

The main inspiration for the film's look was firmly based in Alex Raymond's work (as can also be seen in the Queen clip). In Raymon's drawings Ming clearly was not Asian. This is yet another case of critics loving to hear themselves and not knowing what they are on about. And while we're on critics being a waste of time: what is their obsession with character development? It is important but it's not the alpha and omega of every story. I wouldn't surprised that if those hacks got thrown out of bed police raid style, the first they would scream would be "where's the character development?!".

"Flash Gordon" is like "Blade runner" (the original one, the only one that counts) it should be enjoyed as a visual experience.

D.S.

 
 Posted:   Mar 16, 2020 - 9:34 AM   
 By:   Octoberman   (Member)

I wonder how high Max "elevated" those 1970s films? They sound pretty dire, especially...all of them.
Even by 1976, his Bergman days must have felt like they'd happened an eternity ago.



Hey, man... even the greatest actors sometimes have to do roles to make the rent.

 
 
 Posted:   Mar 16, 2020 - 10:08 AM   
 By:   Bob DiMucci   (Member)

Max von Sydow played “Ernst Stavro Blofeld," head of the international crime syndicate SPECTRE in the James Bond film NEVER SAY NEVER AGAIN. Sean Connery was given a lot of creative input into this movie, which was one of the reasons he decided to do it. One area he wanted to focus on was casting, as he felt the EON Productions Bond movies were lacking in prominent acting talent. In addition to Max von Sydow, Connery approved the casting of Klaus Maria Brandauer (“Maximilian Largo”), Edward Fox (“M”), Kim Basinger (“Domino”), Barbara Carrera (“Fatima”), and Alec McCowen (“Q”).

Max von Sydow in NEVER SAY NEVER AGAIN



Unfortunately, most of Max von Sydow's scenes were deleted from the theatrical cut of the film, while Marsha A. Hunt and Brenda Cowling had their roles eliminated entirely. The 1983 film was directed by Irvin Kershner. Michel Legrand's score was released on a Seven Seas LP, which was reissued on CD by Silva America in 1993.


 
 Posted:   Mar 16, 2020 - 11:29 AM   
 By:   Octoberman   (Member)

By coincidence, just last night I popped in the Spicediver "Dune Redux" and the added scenes of Sydow are gold.
In fact, all of the added scenes are--but I've said all of that before.

 
 
 Posted:   Mar 16, 2020 - 11:47 AM   
 By:   Rozsaphile   (Member)

I wonder how high Max "elevated" those 1970s films? They sound pretty dire, especially...all of them.
Even by 1976, his Bergman days must have felt like they'd happened an eternity ago.



Hey, man... even the greatest actors sometimes have to do roles to make the rent.


Yes, of course they do. But here's an actor who had triumphed for arguably the world's greatest director of actors. He comes to Hollywood and makes a strong impression in the infinitely challenging role of Jesus. The film was a financial disaster, but it was still widely seen and Von Sydow got splendid notices. Then he plays another difficult role in HAWAII, which becomes the year's top-grossing film. You would think that those back-to-back successes would have earned him more leading roles instead of the sometimes cartoonish villains he was frequently asked to play.

 
 
 Posted:   Mar 16, 2020 - 12:22 PM   
 By:   Bob DiMucci   (Member)

At Thornhill College in California, psychiatrist “Paul Novotny” (Max von Sydow), a sleep researcher; his colleague, “Dr. Jane DeVries” (Kate Capshaw); and a government agent named “Bob Blair” (Christopher Plummer) discuss the case of “Alex Gardner” (Dennis Quaid), a young psychic who disappeared nine years earlier. In DREAMSCAPE, Alex eventually finds himself recruited by a government agency experimenting with the use of the dream-sharing technology and is given the task of planting an idea into the mind of the U.S. president (Eddie Albert).

Christopher Plummer and Max von Sydow in DREAMSCAPE



Joseph Ruben directed the 1984 film. Originally, the producers wanted Maurice Jarre to write the music for the film orchestrally, but Jarre insisted on scoring the film electronically because he felt that it was the right approach for the material and also set the tone of the film. Jarre’s score was released on the Sonic Atmospheres label, and was re-issued by Intrada in 2013.


 
 
 Posted:   Mar 16, 2020 - 1:03 PM   
 By:   Bob DiMucci   (Member)

In 1984’s DUNE, a complicated political situation between a number of planets is threatened when “Emperor Shaddam IV” (José Ferrer) conspires with “Baron Vladimir Harkonnen” (Kenneth McMillan) to destroy the clan of “Duke Leto Atreides” (Jürgen Prochnow) while taking over the mining of the spice Melange on the isolated planet of Arrakis. Leto's son “Paul” (Kyle MacLachlan) is revealed to be a prophesized super-being, who will restore order to the galaxy. Paul receives assistance from “Doctor Kynes” (Max von Sydow), who guides Paul’s spacecraft to a spice mine. It took two weeks to film von Sydow's role.

Max von Sydow, Patrick Stewart, Kyle MacLachlan, and Jürgen Prochnow in DUNE



David Lynch directed and wrote the film, which was an adaptation of Frank Herbert’s 1965 novel. The film’s score was by the band Toto, with additional music by Brian Eno and Marty Paich. Polydor released the score. Pendulum (PEG) released an expanded version in 1997.


 
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