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 Posted:   Jul 17, 2019 - 10:56 PM   
 By:   Viscount Bark   (Member)

One of those Sam Peckinpah scholars--I can't recall who--comes to mind of the kind of critic I dislike.

There are these same three guys (plus the late Nick Redman who moderates) on all of the Peckinpah commentary tracks (even The Westerner TV show) who, along with some good info, spend a lot of time trashing everything that offends their delicate sensibilities. They seem to be embarrassed to even be having to comment on Peckinpah's flawed, but intriguing Convoy.

 
 Posted:   Jul 18, 2019 - 10:08 AM   
 By:   'Lenny Bruce' Marshall   (Member)

One of those Sam Peckinpah scholars--I can't recall who--comes to mind of the kind of critic I dislike.

There are these same three guys (plus the late Nick Redman who moderates) on all of the Peckinpah commentary tracks (even The Westerner TV show) who, along with some good info, spend a lot of time trashing everything that offends their delicate sensibilities. They seem to be embarrassed to even be having to comment on Peckinpah's flawed, but intriguing Convoy.


I ' love's their commentary.on WESTERNER, esp. hearing them
all guffaw at the lame comedy eps.

 
 Posted:   Jul 19, 2019 - 6:15 AM   
 By:   Jim Phelps   (Member)

Shame (1968) 7/10 (up from 5 or 6; can't recall)

Liv Ullmann never looked lovelier and Bergman certainly doesn't let the viewer forget it. The camera shoots over Max von Sydow's shoulder in the outdoor scene in which Liv and Max share some wine and plan to resume their musical practicing. It's an extended scene and I would even opine that it's quite an...indulgence...on Bergman's part, but who cares, it's lovely to look at and so is Liv.

Much is made in the bonus material about Bergman's fear of war, but I found the relationship between the two principal characters, played by Ullmann and von Sydow, to be far more interesting. However, there's no denying the "beauty" of that horrible imagery of their characters drifting in the boat among a sea full of dead soldiers at film's end.

 
 Posted:   Jul 19, 2019 - 4:01 PM   
 By:   Viscount Bark   (Member)

Shame (1968) 7/10 (up from 5 or 6; can't recall)

Oh, I'd give Shame a 9 or 10. This is one of Bergman's undisputed masterpieces, imo. And the last of the classic period b&w run extending back to the early 1950s.

 
 Posted:   Jul 19, 2019 - 4:12 PM   
 By:   Jim Phelps   (Member)

Shame (1968) 7/10 (up from 5 or 6; can't recall)

Oh, I'd give Shame a 9 or 10. This is one of Bergman's undisputed masterpieces, imo. And the last of the classic period b&w run extending back to the early 1950s.


Two years ago when I first watched these, it was on an iPad; not exactly ideal viewing. Now that I'm watching on a proper tv, I have the feeling that most of my rewatches will find the rating go up. I watched Wild Strawberries again, and it's up from an 8/10 to 10/10.

 
 Posted:   Jul 19, 2019 - 4:26 PM   
 By:   Viscount Bark   (Member)


Two years ago when I first watched these, it was on an iPad; not exactly ideal viewing. Now that I'm watching on a proper tv, I have the feeling that most of my rewatches will find the rating go up. I watched Wild Strawberries again, and it's up from an 8/10 to 10/10.


Oh indeed. The bigger the image, the better for all films. If I had the money, I would build myself an immense screening room and purchase film prints of all of my favorite movies.

 
 Posted:   Jul 20, 2019 - 5:33 AM   
 By:   Jim Phelps   (Member)

Did anyone else here at this board most fine get the Bergman Box?

 
 Posted:   Jul 20, 2019 - 12:41 PM   
 By:   Jim Phelps   (Member)

Did anyone else here at this board most fine get the Bergman Box?

Just me, then? LOL

 
 Posted:   Jul 23, 2019 - 8:08 AM   
 By:   Jim Phelps   (Member)

I have revised my previous (inexplicable) 1/10 rating for THE MAGICIAN. I was clearly out of my head or otherwise suffering from Bergman overload at the time.

The film is a delight, actually,

Rating changed to a 7.5/10 and sure to rise.

 
 Posted:   Jul 23, 2019 - 10:48 AM   
 By:   'Lenny Bruce' Marshall   (Member)

Did anyone else here at this board most fine get the Bergman Box?

Just me, then? LOL


Any nudity?
If yes, will consider it.

 
 Posted:   Jul 23, 2019 - 10:59 AM   
 By:   Viscount Bark   (Member)

Did anyone else here at this board most fine get the Bergman Box?

Just me, then? LOL


Any nudity?
If yes, will consider it.


You get to see Max Von Sydow's bare ass in The Virgin Spring!

 
 Posted:   Jul 23, 2019 - 12:08 PM   
 By:   Jim Phelps   (Member)

Any nudity?
If yes, will consider it.

You get to see Max Von Sydow's bare ass in The Virgin Spring!


Perhaps the most "iconic" nude scene in a Bergman film is Harriet Andersson in Summer with Monika.

I also (fondly) recall Ingrid Thulin baring some flesh in Hour of the Wolf.

There may have been some nudity in The Silence as well. Oh, Liv Ullmann has a scene in Shame (no relation to the crap Western of ten years before that).

I'll do my heroic best to recall any other nude scenes from Bergman films.

 
 Posted:   Jul 26, 2019 - 2:25 PM   
 By:   Jim Phelps   (Member)

Hello, Star Wars fans. I thought you'd all enjoy this nice writeup on ol' Ingmar:

https://www.brightwalldarkroom.com/2018/11/05/reintroducing-ingmar-bergman/

 
 Posted:   Jul 26, 2019 - 7:16 PM   
 By:   'Lenny Bruce' Marshall   (Member)

Any nudity?
If yes, will consider it.

You get to see Max Von Sydow's bare ass in The Virgin Spring!


Perhaps the most "iconic" nude scene in a Bergman film is Harriet Andersson in Summer with Monika.

I also (fondly) recall Ingrid Thulin baring some flesh in Hour of the Wolf.

There may have been some nudity in The Silence as well. Oh, Liv Ullmann has a scene in Shame (no relation to the crap Western of ten years before that).

I'll do my heroic best to recall any other nude scenes from Bergman films.


Let's face it: the appeal of foreign films in.that era at least partly, relied on the chance that a nekkid bum or boob might be spotted.

 
 Posted:   Jul 26, 2019 - 8:00 PM   
 By:   Jim Phelps   (Member)

Let's face it: the appeal of foreign films in.that era at least partly, relied on the chance that a nekkid bum or boob might be spotted.

I appreciate that said nudity occurs in a 1950s film when it would never happen in a contemporaneous American film. It's a refreshing contrast to the often sterile Hollywood offerings from that same time.

The same goes for discussions on topics like unwanted pregnancies, atheism, maritial infidelity, and explicit (sexual) dialogue.

Most recent Bergman film watched: Sawdust and Tinsel (1953) 8/10.

 
 Posted:   Jul 26, 2019 - 8:37 PM   
 By:   'Lenny Bruce' Marshall   (Member)

i still haven't seen SEVENTH SEAL.

Shame on me!

 
 Posted:   Jul 26, 2019 - 8:37 PM   
 By:   'Lenny Bruce' Marshall   (Member)

i still haven't seen SEVENTH SEAL.

Shame on me!

 
 Posted:   Jul 27, 2019 - 5:16 AM   
 By:   Jim Phelps   (Member)

i still haven't seen SEVENTH SEAL.

Shame on me!


Never figured you for a Bergman fan, Brootay.

The Seventh Seal is the first Bergman film I ever saw. It gets better with each viewing. I'm finding this to be the case with several of his films.

Ever see Wild Strawberries?

 
 Posted:   Jul 27, 2019 - 10:12 AM   
 By:   'Lenny Bruce' Marshall   (Member)

I can't tell you how many times I checke out 7th from liberty....

Iirc I seen:

TVS
WS
TMSFAM
TAGD
SE

 
 Posted:   Aug 1, 2019 - 4:06 AM   
 By:   Jim Phelps   (Member)

Pop band The Ocean Blue employ THE SEVENTH SEAL imagery in their "Kings and Queens" music video:




"The music video for Kings and Queens has a few B&W sequences in them that riff on Bergman’s The Seventh Seal. Whose idea was that?"

"I think it was Allison’s idea – Allison’s the director. She knows I’m a pretty big Ingmar Bergman fan, so we talked about doing a chess game like The Seventh Seal. I suggested we film out on this shore up north because the landscape there looks so much like the south of Sweden, where a lot of that movie was shot."

"What’s your favorite Bergman?"

"Probably The Seventh Seal. I go back to it again and again because the themes are so universal — themes that I explore as a songwriter on the new record. And I have some other favorites of Bergman’s: I love Fanny and Alexander, Persona, Winter Light, The Passion of Anna. Those are probably at the top of my list."

 
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