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 Posted:   Jan 10, 2020 - 8:56 PM   
 By:   Mr. Jack   (Member)

Fake time lapse. Usually during a scary action scene, where everything goes dark and silent in the middle of the action. Then the shot fades back in, its hours later and we're to guess how or why the threat went away.

1917 has a variation of this.

 
 Posted:   Jan 11, 2020 - 7:47 AM   
 By:   Solium   (Member)


Alan Grant sees the dinos for the first time and he turns Ellie's head to the left.


I hate that scene. Its so awkward. Imagine spraining her neck muscles or something.

 
 
 Posted:   Jan 11, 2020 - 8:25 AM   
 By:   villagardens553   (Member)

In biopics when the main character (reporter, writer, composer, performer, explorer, it doesn't matter) says "I'm going to do (fill in he blank)", and someone else says "Oh no, you can't do that; it's never been done before!"

 
 Posted:   Jan 13, 2020 - 8:53 AM   
 By:   madmovyman   (Member)

... an actor plays multiple roles in a film for no good reason:
Jack Nicholson in MARS ATTACKS
Terry-Thomas in KISS THE GIRLS AND MAKE THEM DIE
Peter Sellers in DR. STRANGELOVE

... exceptions to this argument because the performances were so damn good:
Eddie Murphy in THE NUTTY PROFESSOR
Dick van Dyke in MARY POPPINS
Mike Myers in AUSTIN POWERS: THE SPY WHO SHAGGED ME

 
 Posted:   Jan 16, 2020 - 6:36 PM   
 By:   Mr. Jack   (Member)

...in an animated movie how, in the midst of a loud, frantic action sequence, there will be a moment where the action slooooooooooooooooooooooooooooooows dooooooooooooooooooooooooooown to linger over a particular line / facial expression / bit of physical business before snapping back into hyperactive regular speed? Seems like every DreamWorks film, in particular, does this, but it's a gag that's been beaten to death over the last 15 or so years.



Go to 0:33 for a perfect example of this.

 
 Posted:   Jan 17, 2020 - 9:34 AM   
 By:   Solium   (Member)

...in an animated movie how, in the midst of a loud, frantic action sequence, there will be a moment where the action slooooooooooooooooooooooooooooooows dooooooooooooooooooooooooooown to linger over a particular line / facial expression / bit of physical business before snapping back into hyperactive regular speed? Seems like every DreamWorks film, in particular, does this, but it's a gag that's been beaten to death over the last 15 or so years.

Go to 0:33 for a perfect example of this.


Thats a good one. Its one reason why I dislike most 3D animated films. The majority are comedies or dramadies with the same lame gags over and over again.

 
 Posted:   Jan 17, 2020 - 11:21 AM   
 By:   Khan   (Member)

Fake time lapse. Usually during a scary action scene, where everything goes dark and silent in the middle of the action. Then the shot fades back in, its hours later and we're to guess how or why the threat went away.

1917 has a variation of this.


1917's "time lapse" isn't fake, and is easy to explain.

 
 Posted:   Jan 17, 2020 - 12:57 PM   
 By:   Adventures of Jarre Jarre   (Member)

  • ... an actor plays multiple roles in a film for no good reason:
    Jack Nicholson in MARS ATTACKS
    Terry-Thomas in KISS THE GIRLS AND MAKE THEM DIE
    Peter Sellers in DR. STRANGELOVE

    ... exceptions to this argument because the performances were so damn good:
    Eddie Murphy in THE NUTTY PROFESSOR
    Dick van Dyke in MARY POPPINS
    Mike Myers in AUSTIN POWERS: THE SPY WHO SHAGGED ME


    I would take out Murphy in Nutty Proffessor, and add Murphy in Coming to America, Nicholson's, and Seller's performances to the "good" list, as well as Richard Pryor in Which Way Is Up? and Meg Ryan in Joe vs. the Volcano.

  •  
     
     Posted:   Jan 17, 2020 - 2:10 PM   
     By:   Bob DiMucci   (Member)

    ... an actor plays multiple roles in a film for no good reason:
    Jack Nicholson in MARS ATTACKS
    Terry-Thomas in KISS THE GIRLS AND MAKE THEM DIE
    Peter Sellers in DR. STRANGELOVE

    ... exceptions to this argument because the performances were so damn good:
    Eddie Murphy in THE NUTTY PROFESSOR
    Dick van Dyke in MARY POPPINS
    Mike Myers in AUSTIN POWERS: THE SPY WHO SHAGGED ME



    So, half of all such dual performances are exceptions? Where should we place Kim Novak in VERTIGO or Bette Davis in DEAD RINGER?

     
     Posted:   Jan 21, 2020 - 8:28 AM   
     By:   Solium   (Member)

    When a competent villain is finally cornered and presumably defeated by the hero, the villain puts on an act and melts down like a blithering crybaby pleading for mercy as a way to distract or confuse the hero as he plans a way out of the situation. Usually by grabbing hero's weapon, grabbing a hostage or finding a quick escape route.

     
     
     Posted:   Jan 21, 2020 - 9:06 AM   
     By:   Xebec   (Member)

    Soldiers only realising war is hell when they see a small child looking a bit sad.

    Soldiers pulling guns on each other in a disagreement.

    Soldiers putting crucial decisions to a vote.

     
     
     Posted:   Jan 22, 2020 - 9:21 AM   
     By:   Xebec   (Member)

    Someone gets thrown out (usually literally) of a bar or nightclub and they land on the pavement. They're never just pushed out.

     
     Posted:   Jan 26, 2020 - 10:43 AM   
     By:   Bill Carson, Earl of Poncey   (Member)

    Leading man and leading lady have an attraction but leading lady has horrible husband. At some public function or party they meet and a third character is hovering (usually an irrelevant nonetity). In movies they always excuse themselves "Ooh i must get some more punch" or whatever, leaving the leading characters to have a private chat. In real life, these idiots never f**k off. You wanna be alone with some gorgeous woman just for 5 mins, but no, the nonentities stay and talk gibberish and they stay and stay until you feel like stabbing them with a fork!!!

     
     Posted:   Jan 27, 2020 - 4:53 AM   
     By:   Jehannum   (Member)

    This one affects 60s and 70s sci fi.

    As text slowly appears on a computer monitor it makes a sound like a line printer.

     
     Posted:   Jan 27, 2020 - 4:55 AM   
     By:   Jehannum   (Member)

    When a competent villain is finally cornered and presumably defeated by the hero, the villain puts on an act and melts down like a blithering crybaby pleading for mercy as a way to distract or confuse the hero as he plans a way out of the situation. Usually by grabbing hero's weapon, grabbing a hostage or finding a quick escape route.

    That sounds absolutely fine to me. Nothing wrong with it. wink

     
     Posted:   Jan 27, 2020 - 4:59 AM   
     By:   jackfu   (Member)

    The "Farewell", "Dear John", whatever, hand-written-letter-left-behind reading sequence. Isn't there some way to make it a little less cliche'd?

    I still think Steve Martin did it best in The Jerk when "Navin" was reading "Marie's" farewell letter.

    wink

     
     
     Posted:   Feb 7, 2020 - 12:48 AM   
     By:   Disco Stu   (Member)

    This one is sparked by "The last castle", rubbish film:

    Being introduced into the villain's home environment and there is classical music playing to indicate that this is not just a villain, a proud, sympathetic or understandable villain but a vile disgusting borde line nazi that will turn cry baby when finally exposed to the hero's righteous actions.

    Combine it with scale modelling, and the villain is of the charts in his depravity ("In the line of fire", "Three Days of the Condor").

    D.S.

     
     Posted:   Feb 7, 2020 - 7:07 AM   
     By:   Solium   (Member)

    Female leads always have cats for pets. What do they have against dogs?!

    Alien
    Children of A Lessor God
    While You Were Sleeping
    Captain Marvel
    Etc, Etc, Etc...

     
     Posted:   Feb 7, 2020 - 7:47 AM   
     By:   Mr. Jack   (Member)

    Female leads always have cats for pets. What do they have against dogs?!

    Alien
    Children of A Lessor God
    While You Were Sleeping
    Captain Marvel
    Etc, Etc, Etc...


    Yep. Cats are pets for women, and dogs are pets for dudes. Movie 101. You never see a movie with a crazy DOG lady.

     
     Posted:   Feb 9, 2020 - 5:34 PM   
     By:   madmovyman   (Member)

    ...when actors know that they are about to have an onscreen death and
    are readily poised for that moment. Most notable for me is Charles Bronson
    as Bernardo in The Magnificent 7. In the final shoot-out: aware of imminent
    danger, Bernardo pushes the kids to safety behind a wall, out of the line of
    fire, then stands rigidly upright in anticipation for a fatal ballet to kill him.

     
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