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SEASON 1:
"Pilot"
By: Mark Snow
https://www.youtube.com/watch?v=0HXej0_LHfw
Highlights:
8:31 in. Little SFX.
18:36 in.
54:36 in.
1:00:18 in.
1:02:47 in.
1:14:19 in. SFX free until the last seconds.
1:21:12 in.
1:26:45/1:27:40 in.
1:30:08/1:31:47 in.
1:34:44 in.
"You Call This Plain Clothes?"
By: Nelson Riddle
https://www.youtube.com/watch?v=8t1327sWJPU
Highlights:
2:47 in.
10:19 in.
20:40 in.
31:07 in.
34:30 in.
37:04 in.
42:58 in.
45:10 in.
Those who don't like or just don't care for his "Batman" work, no need to worry, this doesn't sound like "Batman".
Cagney: To Lacey, "Would you care to say a few words into my cleavage?"
"Pop Used to Work Chinatown"
By: Nelson Riddle
https://www.youtube.com/watch?v=lol2nIkLCvI
Highlights:
1:20 in.
15:37 in.
20:39 in.
32:33 in.
35:29 in. And after the commercial break (this one is mostly SFX free).
43:51 in.
"You see the price on those oranges? Twenty-three cents a pound!"
"Beyond the Golden Door"
By: Nelson Riddle
https://www.youtube.com/watch?v=OvM8ijPrAdc
Highlights:
1:14 in.
11:56 in.
13:52/2046 in.
23:15 in.
25:41 in.
32:35 in.
39:56 in.
41:06 in.
45:16 in.
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Finishing SEASON 2:
As before, all loads this season are slowed down.
"Recreational Use"
By: Miles Goodman
https://www.dailymotion.com/video/x6hk0it
This is Goodman's final effort for the series.
Highlights:
2:09 in.
14:46 in.
28:44/31:00 in. Piano and strings, with some woodwinds, opening tender and then becoming uneasy.
29:40 in.
42:19 in.
45:48 in.
47:25 in.
"Hopes and Dreams"
By: Dana Kaproff
https://www.dailymotion.com/video/x6hk0lx
Highlights:
11:45 in.
47:50 in.
That's all but one cue.
"The Grandest Jewel Thief of Them All"
By: Dana Kaproff
https://www.dailymotion.com/video/x6hk0nz
Highlights:
2:09 in. Montage cue with mainly strings and brass.
14:51 in.
19:35/22:07 in.
36:17 in. A strings piece.
38:37 in. Strings only, sounding kind of like classical music.
42:22 in. More strings-only scoring.
46:53 in. Yet more strings only.
51:36 in. Still only strings.
55:40 in.
The complete score should be released.
"Affirmative Action"
By: Dana Kaproff
https://www.dailymotion.com/video/x6hq7t4
Highlights:
0:00 in.
2:09 in. Strings a flute, sounding very classical-music like.
17:45 in.
47:54 in.
52:15 in.
56:30 in.
"Open and Shut Case"
By: Dana Kaproff
https://www.dailymotion.com/video/x6hq7tg
Highlights:
2:10 in. Piano and strings.
56:00 in.
I think I only found three cues in the episode.
"Jane Doe #37"
By: Dana Kaproff
https://www.dailymotion.com/video/x6hq7uj
Highlights:
2:10 in.
26:23/38:21/50:47 in.
30:20 in.
About 40:30 in.
"Date Rape"
By: Dana Kaproff
https://www.dailymotion.com/video/x6hvpax
Highlights:
53:51 in.
If I were compiling a set of season two scoring, I'd skip this episode score.
"Burn Out"
By: Dana Kaproff
https://www.dailymotion.com/video/x6hvpd6
Highlights:
2:10 in. Piano tinkling down like rain, with strings, followed by some chugging cellos and brass farts.
8:26 in.
14:50 in.
18:35 in.
22:28 in.
26:42 in.
36:37 in. Brass, timpani and strings for some rare action music.
51:12 in. Some chase music lead by piano and strings.
"Chop Shop"
By: Mark Snow
https://www.dailymotion.com/video/x6hvpdk
Highlights:
2:10 in.
14:04 in.
28:50 in.
54:48 in.
"Let Them Eat Pretzels"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6i6j1d
This is Warren's only effort for the series.
Highlights:
2:10 in. Some ethnic percussion over some strings, for some foreign intrigue sound.
About 4:00 in. Catchy upbeat music with strings, woodwinds, plucked strings, and triangle.
14:00 in.
16:00 in. The dining restaurant music.
20:25 in.
27:27/28:58 in.
34:28 in.
38:14 in. Some chase music with ethnic percussion.
That's nearly the entire score.
"The Gang's All Here"
By: Matthew McCauley
https://www.dailymotion.com/video/x6i6j36
This is McCauley's only effort for the series.
Highlights:
2:10 in.
50:40 in.
About 55:40 in.
Aside from source pieces, that's all the score sans one cue.
"A Cry for Help"
By: Dana Kaproff
https://www.dailymotion.com/video/x6i6j64
Highlights:
2:32 in.
25:58 in.
31:27 in.
43:56 in.
55:51 in. Lightly whimsical piece with plucked strings mainly.
"The Informant"
By: Dana Kaproff
https://www.dailymotion.com/video/x6i81p1
Highlights:
0:00 in.
2:44 in. The C&L version of the "NYPD Blue" theme.
28:40 in. Featuring a rare TV episode score appearance of the water chime.
38:21 in. Some chase music.
49:01 in. Also has some more chase music (frantic strings , with brass).
54:14 in. Sad solo piano piece.
Lacey: "You play in the gutter, you get your hands dirty."
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Finishing SEASON 3:
"The Bounty Hunter"
By: Ron Ramin
https://www.youtube.com/watch?v=dNsS5bPeolQ
Highlights:
0:00 in.
22:06 in.
28:18 in.
35:20 in. And the cue after the commercial break (SFX free).
47:11 in.
"Baby Broker"
By: Mark Snow
https://www.youtube.com/watch?v=u7V2viYCXbY
Highlights:
1:49 in. Also featuring some chase music
46:25 in.
"Partners"
By: Andrea Saparoff
https://www.youtube.com/watch?v=4ALjZzexGXw
This is Saparoff's only effort for the series.
Highlights:
0:00 in.
1:50 in.
4:13 in. More of that material heard in the first highlight.
7:05 in.
10:22 in.
42:23 in.
46:30 in.
I think I cited every single cue in the episode, so I might as well say the whole score should be released.
"Choices"
By: Dana Kaproff
https://www.youtube.com/watch?v=Y6deDaA-GqQ
Highlights:
0:00 in.
21:35 in. Tender and delicate piece with piano, some acoustic guitar and some strings.
32:01 in.
I think that was nearly the entire score.
That's it -- season two was that short!
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SEASON 4:
Since there is so little scoring in each episode, I am able to do the entire season today, and have time to move on to season five.
"Child Witness"
By: Dana Kaproff
https://www.youtube.com/watch?v=75xNdA8MZLA
Highlights:
0:00 in.
1:49 in.
11:56/14:51/28:32 in.
46:43 in.
"Heat"
This episode has no score, so no composer is credited. The score in the opening showing what is going to happen on this episode, is tracked from a prior episode. There were a small number of later episodes which also have no composer credited, but I don't know if they are tracked or score-less (I'll find out).
"Insubordination"
By: Ron Ramin
https://www.youtube.com/watch?v=_Le-AX8SiOQ
Highlights:
About 2:00 in.
9:11 in.
16:53 in. Over two minutes of mainly strings that reminds me of a cue from "The Thorn Birds".
22:47 in. Including some chase music.
42:01 in.
46:18 in.
I think I cited every single cue, except maybe a restaurant source piece, so I might as well say the whole score should be released.
"Old Debts"
By: Dana Kaproff
https://www.youtube.com/watch?v=yw8o7992FOk
Highlights:
9:24 in.
14:39/22:45 in. Solo piano and solo flute piece.
33:18 in.
38:10 in.
Guest-starring Jonathan Banks. And the guy who played the dad on "Nash Bridges".
"Fathers & Daughters"
By: Ron Ramin
https://www.youtube.com/watch?v=JU39aazTMSo
Highlights:
0:00 in.
2:04 in.
About 7:25 in.
"Taxicab Murders"
By: Mark Snow
https://www.youtube.com/watch?v=RL00esAjNu8
This is Snow's final effort for the series.
Highlights:
1:49 in.
29:45 in.
36:26 in.
42:29 in.
"Unusual Occurence"
By: Dana Kaproff
https://www.youtube.com/watch?v=79ef8mgtqsg
Highlights:
About 4:25 in.
45:06 in.
There were only four cues in the episode.
"Thank God It's Monday"
By: Dana Kaproff
https://www.youtube.com/watch?v=v4iaJc_TVmM
Highlights:
0:00 in.
2:04 in. Classical music-sounding string work.
12:50/33:38/38:43 in. Classical music-sounding piano work. And strings added in the following pieces.
44:25 in.
47:17 in.
I think I cited every cue, so I might as well say the whole score should be released.
"Hooked"
By: Ron Ramin
https://www.youtube.com/watch?v=lqnBaIESxyg
Highlights:
5:08 in. Piano, strings and a flute.
6:13 in.
39:59 in.
43:44 in.
I only skipped one short cue leading to a commercial break.
"Lady Luck"
By: Angela Morley
https://www.youtube.com/watch?v=qzmn4jJvBsw
This is Morley's only effort for the series.
Highlights:
0:00 in.
1:48 in.
4:40 in.
11:59 in.
21:19 in. Nearly SFX free cue.
32:12 in.
35:07 in. Short but good.
47:00 in.
That's the entire score I cited, so the entire score should be released.
"Out of Control"
By: Ian Freebairn-Smith
https://www.youtube.com/watch?v=KDEW08VjahU
This is Freebairn-Smith's only effort for the series.
Highlights:
0:00 in.
10:46 in.
I think that was all the score I found.
"American Dream"
By: Ron Ramin
https://www.youtube.com/watch?v=b5d1H25Y1r4
Highlights:
1:48 in.
About 14:47 in.
18:43 in.
34:27 in.
38:40 in. Including some action/chase music.
46:32 in.
I think I cited every cue, so I might as well say the whole score should be released.
"Happily Ever After"
By: Dana Kaproff
https://www.youtube.com/watch?v=imz14rlyqW0
Highlights:
0:00 in.
2:04 in. Upbeat yet restrained classical-sounding string work.
4:13/13:05 in.
22:47 in.
Except the source pieces, that's the entire score I cited. The whole score should be released.
"Rules of the Game"
By: Ron Ramin
https://www.youtube.com/watch?v=ulfi3rAwli8
Highlights:
1:16 in.
25:58 in.
43:59 in.
46:55 in.
That's every single cue I cited, so I might as well say the whole score should be released.
"Stress"
By: Dana Kaproff
Highlights:
1:17 in.
6:43 in.
31:51 in.
35:35 in.
40:41 in.
I think I cited every cue, so I might as well say the whole score should be released.
"Who Says It's Fair: Part 1"
By: Dana Kaproff
https://www.youtube.com/watch?v=B5TLZFoNAc8
Highlights:
0:00 in.
1:59 in.
30:32/33:09 in.
38:31 in.
41:19/43:47 in.
45:28 in.
47:25 in.
That's every single cue I cited, so I might as well say the whole score should be released.
"Who Says It's Fair: Part 2"
By: Dana Kaproff
https://www.youtube.com/watch?v=Buaxzkwr4HQ
Highlights:
1:17 in.
3:31/15:52/30:13 in.
23:23 in.
43:19 in.
46:40 in.
That's every single cue I cited (minus radio source music, which is probably original material), so I might as well say the whole score should be released.
"Lost and Found"
By: Ron Ramin
https://www.youtube.com/watch?v=ho_MgduKiZI
Highlights:
0:00 in.
1:48 in.
13:39 in.
16:18 in.
27:23 in.
36:26 in.
43:43 in.
47:08 in.
That's every single cue I cited (minus source music), so I might as well say the whole score should be released.
"Two Grand"
By: Dana Kaproff
https://www.youtube.com/watch?v=Q81tRRhk0c0
Highlights:
16:52 in.
46:39 in.
Minus the string quartet players which I assume were playing existing classical work (27:10 in), that's all the score.
"Con Games"
By: Ron Ramin
https://www.youtube.com/watch?v=ZnFyLJC1Oqc
Highlights:
0:00 in.
33:11 in.
36:32 in.
45:33 in.
That's every single cue I cited, so I might as well say the entire score should be released.
"Violation"
By: Dana Karpoff
Highlights:
0:00 in.
1:48 in.
20:28 in.
23:06 in.
40:03 in.
Mark: "But Dennis Becky showed a spontaneous gesture of humanitarianism; he paid a hundred dollars for an authentic Barry Manilow shirt."
That's every single cue I cited, so I might as well say the entire score should be released.
"Organized Crime"
By: Nan Schwartz
https://www.youtube.com/watch?v=jrgVpIeD1EU
Highlights:
0:00 in.
1:50 in.
6:12 in.
19:16 in.
31:08 in.
41:51/42:54 in.
47:09 in.
That's all but one or two cues I cited.
This score was nominated for an Emmy, but lost. The other competition that year:
"Miami Vice"
Episode: Evan" (the Hammer)
"Dynasty"
Episode: "Triangles" (Angela Morley)
"St. Elsewhere"
Episode: "Fade to White" (J.A.C. Redford)
"Murder, She Wrote"
Episode: "Murder of Sherlock Holmes" (John Addison)
WINNER
This was the only score in the series to get a nomination, which is odd considering the quality of the scoring. There should have been more nominations and wins.
I'm going to say it now rather than wait until I am done with the show: This is some of the finest scoring of any TV series.
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Whoa! Interesting and varied composer lineup, on this show...
Yavar
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Make sure you check out the scoring, Yavar, and then comment and let us know what you think and if you're on the C&L bandwagon.
I've edited my above post to include the rest of the highlights, after the episode "The Lottery".
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I have a great many of Dana's scores here. When he moved to NY he left all his tapes for safekeeping with me.
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You're welcome. And Loretta Swift played her in the pilot.
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Yeah the recasting of a main character seems to apply not only to the actresses playing the character, but the character itself!
"Actress Loretta Swit played the role of Christine Cagney in the original television movie (October 1981), but was forced to decline the role in the series when the producers of M*A*S*H refused to let her out of her contract. When the movie was picked up as a series, first airing with six episodes as a midseason replacement in the spring of 1982, Meg Foster portrayed the character. When the show was picked up for a regular season in 1982, Foster was replaced with Sharon Gless because CBS deemed Foster too aggressive and too likely to be perceived as a lesbian by the viewers.[2]
CBS executives hoped Gless would portray Cagney as more conventionally "feminine" and attempted to pressure the producers to remake Christine into a more "high-class", snobbish woman from wealthy parents. Barney Rosenzweig and Barbara Corday initially refused to change Christine Cagney from a tough, witty, working-class woman. Shortly into Gless's tenure on the program, Rosenzweig and Corday compromised with the network brass."
https://en.wikipedia.org/wiki/Cagney_&_Lacey
I have my hands pretty full for the next couple months, but I'll check out some episodes when I can.
I gotta say, it's a little bizarre that Mark Snow scored the pilot (he's older than I thought!) when I associate him more with modern shows like The X-Files and Smallville, but Nelson Riddle succeeded him scoring regular episodes of the show, when I associate him more with, well, the 60s Batman!
Yavar
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